桃源山居(ju)地勢平(ping)緩,山林蔥郁,泉鳴溪(xi)清,匯(hui)集了(le)(le)地域特色文化之(zhi)(zhi)精(jing)華,保(bao)持了(le)(le)農(nong)(nong)村風貌,體現了(le)(le)田園風光(guang),注重了(le)(le)農(nong)(nong)家(jia)情(qing)趣,彰顯(xian)了(le)(le)文化之(zhi)(zhi)美(mei)(mei)(mei)(mei)、生態(tai)之(zhi)(zhi)美(mei)(mei)(mei)(mei)、建(jian)筑(zhu)之(zhi)(zhi)美(mei)(mei)(mei)(mei)、互動之(zhi)(zhi)美(mei)(mei)(mei)(mei)、思源之(zhi)(zhi)美(mei)(mei)(mei)(mei)。走進(jin)景(jing)區,青瓦白屋,木(mu)(mu)樓(lou)灰墻,古色門窗,黛色遠(yuan)山,一一映入(ru)眼簾,清新脫俗(su),好(hao)似(si)仙境。景(jing)區內(nei)民(min)居(ju)采用川(chuan)西(xi)南地區干欄式穿斗(dou)木(mu)(mu)結構結合(he)青磚、灰瓦、白墻、木(mu)(mu)窗、木(mu)(mu)籬的(de)形式,因地制宜(yi)、依山傍(bang)水,錯落有(you)致,有(you)聚有(you)散(san)而建(jian),形成了(le)(le)“家(jia)、院、村”的(de)傳(chuan)統民(min)居(ju)建(jian)筑(zhu)形態(tai)。在這里可以(yi)休憩喝清茶、嘗小吃(chi)、品美(mei)(mei)(mei)(mei)酒、放河燈(deng)、做農(nong)(nong)家(jia)活、吃(chi)農(nong)(nong)家(jia)飯、看(kan)農(nong)(nong)家(jia)戲(xi)、過農(nong)(nong)家(jia)節(jie),體驗傳(chuan)統民(min)俗(su)文化。
占地(di)(di)面(mian)積約(yue)1000平方(fang)米的農(nong)耕(geng)文化(hua)博物館景區內收集整理(li)農(nong)耕(geng)擺件(jian)1000余件(jian),館內藏(zang)品與村民傳統的農(nong)耕(geng)生產生活方(fang)式相互呼應,被省(sheng)委(wei)宣傳部(bu)、省(sheng)社科(ke)(ke)聯聯合(he)評審為川(chuan)西南地(di)(di)區僅存的一處“四川(chuan)省(sheng)哲(zhe)學(xue)社會科(ke)(ke)學(xue)普及基地(di)(di)之農(nong)耕(geng)文化(hua)社科(ke)(ke)普及基地(di)(di)”,是宣傳、展示(shi)川(chuan)西南農(nong)耕(geng)文化(hua)的重要(yao)平臺。
中(zhong)國(guo)竹(zhu)(zhu)(zhu)之鄉“沐(mu)川”的竹(zhu)(zhu)(zhu)編(bian)(bian)歷(li)史源(yuan)遠流長,用料(liao)講究,工(gong)藝(yi)復雜(za)。隨著(zhu)竹(zhu)(zhu)(zhu)編(bian)(bian)從日常用品(pin)步(bu)入工(gong)藝(yi)化、藝(yi)術化,對(dui)竹(zhu)(zhu)(zhu)絲細度的要求越來越高,沐(mu)川篁木神品(pin)工(gong)藝(yi)品(pin)有限(xian)公(gong)司將(jiang)復雜(za)的山水、人物、花鳥和書法作品(pin)通(tong)過草圖直接編(bian)(bian)織法,能原(yuan)汁原(yuan)味(wei)地展現在竹(zhu)(zhu)(zhu)編(bian)(bian)之上。栩栩如生(sheng),生(sheng)靈活物,用竹(zhu)(zhu)(zhu)編(bian)(bian)看世界,深(shen)受(shou)各國(guo)游(you)客(ke)的贊賞。
景(jing)區(qu)內圍繞農耕文化(hua)打造的“天地人和”節氣廣場(chang)、“春夏秋(qiu)冬”四季長廊(lang),惜時園,荷塘(tang)月(yue)色、“風調雨順”風雨廣場(chang)等景(jing)觀因地制宜,人文景(jing)觀和自(zi)然景(jing)觀相(xiang)互(hu)協(xie)調,是充分反映地域自(zi)然文化(hua)特點的主要窗(chuang)口。
成渝環線(xian)高速→犍為南收費站→蘭磨線(xian)→沐源路
原生(sheng)(sheng)態(tai)(tai)大型(xing)山(shan)水(shui)實景劇《烏蒙沐(mu)歌》,立足沐(mu)川縣獨具魅力的生(sheng)(sheng)態(tai)(tai)環境和歷史(shi)文化(hua)(hua),依托景區自然山(shan)水(shui),融合生(sheng)(sheng)態(tai)(tai)、歷史(shi)、民俗、農(nong)耕等地方特(te)色文化(hua)(hua)元素,借助(zhu)現代光影科技,將(jiang)竹鄉的生(sheng)(sheng)態(tai)(tai)魅力、歷史(shi)遺(yi)韻、民俗風情盡展于自然山(shan)水(shui)之間。
源于唐貞觀元年(公(gong)元627年)的(de)沐川(chuan)草龍(long)(long)(long)(long)(long)文(wen)化(hua),是中華舞(wu)龍(long)(long)(long)(long)(long)藝術的(de)代(dai)表之一,也是古代(dai)巴(ba)蜀文(wen)化(hua)的(de)“活(huo)化(hua)石”,享(xiang)有國(guo)家級(ji)非物(wu)質文(wen)化(hua)遺產、世界吉尼斯紀錄等(deng)多項殊榮。沐川(chuan)草龍(long)(long)(long)(long)(long)具有“精(jing)、妙(miao)、奇(qi)、神(shen)”的(de)特點,龍(long)(long)(long)(long)(long)頭、龍(long)(long)(long)(long)(long)身(shen),龍(long)(long)(long)(long)(long)尾設計精(jing)巧(qiao),龍(long)(long)(long)(long)(long)眼、龍(long)(long)(long)(long)(long)須(xu)、龍(long)(long)(long)(long)(long)爪活(huo)靈活(huo)現。整體觀之,古樸原始,鄉土氣息濃郁,獨具藝術魅力(li)。沐川(chuan)草龍(long)(long)(long)(long)(long)的(de)精(jing)妙(miao)之處,還在于舞(wu)耍奇(qi)特,幾(ji)十(shi)名身(shen)穿草裙,腳穿草鞋的(de)漢子,在鏗鏘的(de)鑼鼓(gu)音樂伴奏下(xia),草龍(long)(long)(long)(long)(long)騰飛(fei),氣勢壯觀。