芒果视频

建筑特點

山(shan)谷流泉摩(mo)崖石(shi)刻,位于(yu)潛山(shan)縣城西北18里的(de)野寨鄉境內。野寨，漢代名谷口，是天柱(zhu)山(shan)的(de)門(men)戶。

后名野(ye)人(ren)寨。相傳有(you)野(ye)人(ren)居此。南宋(song)末(mo)年(nian)時為義兵劉源抗元(yuan)的(de)(de)山(shan)(shan)寨。山(shan)(shan)谷流(liu)泉，指的(de)(de)是位于谷寺(si)西側鳳凰麓(lu)的(de)(de)一條山(shan)(shan)溪(xi)。它發源于及第庵的(de)(de)左(zuo)山(shan)(shan)，曲折潛(qian)流(liu)六七里至鳳凰山(shan)(shan)下。這(zhe)里石壁陡峭，松蘿(luo)叢覆(fu)，泉流(liu)其(qi)間(jian)(jian)，宛轉激回，終(zhong)年(nian)不絕。上游因水(shui)聲(sheng)潺(chan)潺(chan)，名曰潺(chan)潺(chan)溪(xi)。中段因有(you)巨石橫于溪(xi)間(jian)(jian)，狀似臥(wo)牛(niu)飲水(shui)，人(ren)稱(cheng)石牛(niu)溪(xi)。下游名稱(cheng)山(shan)(shan)谷流(liu)泉，自北而南逕入潛(qian)河(he)，在中下游長達1公里的(de)(de)山(shan)(shan)溪(xi)兩岸摩崖與溪(xi)間(jian)(jian)巨石上，有(you)唐、宋(song)、元(yuan)、明(ming)、清、民國歷代游客游覽山(shan)(shan)溪(xi)景物(wu)時刊(kan)刻的(de)(de)眾多文字(zi)題刻，書法紛呈，內容豐(feng)富，琳瑯(lang)滿目(mu)，美不勝(sheng)收(shou)。經文物(wu)普查發現，此地雖迭經自然風化和人(ren)為的(de)(de)損壞(huai)，目(mu)前(qian)仍尚有(you)314處石刻清晰可見，是安(an)徽省現存(cun)最集中、保存(cun)也最為完好的(de)(de)摩巖石刻之一。

歷史沿革

山(shan)谷流(liu)泉中的3處年(nian)代最早的石刻(ke)都是唐代的，它們(men)均(jun)分布在石牛(niu)古(gu)洞東壁懸(xuan)崖(ya)上(shang)。其中2處是唐代著名(ming)散文(wen)家(jia)(jia)，哲學(xue)家(jia)(jia)李翱(ao)任(ren)(ren)(ren)舒(shu)州(zhou)刺(ci)史(shi)時(shi)游(you)覽山(shan)谷的題(ti)名(ming)。李翱(ao)字習之(zhi)(zhi)，隴西成(cheng)紀（今(jin)甘肅秦(qin)安）人。貞元(yuan)(yuan)進士(shi)(shi)，授校書(shu)郎，后(hou)任(ren)(ren)(ren)國事博士(shi)(shi)。元(yuan)(yuan)和(he)十五(wu)年(nian)以后(hou)任(ren)(ren)(ren)廬州(zhou)刺(ci)史(shi)、舒(shu)州(zhou)刺(ci)史(shi)，長(chang)慶(qing)二年(nian)（822年(nian)）壬(ren)寅(yin)游(you)石牛(niu)古(gu)洞。所刻(ke)題(ti)名(ming)為“翱(ao)炅磷(lin)盤求壬(ren)寅(yin)年(nian)下元(yuan)(yuan)日習之(zhi)(zhi)書(shu)”、“挎儲弘運上(shang)卿盤長(chang)慶(qing)二年(nian)十月廿六日馀奉處交口”，均(jun)為真書(shu)，或橫排，或豎書(shu)直排。還有一處唐代13人題(ti)名(ming)石刻(ke)，系舒(shu)州(zhou)刺(ci)史(shi)李德修(xiu)于寶(bao)歷二年(nian)（826年(nian)）所刻(ke)。此(ci)刻(ke)楷書(shu)15行(xing)，上(shang)下豎書(shu)成(cheng)行(xing)，字徑(jing)7厘(li)米，書(shu)法遒勁渾厚。據《唐書(shu)》載：李德修(xiu)于寶(bao)歷時(shi)出任(ren)(ren)(ren)舒(shu)州(zhou)，后(hou)任(ren)(ren)(ren)尚書(shu)，為唐代著名(ming)的文(wen)學(xue)家(jia)(jia)。

