1863年12月12日(ri)，愛(ai)德華(hua)(hua)·蒙克(ke)出生于挪威雷登在(zai)奧斯陸長大。愛(ai)德華(hua)(hua)·蒙克(ke)的(de)(de)(de)父親患(huan)有精(jing)神病(bing)，他(ta)向他(ta)的(de)(de)(de)孩(hai)子們(men)灌輸了對地獄的(de)(de)(de)根深蒂固的(de)(de)(de)恐懼，他(ta)一再告訴他(ta)們(men)，如果他(ta)們(men)在(zai)任何(he)(he)情況下、以任何(he)(he)方式犯有罪孽，他(ta)們(men)就會注(zhu)定被(bei)投入地獄，沒有任何(he)(he)寬恕的(de)(de)(de)機(ji)會。1879年 ，愛(ai)德華(hua)(hua)·蒙克(ke)為(wei)成為(wei)一名工(gong)(gong)程師而進工(gong)(gong)學院念書，受印象主義畫風的(de)(de)(de)影響，然而，頻(pin)繁的(de)(de)(de)患(huan)病(bing)中斷了他(ta)的(de)(de)(de)學業(ye)。
1880年，愛德(de)華·蒙克為了成為一名畫家而離開工學院。
1881年，愛德華·蒙克(ke)考進(jin)了奧斯(si)陸(lu)皇家藝術(shu)和設計學院，他的(de)老師(shi)是雕刻(ke)家朱利厄斯(si)·米德爾(er)頓和自然(ran)主義畫家克(ke)里斯(si)蒂安(an)·克(ke)羅格。
1885年，愛德(de)(de)華(hua)(hua)·蒙克前往巴黎。他(ta)的(de)(de)作(zuo)品(pin)開始顯示出(chu)法國(guo)畫(hua)家的(de)(de)影響(xiang)；一開始是(shi)(shi)印(yin)象(xiang)(xiang)派(pai)，接著(zhu)是(shi)(shi)后(hou)(hou)印(yin)象(xiang)(xiang)派(pai)，然後是(shi)(shi)新(xin)藝(yi)術(shu)造型。愛德(de)(de)華(hua)(hua)·蒙克的(de)(de)繪畫(hua)盡管風格上是(shi)(shi)后(hou)(hou)期印(yin)象(xiang)(xiang)派(pai)的(de)(de)，但在(zai)(zai)主題上卻是(shi)(shi)象(xiang)(xiang)征派(pai)的(de)(de)，愛德(de)(de)華(hua)(hua)·蒙克的(de)(de)繪畫(hua)內(nei)容(rong)在(zai)(zai)于(yu)刻畫(hua)內(nei)心世界而(er)不是(shi)(shi)外在(zai)(zai)現實。
1889年改(gai)用傳統的(de)(de)(de)畫(hua)(hua)(hua)法(fa)創作《病(bing)孩》和(he)變體畫(hua)(hua)(hua)《春》，從而(er)獲得(de)獎(jiang)學金去法(fa)國留學，從師L.博納。在法(fa)國，他在研究(jiu)印(yin)象主(zhu)義畫(hua)(hua)(hua)法(fa)的(de)(de)(de)基礎上，轉而(er)對后印(yin)象主(zhu)義和(he)納比派發生興趣。他發現線條和(he)色(se)彩有強烈的(de)(de)(de)表現力，試圖用它們畫(hua)(hua)(hua)出(chu)活生生的(de)(de)(de)人們，他們的(de)(de)(de)呼吸、感覺(jue)、受苦受難并彼此的(de)(de)(de)相(xiang)愛(ai)。
1892年(nian) 愛(ai)德華(hua)·蒙(meng)克(ke)(ke)(ke)應邀(yao)參加柏林(lin)藝(yi)術家(jia)聯盟在11月(yue)份舉(ju)行的畫展(zhan)。愛(ai)德華(hua)·蒙(meng)克(ke)(ke)(ke)的繪畫成了苦澀的爭論對象，畫展(zhan)在一星期后結束。在柏林(lin)，愛(ai)德華(hua)·蒙(meng)克(ke)(ke)(ke)成了一個(ge)國(guo)際圈子里的一員，里面有作家(jia)、藝(yi)術家(jia)和(he)評(ping)論家(jia)，包括(kuo)挪威劇作家(jia)亨利·易卜生和(he)瑞典(dian)戲劇家(jia)奧古斯特·史特林(lin)堡。愛(ai)德華(hua)·蒙(meng)克(ke)(ke)(ke)為易卜生的幾個(ge)劇本設計(ji)了布景。
1893年12月(yue)，愛(ai)(ai)德(de)華(hua)·蒙克(ke)在(zai)柏(bo)林著名的(de)菩提樹(shu)下大街開畫展(zhan)。和(he)其(qi)它(ta)(ta)作(zuo)品一起，愛(ai)(ai)德(de)華(hua)·蒙克(ke)出展(zhan)了題為“愛(ai)(ai)的(de)研究系列”，由六(liu)幅(fu)畫所組成。這是他此后命名為“生命的(de)飾帶 以 生命、愛(ai)(ai)情和(he)死亡的(de)詩(shi)”組畫的(de)起點。它(ta)(ta)包括深(shen)(shen)深(shen)(shen)地沉浸于(yu)大氣的(de)主題《風暴》《月(yue)光》和(he)《星夜(ye)》。其(qi)它(ta)(ta)主題有揭示愛(ai)(ai)的(de)陰暗面的(de)，比如《玫(mei)瑰與阿美莉(li)》和(he)《吸血鬼》。《病室(shi)里的(de)死亡》則以死亡為主題，基于(yu)愛(ai)(ai)德(de)華(hua)·蒙克(ke)對姐姐蘇(su)菲之死的(de)回憶。
