基本介紹

《泰(tai)山(shan)(shan)刻(ke)(ke)石(shi)》是(shi)刊刻(ke)(ke)于秦代的一方摩崖石(shi)刻(ke)(ke)，分為兩部(bu)(bu)分，前(qian)半部(bu)(bu)分（“始皇(huang)刻(ke)(ke)辭”）刻(ke)(ke)于秦始皇(huang)二(er)(er)十八(ba)年（前(qian)219年），后半部(bu)(bu)分（“二(er)(er)世詔書”）刻(ke)(ke)于秦二(er)(er)世元年（前(qian)209年），傳為李斯撰文(wen)并(bing)書丹(dan)，又稱“李斯碑”等，屬(shu)小篆書法(fa)作品，與《嶧山(shan)(shan)刻(ke)(ke)石(shi)》《瑯琊(ya)刻(ke)(ke)石(shi)》《會稽刻(ke)(ke)石(shi)》合稱“秦四山(shan)(shan)刻(ke)(ke)石(shi)”。刻(ke)(ke)石(shi)原立(li)于山(shan)(shan)東(dong)泰(tai)安市泰(tai)山(shan)(shan)山(shan)(shan)頂，殘(can)石(shi)現(xian)存山(shan)(shan)東(dong)泰(tai)安市泰(tai)山(shan)(shan)岱廟(miao)東(dong)御(yu)座院內。

《泰山刻石(shi)》的(de)(de)(de)(de)前(qian)半部(bu)分敘述秦(qin)始皇在全國范(fan)圍內申明法令(ling)，充分利用(yong)(yong)法律來保護剛(gang)剛(gang)建立(li)(li)起(qi)來的(de)(de)(de)(de)中(zhong)央集權制封建國家(jia)的(de)(de)(de)(de)各項制度(du)，要求(qiu)臣民(min)遵(zun)循法制，并告誡后(hou)代要堅持法家(jia)路線，永不改變；后(hou)半部(bu)分則記(ji)錄了李斯隨同秦(qin)二(er)世出(chu)巡時上書請(qing)求(qiu)在秦(qin)始皇所立(li)(li)刻石(shi)旁刻詔書的(de)(de)(de)(de)情況。書法上，其用(yong)(yong)筆都是(shi)逆鋒起(qi)筆回鋒收(shou)筆，行筆不緊不慢、不偏不倚，粗細(xi)始終如(ru)一，圓轉中(zhong)裹挾的(de)(de)(de)(de)沉著與遒勁；結體上出(chu)現上緊下松的(de)(de)(de)(de)態勢(shi)，點畫間相(xiang)(xiang)對均衡，有的(de)(de)(de)(de)甚至(zhi)均衡到近乎一種原(yuan)始的(de)(de)(de)(de)“拙(zhuo)”的(de)(de)(de)(de)程(cheng)度(du)，幾乎絕對對稱，秩序井(jing)然(ran)，相(xiang)(xiang)拱相(xiang)(xiang)揖(yi)。

內容介紹

碑刻內容

“始皇刻辭”

西(xi)面(mian) 第(di)二行 皇帝(di)臨立(li)，作(zuo)制明〔法〕，〔臣下修飭〕。

第三行 廿〔有〕六(liu)年，初(chu)并〔天下〕，〔罔(wang)〕不〔賓服(fu)〕。

第四行 寴

第五行 從臣思跡，本原〔事業〕，〔祗誦功〕德。

第(di)六行(xing) 治道運行(xing)，者產得(de)宜，〔皆有法式〕。

北面 第一行 大(da)義箸(zhu)明，陲于后(hou)嗣，〔順承勿〕革。

第二行(xing) 皇帝躬聽(ting)，既(ji)平天(tian)下，不〔懈于(yu)治(zhi)〕。

第三行(xing) 夙(su)興夜寐，建設長利，〔專隆教誨〕。

東面 第一行(xing) 訓經(jing)宣達(da)，遠近畢理(li)，咸〔承圣志〕。

第二行 貴(gui)賤分明(ming)，男女體順，慎〔遵(zun)職事〕。

第三行 昭隔(ge)內外，靡不清凈，〔施于〕昆(kun)〔嗣〕。

第四行(xing) 化及無(wu)窮(qiong)，遵奉遺詔，〔永承垂(chui)戒〕。

“二世詔書”

