男(nan)女裸像(xiang)青(qing)銅(tong)(tong)(tong)短(duan)劍(jian)、狐尾形飾、鈴(ling)型(xing)器、狩獵紋銅(tong)(tong)(tong)環、銅(tong)(tong)(tong)刀、陶(tao)盆、陶(tao)鼎、陶(tao)碗、紅陶(tao)罐等物(wu)品,其中男(nan)女裸像(xiang)青(qing)銅(tong)(tong)(tong)短(duan)劍(jian)的(de)出土(tu)在青(qing)銅(tong)(tong)(tong)劍(jian)中尚屬(shu)發現,而且迄今僅(jin)此一件,其稀貴自不(bu)待言,同時(shi)也顯示(shi)此劍(jian)的(de)使(shi)用者具(ju)有特殊(shu)的(de)身(shen)份。
青(qing)銅(tong)(tong)短劍是我國(guo)古(gu)代流行(xing)北方地(di)區的(de)一種短兵器,考(kao)古(gu)發(fa)現頗(po)多,分布在南起河北望(wang)城,北達(da)吉(ji)林懷(huai)德,東(dong)自(zi)遼東(dong)半島,西至內蒙古(gu)西部杭(hang)錦旗(qi)及山西保德的(de)廣大范圍(wei)內,從 商代晚(wan)期(qi)(qi)出現直到戰國(guo)中晚(wan)期(qi)(qi),是我國(guo)北方青(qing)銅(tong)(tong)文(wen)化的(de)一種富有地(di)區特點的(de)遺物。
陰陽青銅短劍(jian)(jian)為春秋時期(qi)器(qi)物,通長32厘米(mi),柄(bing)(bing)長10厘米(mi),刃寬4.2厘米(mi),1958年內(nei)蒙古(gu)赤(chi)峰市寧城縣南(nan)山根(gen)遺(yi)址出土,內(nei)蒙古(gu)自治區博物館藏(zang)。短劍(jian)(jian)造型作直(zhi)柄(bing)(bing)曲刃,整體一(yi)次鑄(zhu)成,劍(jian)(jian)身有脊,橫斷(duan)面(mian)呈(cheng)八棱形,柄(bing)(bing)與劍(jian)(jian)身之間有半月形護手,柄(bing)(bing)扁圓(yuan),兩面(mian)各鑄(zhu)裸體人像(xiang),一(yi)面(mian)為男,一(yi)面(mian)為女,二面(mian)相雷同。
青(qing)(qing)銅短劍(jian)(jian)形(xing)(xing)制多樣,有(you)曲(qu)(qu)柄劍(jian)(jian),柳葉劍(jian)(jian)及曲(qu)(qu)刃(ren)劍(jian)(jian)三種形(xing)(xing)制,以(yi)曲(qu)(qu)柄劍(jian)(jian)年代早(zao),曲(qu)(qu)刃(ren)晚。劍(jian)(jian)柄是青(qing)(qing)銅短劍(jian)(jian)富裝飾的部分,常見在劍(jian)(jian)柄上飾幾何紋、螺旋紋、羽(yu)狀紋、圓(yuan)點(dian)方格紋、動物(wu)紋等(deng)。柄首則作獸(shou)頭形(xing)(xing)、鳥頭形(xing)(xing)、雙(shuang)環形(xing)(xing)、蘑菇形(xing)(xing)等(deng),劍(jian)(jian)柄裝飾以(yi)動物(wu)形(xing)(xing),體現了游牧(mu)民(min)族的文化風格,此件曲(qu)(qu)刃(ren)劍(jian)(jian)以(yi)裸體男女(nv)像作劍(jian)(jian)柄之裝飾顯得特突出,在青(qing)(qing)銅劍(jian)(jian)中尚屬發(fa)現,而且迄今僅此一件,其稀貴(gui)自(zi)不待言,同時也顯示此劍(jian)(jian)的使用者(zhe)具(ju)有(you)特殊的身份。
夏(xia)(xia)家(jia)店下層(ceng)文化(hua)、夏(xia)(xia)家(jia)店上層(ceng)文化(hua)都因發(fa)現于松(song)山區(qu)王(wang)家(jia)店鄉夏(xia)(xia)家(jia)店村而得(de)名,為(wei)(wei)中(zhong)國北(bei)方青銅(tong)(tong)文化(hua)。青銅(tong)(tong)時(shi)(shi)代在中(zhong)國主要(yao)指夏(xia)(xia)、商(shang)、周至春秋時(shi)(shi)期。夏(xia)(xia)家(jia)店下層(ceng)文化(hua)距(ju)今4000年左右,為(wei)(wei)中(zhong)國北(bei)方早期青銅(tong)(tong)文化(hua),范(fan)圍以(yi)赤峰為(wei)(wei)中(zhong)心(xin),東至遼(liao)寧(ning)西部(bu),南(nan)達(da)京津地區(qu),西到張家(jia)口以(yi)東,北(bei)抵西拉(la)沐淪河(he)流域(yu),其中(zhong)大量山城遺(yi)址引人注目(mu)。夏(xia)(xia)家(jia)店下層(ceng)文化(hua)的(de)(de)經濟(ji)結構以(yi)農(nong)業(ye)為(wei)(wei)主,兼畜牧業(ye)和(he)狩(shou)獵。主要(yao)農(nong)業(ye)作物為(wei)(wei)粟和(he)稷,其農(nong)業(ye)文明不晚于中(zhong)原地區(qu)。出土的(de)(de)彩(cai)(cai)繪(hui)陶(tao)器(qi)系用紅(hong)白兩彩(cai)(cai)在烘制后的(de)(de)陶(tao)器(qi)上繪(hui)有(you)饕餮紋、云雷紋、蟠螭紋、龜蛇紋等(deng)圖案,與(yu)商(shang)周時(shi)(shi)期青銅(tong)(tong)器(qi)同等(deng)重要(yao)。
夏家店上層文化屬晚期(qi)青(qing)銅(tong)文化,距今(jin)3000年左右,分布(bu)范圍(wei)北(bei)至查干沐(mu)(mu)淪河、烏爾吉沐(mu)(mu)淪河流域(yu),東南(nan)到凌河上游,東北(bei)至敖來(lai)河、孟克河,西(xi)(xi)南(nan)達承德(de)地區,以西(xi)(xi)拉沐(mu)(mu)淪河和老(lao)哈(ha)河流域(yu)密集,系中(zhong)華民族(zu)影響較大的北(bei)方(fang)少數(shu)民族(zu)東胡(hu)族(zu)所(suo)創造,被史學界稱為“東胡(hu)文化”。先(xian)后出土了(le)多為本土鑄造的大量青(qing)銅(tong)器,融(rong)中(zhong)原(yuan)和漠北(bei)青(qing)銅(tong)文化于一體(ti),與中(zhong)原(yuan)同期(qi)青(qing)銅(tong)文明互相影響、互見短長,工(gong)藝精湛,特色鮮明。