1894年，“生命的(de)飾(shi)帶”加進了(le)《焦躁(zao)》《灰燼》《圣母》和(he)《女人(ren)三階(jie)段》作品集。在世(shi)紀之交之際，愛德華·蒙克完成了(le)他的(de)“生命的(de)飾(shi)帶”組(zu)畫系列。
1908年秋，他(ta)(ta)的焦(jiao)慮變得深刻(ke)并在丹尼爾(er)·賈(jia)可布遜博(bo)士的診(zhen)所住院接受治療。醫院里施行(xing)的休克療法改變了他(ta)(ta)的個性。
1909年(nian)愛德(de)華·蒙(meng)克回到(dao)挪威，更(geng)多地表(biao)現出對大(da)自然(ran)的(de)(de)興趣，他的(de)(de)作品(pin)變得更(geng)富于(yu)色彩(cai)，減少了(le)悲觀的(de)(de)成分。在納粹統治期(qi)間，愛德(de)華·蒙(meng)克的(de)(de)作品(pin)被貼(tie)上(shang)了(le)“頹廢(fei)藝(yi)術”的(de)(de)標簽，從德(de)國(guo)的(de)(de)各個美術館撤了(le)下來(lai)。反(fan)納粹主(zhu)義(yi)的(de)(de)愛德(de)華·蒙(meng)克來(lai)說(shuo)是很傷心的(de)(de)，因為他把德(de)國(guo)看作為他的(de)(de)第二祖國(guo)。
1944年(nian)1月(yue)23日，愛德華(hua)(hua)·蒙克于奧斯陸(lu)附近的艾可利與世長辭。他向奧斯陸(lu)捐贈了1000幅油畫(hua)，15400張(zhang)版(ban)畫(hua)，4500件素(su)描和水彩畫(hua)，還有6件雕刻作品。后來(lai)為紀念愛德華(hua)(hua)·蒙克，建造了愛德華(hua)(hua)·蒙克美術館。
作品名 年份
?vre Foss
1880
Small Lake with Boat
1880
Horse and Wagon in front of Farm Buildings
1880
Autumn Work in the Field
1880
Landscape with Woman Walking by a Lake
1880
Landscape with Trees and Water
1880
Autumn in the Forest
1880
Horse and Cart on a Country Road
1880
Still Life with Pipe and Bibles
1880
View from Fossveien
1880-81
View from Fossveien
1881
Winter Landscape with House and Red Sky
1881
Potted Plant on the Window-Sill
1881-82
Potted Plant
1881-82
The Living-Room of the Misses Munch in Pilestredet 61
1881
From Vestre Aker
1881
Hakloa in Maridalen
1881
Maridalsveien in Nydalen
1881
Houses in Maridalen
1881
From Maridalen
1881
Akerselva
1881
Landscape with Woman and Child
1881
Landscape with a Small House and Two People
1881
Landscape with Lake and Forest
1881
From Bunnefjorden
1881
From Sandvika
1881
Man Rowing towards Land
1881
Bay with Boat and House
1881
Man and Woman in Boat
1881
Fisherman by the Water
1881
Christian Munch on the Couch
1881
Christian Munch on the Couch
1881
Study of a Landscape
1881
View of Grüner's Garden
1881
Gamle Aker Church
1881-82
Gamle Aker Church
1881
Gamle Aker Church
1881
Gamle Aker Church
1881
View from Fossveien 7 towards Bergfjerdingen
1881
People on the Road in Wet Snow
1881
Goblin with Christmas Porridge
1881
Still Life with Jar, Apple, Walnut and Coconut
1881
?vre Foss in Winter
1881-82
Boy in Snow
1881-82
View of the City on a Winter's Day
1882
Self-Portrait
1882
Laura Munch
1882
Laura Munch
1882
Olaf Rye's Square towards South East
1882