東面 第五行 皇(huang)帝曰：“金(jin)石刻，盡

第六(liu)行 始皇(huang)帝〔所為(wei)也〕。〔今襲號〕，〔而〕金(jin)石

南面 第一(yi)行 刻辭不稱(cheng)

第二行 始皇帝，其于久遠也，如后嗣為

第三行(xing) 之者，不稱成功〔盛德(de)〕。”

第四行(xing) 丞相臣斯、臣去疾、御(yu)史夫=臣〔德〕

第五行 昧死言：

第六(liu)行(xing) “臣請具刻詔書金(jin)石刻，因明白(bai)

第(di)七行 矣。臣昧死(si)請。”

西面(mian) 第一行 制曰：“可。”

（說明(ming)：朝向(xiang)、分(fen)行(xing)據(ju)《金石索·石索一》；文字據(ju)明(ming)代安國所(suo)藏一百六(liu)十五字拓本；〔〕表(biao)示(shi)據(ju)歷代著(zhu)錄(lu)所(suo)補的缺字；加粗表(biao)示(shi)現存文字；=表(biao)示(shi)合文。）

背景介紹

《泰山(shan)(shan)刻(ke)石(shi)》分(fen)為兩部分(fen)，前(qian)半部分(fen)是(shi)秦(qin)(qin)始(shi)皇二十八年(nian)(nian)（前(qian)219年(nian)(nian)）所刻(ke)，后半部分(fen)是(shi)秦(qin)(qin)二世元年(nian)(nian)（前(qian)209年(nian)(nian)）所刻(ke)。秦(qin)(qin)始(shi)皇二十八年(nian)(nian)（前(qian)219年(nian)(nian)），秦(qin)(qin)始(shi)皇登(deng)臨(lin)泰山(shan)(shan)，丞相(xiang)李斯等為歌頌始(shi)皇統(tong)一中(zhong)國的(de)功績(ji)而(er)刊刻(ke)《泰山(shan)(shan)刻(ke)石(shi)》（前(qian)半部分(fen)）。秦(qin)(qin)二世元年(nian)(nian)（前(qian)209年(nian)(nian)）春季，秦(qin)(qin)二世為威(wei)服海(hai)內而(er)效(xiao)法秦(qin)(qin)始(shi)皇巡(xun)視郡縣，東巡(xun)碣石(shi)、會(hui)稽(ji)等地。李斯同行(xing)，奏請秦(qin)(qin)二世在(zai)秦(qin)(qin)始(shi)皇所立(li)刻(ke)石(shi)旁上刻(ke)詔(zhao)書(shu)以彰顯先帝成(cheng)功盛德，于是(shi)在(zai)《泰山(shan)(shan)刻(ke)石(shi)》等刻(ke)石(shi)上補刻(ke)詔(zhao)書(shu)并(bing)著(zhu)隨從大臣的(de)姓名（后半部分(fen)）。