山(shan)谷流泉(quan)有(you)兩宋(song)(song)題(ti)(ti)刻100多處，內容(rong)也極為豐富。這里不(bu)僅有(you)安(an)徽現存北宋(song)(song)最早的(de)一(yi)塊端拱(gong)二年(nian)(nian)（989年(nian)(nian)）趙孚、舒雅、黃夢錫題(ti)(ti)名(ming)；還有(you)著名(ming)政治家王安(an)石(shi)(shi)的(de)詩刻，書法(fa)家黃庭堅(jian)的(de)題(ti)(ti)名(ming)，李師中的(de)記事題(ti)(ti)刻，南宋(song)(song)張(zhang)同之(zhi)的(de)詩刻等等。有(you)宋(song)(song)一(yi)代(dai)，慕名(ming)到山(shan)谷流泉(quan)來觀攬勝的(de)游客一(yi)直絡繹不(bu)絕，形成空前的(de)刻石(shi)(shi)紀游之(zhi)風(feng)。

北(bei)(bei)宋皇?三(san)(san)年(nian)(nian)（1051年(nian)(nian)），時任舒州(zhou)(zhou)通判的王(wang)安(an)(an)石(shi)(shi)(shi)與弟(di)王(wang)安(an)(an)國游覽(lan)山(shan)谷，坐(zuo)石(shi)(shi)(shi)聽(ting)泉(quan)(quan)，寫詩以詠其勝(sheng)。現(xian)存題(ti)(ti)(ti)名刻(ke)石(shi)(shi)(shi)文字為(wei)“皇?三(san)(san)年(nian)(nian)九月十六(liu)日自(zi)泉(quan)(quan)州(zhou)(zhou)之(zhi)(zhi)太湖過寺(si)宿，與道(dao)人文銑、弟(di)安(an)(an)國擁火(huo)游見李翱習(xi)之(zhi)(zhi)書，坐(zuo)石(shi)(shi)(shi)聽(ting)泉(quan)(quan)久之(zhi)(zhi)，復游，刻(ke)習(xi)之(zhi)(zhi)書后，臨川王(wang)安(an)(an)石(shi)(shi)(shi)。”所賦六(liu)言詩為(wei)：“水(shui)無心而(er)宛(wan)轉，山(shan)有色(se)而(er)環圍，窮幽深而(er)不(bu)盡，坐(zuo)石(shi)(shi)(shi)上以忘(wang)歸”。這位被譽為(wei)中(zhong)國11世(shi)紀的改(gai)革(ge)家的王(wang)安(an)(an)石(shi)(shi)(shi)，在掀起神(shen)宗變(bian)法大(da)潮之(zhi)(zhi)前，居然(ran)有閑(xian)情逸(yi)致(zhi)，于(yu)此寧靜聽(ting)泉(quan)(quan)。這上物證的發現(xian)，當有助(zhu)于(yu)人們(men)研究他的思想變(bian)化(hua)的歷程。北(bei)(bei)宋無豐三(san)(san)年(nian)(nian)（1080年(nian)(nian)），著(zhu)名書法家黃庭堅也曾至山(shan)谷攬勝(sheng)。他在游覽(lan)了山(shan)谷寺(si)、石(shi)(shi)(shi)牛(niu)(niu)洞之(zhi)(zhi)后，一連寫了《青牛(niu)(niu)篇(pian)》、《書石(shi)(shi)(shi)牛(niu)(niu)溪大(da)石(shi)(shi)(shi)上》、《題(ti)(ti)(ti)靈龜泉(quan)(quan)石(shi)(shi)(shi)上》、《題(ti)(ti)(ti)山(shan)谷大(da)石(shi)(shi)(shi)》等詩文。他酷愛此地(di)山(shan)水(shui)，因此自(zi)稱山(shan)谷道(dao)人。以曾坐(zuo)在山(shan)溪石(shi)(shi)(shi)牛(niu)(niu)上，讓(rang)大(da)畫家李公麟為(wei)之(zhi)(zhi)畫像。在石(shi)(shi)(shi)牛(niu)(niu)洞東側懸崖頂端，尚存一處由黃庭堅手書的楷書題(ti)(ti)(ti)名：“李參、李秉夷、秉文、吳擇(ze)賓(bin)、丘(qiu)揖觀余書青牛(niu)(niu)篇(pian)，黃庭堅庚(geng)中(zhong)小(xiao)寒(han)”，書法工整(zheng)穩健，筆鋒堅勁(jing)，波(bo)磔分(fen)明，是傳世(shi)稀少(shao)的黃氏真跡，彌中(zhong)珍貴。