View across Olaf Rye's Square
1882
Olaf Rye's Square towards South East
1882
Landscape with Waterfall and House
1882
Evening Atmosphere at Sea
1882
Landscape with a Small Waterfall
1882
Spring Landscape
1882
Stream in Spring
1882
Karen Bj?lstad
1882-83
Man's Head with Beard
1882-83
The Errand Boy
1882-84
Garden with Red House
1882
Garden with Red House
1882
By the Garden Table
1882
Akerselva by Sl?motgangen
1882
Inger by the Window
1882
Akerselva by Nedre Foss
1882
Akerselva
1882
Birch Trees with Woman Walking
1882
Birch Trees in the Autumn
1882
From Vestre Aker
1882
Birch Trees and Man Carrying Twigs
1882
Autumn in Vestre Aker
1882
Woman on a Country Lane
1882
Two Boys on a Country Lane
1882
Thorvald Torgersen
1882
Thorvald Torgersen
1882
Head of a Boy
1882
Andreas Reading
1882
Andreas Reading
1882
Andreas Reading
1882
Self-Portrait
1882
Drive at Vaterland
1882
From Saxeg?rdsgate
1882
Laura Munch
1883
Otto Linthoe
1883
Study of a Man's Head
1883
Study of an Old Man's Head
1883
Head of an Old Man with Beard
1883
Study of an Old Man's Head
1883
Afternoon at Olaf Rye's Square
1883
Street Corner on Karl Johan, Grand Café
1883
Christian Munch on the Couch
1883
Landscape from Asker
1883
Autumn in Asker
1883
Andreas by the Window
1883
Andreas Reading
1883
The Dome of Trinity Church
1883
Study of a Head
1883
Early in the Morning
1883
Andreas Singdahlsen
1883
Hjalmar Borgstr?m
1883
Portrait of a Woman
1883
Karen Bj?lstad in the Rocking Chair
1883
Around the Paraffin Lamp
1883
At the Coffee Table
1883
At Supper
1883
The Infirmary at Helgelandsmoen
1884
Fence in the Forest
1884
Two People on the Way to the Forest
1884
Morning
1884
Christian Munch
1884
Portrait Studies
1884
Inger Munch in Black
1884
Street in Winter
1885
Ball
1885
Tête-à-tête
1885
Karl Johan
1885
Girl's Head
1885
Dagny Konow
1885
Study of an Old Man's Head
1885
Fredrik Lidemark
1885
Karl Jensen-Hjell
1885
Klemens Stang
1885
Christian Munch with Pipe
1885
Karen Bj?lstad
1885
J?rgen S?rensen
1885
Andreas Munch
1885
Cabaret
1885
The Sickroom
1885
The Sick Child
1885
Red-Haired Girl with White Rat
1886
Girl at the Piano
1886
Self-Portrait
1886
Andreas Munch Studying Anatomy
1886
Afternoon Nap
1886
Boat with Three Boys
1886
Man on the Veranda
1886
From His?ya near Arendal
1886
Woman and Children in Arendal
1886
Thorvald Torgersen
1886
Puberty
1886
The Day After
1886
Seated Young Girl