鑒賞評價

藝術鑒賞

風格

《泰(tai)山(shan)刻石》用筆(bi)(bi)精美(mei)(mei)，平(ping)(ping)穩(wen)流轉(zhuan)，骨(gu)肉(rou)勻稱，含蓄(xu)委婉(wan)，氣(qi)魄宏大，簡(jian)捷明(ming)(ming)快。與先秦書(shu)(shu)法相比(bi)，秦小篆行筆(bi)(bi)粗細大體(ti)相同(tong)(tong)，橫平(ping)(ping)豎直，轉(zhuan)折處極為流利飄逸(yi)，無生(sheng)硬(ying)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)筆(bi)(bi)。藏頭護尾，筆(bi)(bi)筆(bi)(bi)精細，一絲不茍(gou)，如錐畫沙，委婉(wan)含蓄(xu)中自(zi)有(you)(you)骨(gu)力(li)豐沛(pei)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)氣(qi)。橫勢穩(wen)健，縱勢豪逸(yi)，簡(jian)練明(ming)(ming)快，宏偉(wei)壯觀。雖法度嚴(yan)謹，但不失威嚴(yan)雄奇之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)神采(cai)，山(shan)岳廟堂之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)氣(qi)象。以(yi)(yi)強勁平(ping)(ping)穩(wen)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)骨(gu)力(li)，時(shi)出飛動流走(zou)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)生(sheng)機(ji)，恰如唐代張懷瓘在(zai)《書(shu)(shu)斷》中所說的(de)(de)“畫如鐵(tie)石，字(zi)若飛動”，“其勢飛騰，其形端儼(yan)”，“作(zuo)楷書(shu)(shu)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)祖，為不易之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)法”。同(tong)(tong)時(shi)結體(ti)整(zheng)齊劃一，力(li)求(qiu)平(ping)(ping)正(zheng)對稱，橫密縱疏(shu)，端莊(zhuang)雄偉(wei)，隱隱然又有(you)(you)秀(xiu)麗(li)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)氣(qi)。書(shu)(shu)體(ti)上，比(bi)以(yi)(yi)前的(de)(de)甲骨(gu)文(wen)(wen)、金文(wen)(wen)以(yi)(yi)至《石鼓文(wen)(wen)》更為簡(jian)煉，規(gui)范化。其一，保留著(zhu)象形文(wen)(wen)字(zi)的(de)(de)某(mou)些特點，著(zhu)重突出圓筆(bi)(bi)曲(qu)線之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)美(mei)(mei)。其二(er)，充分(fen)地發揮了(le)漢字(zi)特有(you)(you)的(de)(de)美(mei)(mei)，具有(you)(you)裝飾美(mei)(mei)的(de)(de)意味。線條整(zheng)潔協(xie)調，改(gai)變了(le)以(yi)(yi)前繁雜交(jiao)錯的(de)(de)形式，書(shu)(shu)寫形式走(zou)向規(gui)律化。其三，力(li)求(qiu)嚴(yan)格的(de)(de)平(ping)(ping)正(zheng)對稱，工整(zheng)精致(zhi)，大小相仿(fang)，面目十分(fen)突出。其四，橫密縱疏(shu)，充分(fen)表(biao)現了(le)篆書(shu)(shu)的(de)(de)形體(ti)特征，使其在(zai)雄偉(wei)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)中產生(sheng)一種秀(xiu)麗(li)之(zhi)(zhi)(zhi)(zhi)(zhi)(zhi)氣(qi)，婀娜飄逸(yi)。其五(wu)，分(fen)布嚴(yan)格，空間層次以(yi)(yi)相距的(de)(de)對應(ying)關(guan)系，示(shi)人以(yi)(yi)嚴(yan)格的(de)(de)規(gui)則，給人以(yi)(yi)美(mei)(mei)，又示(shi)人以(yi)(yi)莊(zhuang)嚴(yan)。

作品評價

唐(tang)代張懷瓘：今《泰(tai)山(shan)》《嶧(yi)山(shan)》《秦望》等碑并其遺跡(ji)，亦謂傳國之(zhi)偉寶(bao)，百代之(zhi)法式。（《書斷中·神品》）

近代(dai)書法家康有為：今秦(qin)篆猶(you)存者，有《瑯(lang)琊刻石(shi)》《泰(tai)山刻石(shi)》《會稽刻石(shi)碣》《石(shi)門刻石(shi)》，皆李斯所作，以為正體(ti)，體(ti)并圓長，而秦(qin)權、秦(qin)量即變(bian)方扁。（《廣藝(yi)舟雙(shuang)楫·卷二·分(fen)變(bian)第五》）

近代文學家(jia)、思想家(jia)、革命(ming)家(jia)魯迅：二十八年，始皇始東(dong)巡郡(jun)縣，群臣乃相(xiang)與誦(song)其(qi)功德，刻于金石，以垂后世。其(qi)辭亦李斯所(suo)為，今尚有流傳，質而(er)能壯(zhuang)，實漢晉碑銘所(suo)從出(chu)也(ye)。（《漢文學史綱要(yao)》）