在(zai)唐代李(li)(li)(li)德修(xiu)的(de)(de)題(ti)名下(xia)方，有一處記(ji)得于北宋(song)熙寧(ning)四(si)(si)年(nian)（1701年(nian)）的(de)(de)“李(li)(li)(li)師中(zhong)(zhong)紀事石刻”。此(ci)刻作者李(li)(li)(li)師中(zhong)(zhong)，為李(li)(li)(li)德修(xiu)的(de)(de)八(ba)世孫(sun)。似此(ci)祖、孫(sun)相距(ju)數(shu)百年(nian)同游(you)一地(di)，同刻一塊巖石的(de)(de)石刻極為罕見。“師中(zhong)(zhong)十一世祖御史(shi)(shi)大夫(fu)諱(hui)棲筠，生丞(cheng)(cheng)相諱(hui)吉雨(yu)。丞(cheng)(cheng)相生尚書(shu)諱(hui)德修(xiu)。丞(cheng)(cheng)相諱(hui)德裕，尚書(shu)實(shi)師中(zhong)(zhong)八(ba)世祖也(ye)。歷舒、湘、楚三州刺史(shi)(shi)，題(ti)名在(zai)此(ci)巖谷。師中(zhong)(zhong)不肖，忝備侍(shi)從。坐沮邊議，左遷來(lai)守茲土。永惟(wei)世業，未墜于地(di)。后世子孫(sun)，尚有來(lai)者。敢廢篆刻，式昭前人。熙寧(ning)四(si)(si)年(nian)十月二(er)十四(si)(si)日，孫(sun)尚書(shu)右(you)司郎(lang)中(zhong)(zhong)師中(zhong)(zhong)記(ji)，弟純中(zhong)(zhong)從。”這篇(pian)文字經(jing)與《宋(song)史(shi)(shi)·李(li)(li)(li)師中(zhong)(zhong)傳》對(dui)照，所述家(jia)世、祖先完(wan)全吻(wen)合，是研究李(li)(li)(li)氏家(jia)譜(pu)與有關歷史(shi)(shi)人物的(de)(de)珍貴(gui)史(shi)(shi)料。