1887
Betzy Nilsen
1887
Halvard Stub Holmboe
1887
Jacob Torkildsen
1887
Forest Landscape with Small Lake
1887
Veierland near T?nsberg
1887
Two Men by the Window
1887
Law
1887
Kristiania Bohemians
1887
Self-Portrait
1888
Marius Selmer
1888
Bendix Lange
1888
Beach
1888
The T?nsberg Fjord
1888
On the Pier
1888
Man Binding Fishnet
1888
Karen Bj?lstad
1888
Evening
1888
Summer Day on the Pier
1888
Laura and Inger in the Summer Sun
1888
Evening
1888
Inger in Sunshine
1888
At the General Store in Vrengen
1888
Andreas Bj?lstad
1888
Aasta Carlsen
1888
Man Standing in the Doorway
1889
Karl D?rnberger
1889
Charlotte D?rnberger
1889
Georg Stang
1889
John Hazeland on his Deathbed
1889
Spring
1889
Hans J?ger
1889
From Karl Johan
1889
Music on Karl Johan
1889
Beach Landscape from?sg?rdstrand
1889
Beach
1889
From ?sg?rdstrand
1889
Beach Landscape
1889
Shore
1889
Summer Night. Inger on the Beach
1889
Summer Evening
1889
Summer
1889
Summer in ?sg?rdstrand
1889
Morten Damme's House near ?sgardstrand
1889
Standing Female Nude
1889
A French Tavern (Two Men and a Woman)
1890
The Canal near Paris (with a Small Streamboat)
1890
A Woman (in Half-figure) with Landscape (Returned from Victoria terrasse)
1890
A Small Beach Study
1890
Night in Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
The Seine at Saint-Cloud
1890
At the Wine Merchant's
1890
In the Bar
1890
In the Café
1890
Norwegian Spring Landscape
1890
Landscape
1890
The Streamboat Arrives
1890
Beach
1890
Spring Day on Karl Johan
1890
Sunny Day in ?sg?rdstrand
1890
Garden Path
1890
Woman in Evening Landscape
1890
Landscape
1890
View from Hauketo
1890
View from Hauketo
1890
Landscape
1890
The Absinth Drinkers
1890
Two Children
1890
Under the Palm Trees in Nice
1891
Afternoon on the Promenade des Anglais
1891
Morning on the Promenade des Anglais
1891
Sunny Day in Nice
1891
Rooftops in Nice
1891
Night in Nice
1891
Fisherboy from Nice
1891
Boy's Head
1891
Young Woman in Blue
1891
Young Woman in Blue
1891
Model Scratching her Arm
1891
Rue Lafayette
1891
Rue de Rivoli
1891
Sunday in ?sgardstrand
1891
Young Blond Girl
1891
Summer Evening in ?sgardstrand
1891
In Open Air
1891
Summer
1891
Eroticism on a Summer Evening
1891
Karl Johan in the Rain
1891
Evening. Melancholy
1891
Woman in Blue against Blue Water
1891
Old Fisherman
1891
Pine Forest
1891
Summer Day in the Forest
1891
Forest Landscape
1891
From Nordstrand