其他信息

歷史傳承

流傳情況

《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》原立在山(shan)(shan)(shan)(shan)(shan)東(dong)泰(tai)(tai)安市泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)(shan)頂(ding)上，大概在《明(ming)去封號碑》左右。北(bei)宋(song)(song)大中祥(xiang)符元年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1008年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），宋(song)(song)真宗東(dong)封泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)，兗(yan)州太守(shou)獻上《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》拓本，計(ji)有四十(shi)(shi)余字(zi)(zi)(zi)。慶歷八年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1048年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）以(yi)前(qian)，宋(song)(song)庠出鎮東(dong)平郡時(shi)曾派人到泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)模拓《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》，得(de)四十(shi)(shi)八字(zi)(zi)(zi)。在此前(qian)后(hou)(hou)，歐陽(yang)修好友江鄰幾曾在泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)頂(ding)上親(qin)見(jian)《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》，并說：“石(shi)(shi)(shi)頑不(bu)可(ke)鐫鑿，不(bu)知(zhi)當(dang)時(shi)何以(yi)刻(ke)(ke)之也(ye)。”大觀二年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1108年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）春季和政和三(san)(san)年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1113年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）秋(qiu)季，劉跂兩次(ci)親(qin)至泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)，見(jian)到的《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》已經埋植土中，高不(bu)過四五尺，形制(zhi)似(si)方(fang)而(er)(er)非方(fang)，已有七十(shi)(shi)六字(zi)(zi)(zi)毀缺及漫滅不(bu)可(ke)見(jian)。政和四年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1114年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），董(dong)逌曾親(qin)至泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)考(kao)(kao)察，發現《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》的南面為(wei)(wei)“二世(shi)(shi)詔(zhao)書”，認為(wei)(wei)《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》在大中祥(xiang)符元年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1008年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）前(qian)應曾仆倒過，后(hou)(hou)人于原址(zhi)重(zhong)立時(shi)因三(san)(san)面文字(zi)(zi)(zi)有摩滅而(er)(er)錯誤地調整了刻(ke)(ke)石(shi)(shi)(shi)的朝(chao)向。蒙古(gu)憲(xian)宗五年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1255年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）九(jiu)(jiu)月，郝經登(deng)臨泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)，并撰《太平頂(ding)讀秦碑》，稱：“面陽(yang)數字(zi)(zi)(zi)仍可(ke)辨”。元代(dai)至元二年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1265年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），杜仁杰(jie)在《東(dong)平府路宣慰張公登(deng)泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)記(ji)》中記(ji)錄了自己登(deng)泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)時(shi)所(suo)見(jian)《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》的狀況(kuang)：“僅得(de)數字(zi)(zi)(zi)，其余漫不(bu)可(ke)識(shi)。”明(ming)代(dai)嘉靖三(san)(san)十(shi)(shi)七年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1558年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），王世(shi)(shi)貞游泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)時(shi)，發現《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》已經被遷移到碧霞祠西(xi)(xi)墻外的西(xi)(xi)公署后(hou)(hou)。此后(hou)(hou)，吳同春分別于萬(wan)歷十(shi)(shi)一年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1583年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）、萬(wan)歷十(shi)(shi)七年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1589年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)）兩次(ci)登(deng)上泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)對(dui)《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》進行(xing)考(kao)(kao)察，為(wei)(wei)了徹底弄清刻(ke)(ke)石(shi)(shi)(shi)的狀況(kuang)而(er)(er)曾專門請人將(jiang)秦刻(ke)(ke)石(shi)(shi)(shi)從(cong)壁間(jian)取(qu)出，重(zhong)新遷移時(shi)為(wei)(wei)方(fang)便安置(zhi)而(er)(er)“各加鑿削”，刻(ke)(ke)石(shi)(shi)(shi)遭到嚴重(zhong)破壞。萬(wan)歷二十(shi)(shi)七年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)（1599年(nian)(nian)(nian)(nian)(nian)(nian)(nian)(nian)），謝肇淛(zhi)登(deng)泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)時(shi)所(suo)見(jian)《泰(tai)(tai)山(shan)(shan)(shan)(shan)(shan)刻(ke)(ke)石(shi)(shi)(shi)》的狀況(kuang)為(wei)(wei)：“通四行(xing)，首二字(zi)(zi)(zi)已刷毀，僅得(de)‘臣斯’以(yi)下二十(shi)(shi)九(jiu)(jiu)字(zi)(zi)(zi)耳。”

之后(hou)，《泰(tai)(tai)山刻(ke)(ke)(ke)(ke)石》被移(yi)(yi)(yi)(yi)至碧霞祠(ci)(ci)(ci)(ci)東(dong)廡(wu)(wu)。清(qing)(qing)(qing)代(dai)(dai)乾(qian)(qian)隆(long)五年(nian)（1740年(nian)）六月，碧霞祠(ci)(ci)(ci)(ci)毀于(yu)火，《泰(tai)(tai)山刻(ke)(ke)(ke)(ke)石》殘石失蹤。對《泰(tai)(tai)山刻(ke)(ke)(ke)(ke)石》遷移(yi)(yi)(yi)(yi)至碧霞祠(ci)(ci)(ci)(ci)東(dong)廡(wu)(wu)的(de)(de)時間(jian)(jian)及(ji)遷移(yi)(yi)(yi)(yi)人，有以下幾種(zhong)不(bu)同說(shuo)法：①刊行于(yu)清(qing)(qing)(qing)代(dai)(dai)乾(qian)(qian)隆(long)三十(shi)九年(nian)（1774年(nian)）的(de)(de)《〔乾(qian)(qian)隆(long)〕泰(tai)(tai)山圖志》載：石舊在岱頂(ding)玉(yu)(yu)女池(chi)上(shang)，雍正八年(nian)（1730年(nian)）郎中(zhong)丁皂保移(yi)(yi)(yi)(yi)至碧霞祠(ci)(ci)(ci)(ci)東(dong)廡(wu)(wu)。②《〔道光〕泰(tai)(tai)安縣志》等清(qing)(qing)(qing)代(dai)(dai)后(hou)期(qi)的(de)(de)志書及(ji)碑刻(ke)(ke)(ke)(ke)均(jun)記載為明代(dai)(dai)嘉靖年(nian)間(jian)(jian)由北(bei)平（今(jin)北(bei)京(jing)）許某于(yu)榛莽中(zhong)得《泰(tai)(tai)山刻(ke)(ke)(ke)(ke)石》殘石，存二十(shi)九字，恐致湮沒而移(yi)(yi)(yi)(yi)于(yu)碧霞祠(ci)(ci)(ci)(ci)東(dong)廡(wu)(wu)的(de)(de)。但(dan)吳同春和謝肇淛(zhi)于(yu)萬歷(li)年(nian)間(jian)(jian)登泰(tai)(tai)山時看到的(de)(de)《泰(tai)(tai)山刻(ke)(ke)(ke)(ke)石》尚在玉(yu)(yu)女池(chi)，故嘉靖年(nian)間(jian)(jian)《泰(tai)(tai)山刻(ke)(ke)(ke)(ke)石》移(yi)(yi)(yi)(yi)入碧霞祠(ci)(ci)(ci)(ci)的(de)(de)記載有誤。③清(qing)(qing)(qing)代(dai)(dai)嚴可均(jun)則稱(cheng)明代(dai)(dai)弘治年(nian)間(jian)(jian)按(an)察使僉事灤河許莊將《泰(tai)(tai)山刻(ke)(ke)(ke)(ke)石》移(yi)(yi)(yi)(yi)置玉(yu)(yu)女池(chi)上(shang)公(gong)所，否定了“萬歷(li)中(zhong)，從(cong)玉(yu)(yu)女池(chi)移(yi)(yi)(yi)(yi)置碧霞元(yuan)君廟。乾(qian)(qian)隆(long)五年(nian)廟災，石毀于(yu)火”的(de)(de)說(shuo)法。