1891
Landscape in Moonlight
1891
Woman by the Balustrade
1891
Inger in a White Blouse
1891
no:Jappe Nilssen
1891
Arve Arvesen
1891
Gunnar Heiberg
1891
Helge Rode
1891
Olga Buhre
1891
Alexandra Thaulow
1891
Kiss by the Window
1891
The Day After
1891
Munch Museum, Oslo, Norway
1892
Childhood Memory
1892
Gamblers in Monte Carlo
1892
Gamblers in Monte Carlo
1892
At the Roulette Table in Monte Carlo
1892
Sick Mood at Sunset. Despair
1892
Cypress in Moonlight
1892
Kiss by the Window
1892
The Kiss
1892
The Girl by the Window
1892
Woman Combing her Hair
1892
Woman Looking in the Mirror
1892
After the Bath
1892
From the Riviera
1892
From the Riviera
1892
Moonlight by the Mediterranean
1892
A Pine
1892
Trees by the Mediterranean
1892
From the Riviera
1892
Men Flocking round Women in Light Clothing
1892
Forest
1892
Moonlight on the Beach
1892
Mystery on the Shore
1892
Mystery on the Shore
1892
Two Human Beings. The Lonely Ones
1892
Melancholy
1892
Night in Saint-Cloud
1892
Night in Saint-Cloud
1892-93
Night in Saint-Cloud
1892
Vision
1892
The Water Lillies
1892-93
Evening on Karl Johan
1892
From Nordstrand
1892
On the Veranda
1892
Inger by the Window
1892
Inger in Black and Violet
1892
Seated Young Woman
1892
Autumn Rain
1892
Jakob Bratland
1892
Ludvig Meyer
1892
Thor Lütken
1892
Ragnhild andDagny Juel
1892-93
August Strindberg
1892
Night in Saint-Cloud
1893
The Girl by the Window
1893
Study of a Model
1893
Separation
1893
Woman with Red Hat
1893-94
Symbolic Study
1893-94
Portrait of a Man
1893-94
Woman's head against a red Background
1893-94
Self-Portrait under the Mask of a Woman
1893
Seated Nude and Grotesque Masque
1893
Sunrise in the Harbour
1893-94
Rosa and Amelie
1893
Sunrise in ?sg?rdstrand
1893-94
Summer Night
1893
Melancholy
1893
Death at the Helm
1893
Summer Night. Mermaid
1893
Summer Night's Dream. The Voice
1893
Starry Night
1893
Starry Night
1893
Moonlight
1893
House in Moonlight
1893-95
The Storm
1893
Death and Spring
1893
The Angel of Death
1893
By the Deathbed. Fever
1893
Death in the Sickroom
1893
Death in the Sickroom
1893
Death in the Sickroom
1893
Vampire
1893
The Scream
1893
The Scream
1893
Vampire
1893
Vampire
1893
The Hands
1893-94
Dagny Juel Przybyszewska
1893
Helge B?ckstr?m
1893
Minchen Torkildsen
1893
Ragnhild B?kstr?m
1894
Botho Graf Schwerin
1894
Ebehard von Bodenhausen
1894
Julius Meier-Graefe
1894
Separation