嘉慶(qing)(qing)十(shi)(shi)九年(nian)(nian)(nian)(nian)(nian)(nian)（1814年(nian)(nian)(nian)(nian)(nian)(nian)），汪汝(ru)弼被任命為泰(tai)安(an)(an)知(zhi)(zhi)縣(xian)(xian)(xian)，司理徐石(shi)(shi)(shi)生告訴他：泰(tai)山(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)頂有(you)一位九十(shi)(shi)余(yu)歲的(de)趙老(lao)人，數(shu)十(shi)(shi)年(nian)(nian)(nian)(nian)(nian)(nian)前在泰(tai)山(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)頂玉女池中見到(dao)依稀(xi)有(you)字跡的(de)殘(can)石(shi)(shi)(shi)。嘉慶(qing)(qing)二(er)十(shi)(shi)年(nian)(nian)(nian)(nian)(nian)(nian)（1815年(nian)(nian)(nian)(nian)(nian)(nian)），汪汝(ru)弼委任蔣因(yin)培和(he)柴蘭皋到(dao)泰(tai)山(shan)(shan)(shan)(shan)山(shan)(shan)(shan)(shan)頂玉女池搜(sou)尋《泰(tai)山(shan)(shan)(shan)(shan)刻(ke)石(shi)(shi)(shi)》，搜(sou)得殘(can)石(shi)(shi)(shi)二(er)塊，存十(shi)(shi)字。于(yu)(yu)是，汪汝(ru)弼將所得殘(can)石(shi)(shi)(shi)嵌于(yu)(yu)山(shan)(shan)(shan)(shan)頂東(dong)岳廟(miao)西(xi)的(de)寶斯亭(ting)內。道光十(shi)(shi)二(er)年(nian)(nian)(nian)(nian)(nian)(nian)（1832年(nian)(nian)(nian)(nian)(nian)(nian)），東(dong)岳廟(miao)墻(qiang)坍(tan)塌，寶斯亭(ting)被亂石(shi)(shi)(shi)覆蓋，泰(tai)安(an)(an)知(zhi)(zhi)縣(xian)(xian)(xian)徐宗(zong)干(gan)(gan)于(yu)(yu)瓦礫中尋得《泰(tai)山(shan)(shan)(shan)(shan)刻(ke)石(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)，囑咐道人劉傳業將殘(can)石(shi)(shi)(shi)移(yi)到(dao)山(shan)(shan)(shan)(shan)下，嵌置在岱廟(miao)道院壁間(jian)，并(bing)作跋記事情的(de)經(jing)過。光緒十(shi)(shi)六年(nian)(nian)(nian)(nian)(nian)(nian)（1890年(nian)(nian)(nian)(nian)(nian)(nian)），《泰(tai)山(shan)(shan)(shan)(shan)刻(ke)石(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)被盜(dao)，縣(xian)(xian)(xian)令毛蜀(shu)云大力搜(sou)索十(shi)(shi)日，得石(shi)(shi)(shi)于(yu)(yu)城北關橋下，后仍置于(yu)(yu)岱廟(miao)院內。宣統二(er)年(nian)(nian)(nian)(nian)(nian)(nian)（1910年(nian)(nian)(nian)(nian)(nian)(nian)）五月，泰(tai)安(an)(an)知(zhi)(zhi)縣(xian)(xian)(xian)俞慶(qing)(qing)瀾(lan)在岱廟(miao)環詠亭(ting)建(jian)造石(shi)(shi)(shi)屋(wu)一所，將《泰(tai)山(shan)(shan)(shan)(shan)刻(ke)石(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)、徐宗(zong)干(gan)(gan)跋語和(he)自己所寫(xie)的(de)《序》共(gong)三塊刻(ke)石(shi)(shi)(shi)嵌入石(shi)(shi)(shi)屋(wu)內，周圍(wei)加鐵柵欄保(bao)(bao)護。民國十(shi)(shi)九年(nian)(nian)(nian)(nian)(nian)(nian)（1930年(nian)(nian)(nian)(nian)(nian)(nian)），閻錫山(shan)(shan)(shan)(shan)帶領(ling)的(de)軍隊進(jin)入泰(tai)安(an)(an)，與(yu)軍閥馬鴻(hong)逵帶領(ling)的(de)軍隊混戰(zhan)，岱廟(miao)遭炮擊，環詠亭(ting)被毀壞(huai)。于(yu)(yu)是，《泰(tai)山(shan)(shan)(shan)(shan)刻(ke)石(shi)(shi)(shi)》殘(can)石(shi)(shi)(shi)被栘至東(dong)御座(zuo)院內，并(bing)建(jian)起(qi)了磚石(shi)(shi)(shi)碑亭(ting)加以保(bao)(bao)護。1979年(nian)(nian)(nian)(nian)(nian)(nian)，泰(tai)安(an)(an)市人民政(zheng)府重新修建(jian)了碑亭(ting)并(bing)加上(shang)了玻璃框。1987年(nian)(nian)(nian)(nian)(nian)(nian)，泰(tai)安(an)(an)市博物(wu)館復制秦(qin)刻(ke)石(shi)(shi)(shi)全文立于(yu)(yu)岱廟(miao)后寢(qin)宮。

著錄情況

《泰(tai)山刻石》最早著(zhu)(zhu)錄(lu)于(yu)《史記》，隨后(hou)著(zhu)(zhu)錄(lu)于(yu)宋代歐陽修《集(ji)古錄(lu)》、趙明誠(cheng)《金(jin)石錄(lu)》、董(dong)逌《廣川(chuan)書跋》等。