1894
Death and Life
1894
Puberty
1894
Puberty
1894-95
The Day After
1894
Vampire
1894
Selma Fontheim
1894
Selma Fontheim
1894
Nora Mengelberg
1894
Ludvig Meyer's Children
1894
Stanislaw Przybyszewski
1894
Inger in a Red Dress
1894
Bathing Women
1894
Bathers
1894
Bathing Boys
1894
Melancholy
1894
Melancholy
1894-96
Woman. Sphinx
1894
Woman
1894
Anxiety
1894
Despair
1894
Madonna
1894
Madonna
1894-95
Madonna
1895
Madonna
1895-97
Madonna
1895-97
Berlin Model
1895
Cabaret
1895
The Scream
1895
Vampire
1895
The Smell of Death
1895
The Smell of Death
1895
At the Deathbed
1895
Vampire
1895
Ashes
1895
Jealousy
1895
Beach in ?sg?rdstrand
1895
Moonlight
1895
Self-Portrait with Cigarette
1895
Stanislaw Przybyszewski
1895
Oscar and Ingeborg Heiberg
1895-96
Half-Nude in a Black Skirt
1896
Study of a Nude
1896
Young Woman Washing herself
1896
Seated Nude against a Red Background
1896
Seated Nude with her Back Turned
1896
The Mermaid
1896
Summer Landscape
1896
The Sick Child
1896
Separation
1896
Summer Night. The Voice
1896
The Girl by the Window
1896-97
Bathing Woman
1896-97
The Kiss
1896-97
Women in a Swimming Pool
1896-97
Paul Herrmann and Paul Contard
1897
The Kiss
1897
The Kiss
1897
Inheritance
1897-99
Women in Hospital
1897
Mother and Daughter
1897-99
Two Women in a Landscape
1897-99
Old Man with a Beard
1897-99
Brothel Scene
1897-99
Hospital Ward
1897-99
Bathing Boys
1897-98
Bathing Boys
1897-99
Bathing Girls
1897-99
Bathing Children
1897-99
Bathing Boys
1897-99
Autumn
1897-98
Marie Helene Holmboe
1898
Female Portrait
1898-99
Dark-Haired Man and Red-Haired Woman
1898-99
Holger Drachmann
1898
Henrik Ibsenat theGrand Café
1898
Study of a Model
1898
Half-Nude in a Blue Skirt
1898
Nude
1898
Nude
1898
Two Women. Symbolic Study
1898
Sitting Nude by the Beach
1898
Man and Woman
1898
Nude in Profile towards the Right
1898
Metabolism
1898-99
Tulla Larsen
1898-99
Tulla Larsen
1898-99
Father and Son
1898
Seated Nude and Three Male Heads
1898-99
Tragedy
1898
Jealousy in the Bath
1898
Beach
1898
The Rainbow
1898
Woman by the Sea in ?sgardstrand
1898
House with Red Virginia Creeper
1898-99
House with Red Virginia Creeper
1898-99
Red Virginia Creeper
1898-1900
The Son
1904
The Coffin is Carried Out
1898-1900
Boulevard in Paris
1898-1900
Winter
1899-1900
Winter in the Woods, Nordstrand
1899
Death and the Child
1899
Death and the Child
1899
Landscape
1899
The Garden
1899
Munch's House and Studio in ?sgardstrand
1899
Munch's House in ?sg?rdstrand
1899
Dark Spruce Forest
1899
在當(dang)時哲(zhe)學和美學思(si)潮影響(xiang)下，他(ta)努力發掘人類心靈(ling)中的(de)(de)各種狀(zhuang)況，表(biao)現(xian)疾病、死亡(wang)、絕望、情愛等主(zhu)題(ti)。因此，他(ta)的(de)(de)創作有“心靈(ling)的(de)(de)現(xian)實(shi)主(zhu)義(yi)”的(de)(de)稱號(hao)。由于受(shou)到保守勢力的(de)(de)攻擊(ji)，很(hen)快被(bei)封閉，但對(dui)德國青年畫(hua)家以很(hen)大的(de)(de)刺激，推(tui)動了表(biao)現(xian)主(zhu)義(yi)運動的(de)(de)產生。
愛(ai)德(de)華(hua)·蒙克通過主題來表(biao)現(xian)他切身經歷的(de)(de)(de)(de)(de)(de)對(dui)生(sheng)存和(he)死亡(wang)的(de)(de)(de)(de)(de)(de)感受(shou)。每一(yi)(yi)幅畫(hua)都無與倫比(bi)地(di)強烈地(di)傳達著畫(hua)家的(de)(de)(de)(de)(de)(de)感覺和(he)情(qing)緒，被描繪的(de)(de)(de)(de)(de)(de)具(ju)體對(dui)象(xiang)的(de)(de)(de)(de)(de)(de)細節(jie)被簡化，而情(qing)緒則被夸張，對(dui)象(xiang)本身成為一(yi)(yi)種所要表(biao)現(xian)的(de)(de)(de)(de)(de)(de)情(qing)緒的(de)(de)(de)(de)(de)(de)載體，雖然(ran)它(ta)們依然(ran)還是具(ju)象(xiang)的(de)(de)(de)(de)(de)(de)。這(zhe)些(xie)畫(hua)具(ju)有永恒(heng)的(de)(de)(de)(de)(de)(de)震(zhen)懾心靈的(de)(de)(de)(de)(de)(de)力(li)量。在(zai)這(zhe)一(yi)(yi)切的(de)(de)(de)(de)(de)(de)背後，我(wo)們還可以看見那個“世紀末”的(de)(de)(de)(de)(de)(de)景象(xiang)，那種迷途(tu)的(de)(de)(de)(de)(de)(de)欲望深淵和(he)無法(fa)逃脫的(de)(de)(de)(de)(de)(de)死亡(wang)陰影的(de)(de)(de)(de)(de)(de)怪圈(quan)，生(sheng)命(ming)的(de)(de)(de)(de)(de)(de)焦(jiao)躁和(he)無奈交織在(zai)一(yi)(yi)起。愛(ai)德(de)華(hua)·蒙克作(zuo)品(pin)的(de)(de)(de)(de)(de)(de)驚人表(biao)現(xian)力(li)量來自于對(dui)藝術家內心世界的(de)(de)(de)(de)(de)(de)不加掩飾的(de)(de)(de)(de)(de)(de)忠(zhong)實表(biao)達，愛(ai)德(de)華(hua)·蒙克的(de)(de)(de)(de)(de)(de)畫(hua)是用整個心靈來創作(zuo)的(de)(de)(de)(de)(de)(de)。
愛德(de)華·蒙克的(de)(de)作品筆觸大膽奔放、色彩艷(yan)麗豐富，但卻給人強(qiang)烈(lie)的(de)(de)刺激感，充滿著緊張不(bu)安、壓抑悲(bei)傷的(de)(de)情(qing)緒。愛德(de)華·蒙克所(suo)描繪的(de)(de)世界是人類復雜的(de)(de)精神世界，他刻意表現死亡(wang)、憂郁和孤獨，描寫(xie)上世紀末的(de)(de)藝術(shu)家在充滿矛(mao)盾與痛苦(ku)的(de)(de)現實(shi)中，其孤獨的(de)(de)心(xin)靈對人生(sheng)產生(sheng)的(de)(de)懷疑和焦慮。
藝(yi)術史家(jia)稱(cheng)愛德(de)(de)華·蒙(meng)克為“世紀末”的(de)(de)藝(yi)術家(jia)，因為他(ta)的(de)(de)作品反映了歐洲整(zheng)整(zheng)一代人(ren)(ren)的(de)(de)精神生活(huo)面(mian)貌。在(zai)愛德(de)(de)華·蒙(meng)克生活(huo)的(de)(de)時(shi)代，再(zai)沒有別的(de)(de)藝(yi)術能夠像(xiang)他(ta)那樣深入到人(ren)(ren)的(de)(de)靈(ling)(ling)魂之中，把那心靈(ling)(ling)的(de)(de)美(mei)與(yu)丑(chou)一并展現給世人(ren)(ren)。也(ye)沒有人(ren)(ren)敢(gan)于像(xiang)他(ta)那樣赤裸(luo)裸(luo)地描寫(xie)人(ren)(ren)類本能的(de)(de)丑(chou)惡，使善良與(yu)罪(zui)惡并存，讓美(mei)麗(li)與(yu)丑(chou)陋共生。
歲月靜好 