元(yuan)代以(yi)后，眾(zhong)多(duo)游客蜂擁山(shan)谷(gu)(gu)(gu)，也留(liu)下大(da)(da)(da)(da)(da)量(liang)(liang)的(de)(de)文(wen)(wen)字(zi)石(shi)(shi)刻(ke)。除了(le)(le)(le)式(shi)照唐宋時(shi)的(de)(de)題名(ming)(ming)、題詩(shi)以(yi)外，在石(shi)(shi)刻(ke)文(wen)(wen)字(zi)的(de)(de)內容方面出(chu)現一(yi)些(xie)新的(de)(de)變(bian)化(hua)，比如出(chu)現了(le)(le)(le)大(da)(da)(da)(da)(da)量(liang)(liang)的(de)(de)用簡(jian)短(duan)詞語贊嘆(tan)山(shan)、洞(dong)、泉、石(shi)(shi)景(jing)色的(de)(de)特點。同時(shi)，石(shi)(shi)刻(ke)文(wen)(wen)字(zi)的(de)(de)體(ti)積(ji)增大(da)(da)(da)(da)(da)，字(zi)徑往(wang)往(wang)有(you)一(yi)、二尺(chi)之多(duo)，這都是過去(qu)所少見的(de)(de)。明代詩(shi)人(ren)、安慶知府(fu)胡纘(zuan)宗在石(shi)(shi)牛(niu)上(shang)大(da)(da)(da)(da)(da)書(shu)(shu)“石(shi)(shi)牛(niu)”2字(zi)，并刊刻(ke)了(le)(le)(le)《山(shan)谷(gu)(gu)(gu)寺》詩(shi)：“摩詩(shi)坐山(shan)谷(gu)(gu)(gu)，谷(gu)(gu)(gu)水身邊(bian)流，篆密龍蛇動，潭空(kong)牛(niu)女游”，此詩(shi)十分形象(xiang)地(di)描(miao)繪了(le)(le)(le)石(shi)(shi)牛(niu)臨(lin)澗的(de)(de)景(jing)色，令人(ren)涌不絕口。胡纘(zuan)宗還(huan)有(you)“山(shan)谷(gu)(gu)(gu)”大(da)(da)(da)(da)(da)字(zi)題刻(ke)，字(zi)徑2尺(chi)。其它像嘉靖時(shi)御史(shi)大(da)(da)(da)(da)(da)夫(fu)李元(yuan)陽、成化(hua)時(shi)書(shu)(shu)法家袁慶祥等(deng)(deng)人(ren)的(de)(de)題名(ming)(ming)以(yi)及大(da)(da)(da)(da)(da)量(liang)(liang)的(de)(de)“涪涪山(shan)谷(gu)(gu)(gu)”、“流云上(shang)流”、“天下奇觀”、“水光(guang)天色”、“龍門”、“獨(du)醒處”、“安慶名(ming)(ming)山(shan)”、“幽思”等(deng)(deng)，都有(you)一(yi)定的(de)(de)歷史(shi)研究與欣賞(shang)價值(zhi)。從(cong)書(shu)(shu)法的(de)(de)角度看，這里的(de)(de)石(shi)(shi)刻(ke)包括有(you)隸書(shu)(shu)、楷書(shu)(shu)、草(cao)書(shu)(shu)、篆書(shu)(shu)、行書(shu)(shu)等(deng)(deng)多(duo)種(zhong)，每種(zhong)書(shu)(shu)體(ti)中又(you)富于變(bian)化(hua)，各(ge)具特色，基本上(shang)代表了(le)(le)(le)唐代以(yi)來我國書(shu)(shu)法藝術發(fa)展演變(bian)的(de)(de)風貌，是一(yi)處珍貴的(de)(de)書(shu)(shu)法藝術寶庫。

平度縣天柱山摩崖刻石

天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)摩(mo)崖(ya)刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)在(zai)平(ping)(ping)(ping)(ping)度縣北(bei)(bei)(bei)25公里處(chu)。山(shan)(shan)中除魏(wei)碑(bei)外，還有(you)(you)(you)東(dong)漢(han)(han)、東(dong)魏(wei)、北(bei)(bei)(bei)齊以(yi)(yi)及金、元(yuan)(yuan)等歷代刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)，極堪觀賞。立在(zai)天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)之(zhi)(zhi)(zhi)(zhi)陽的(de)(de)鄭(zheng)(zheng)(zheng)(zheng)文(wen)公碑(bei)，亦(yi)稱鄭(zheng)(zheng)(zheng)(zheng)文(wen)公上碑(bei)，全稱“魏(wei)左中書(shu)(shu)(shu)(shu)令秘書(shu)(shu)(shu)(shu)監鄭(zheng)(zheng)(zheng)(zheng)文(wen)公之(zhi)(zhi)(zhi)(zhi)碑(bei)”。鄭(zheng)(zheng)(zheng)(zheng)文(wen)公乃鄭(zheng)(zheng)(zheng)(zheng)羲(xi)(xi)謚號。該碑(bei)傳為(wei)鄭(zheng)(zheng)(zheng)(zheng)羲(xi)(xi)之(zhi)(zhi)(zhi)(zhi)子一(yi)(yi)北(bei)(bei)(bei)魏(wei)光洲（洲志(zhi)在(zai)現掖縣） 刺史(shi)(shi)鄭(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)(zhao)于(yu)水平(ping)(ping)(ping)(ping)四年(nian)(nian)(nian)（公元(yuan)(yuan)511年(nian)(nian)(nian)）所書(shu)(shu)(shu)(shu)鐫。其(qi)內容系(xi)為(wei)鄭(zheng)(zheng)(zheng)(zheng)家歌功頌(song)德，并(bing)記(ji)(ji)述了鄭(zheng)(zheng)(zheng)(zheng)羲(xi)(xi)的(de)(de)生平(ping)(ping)(ping)(ping)和著述。碑(bei)由天(tian)(tian)(tian)然(ran)(ran)之(zhi)(zhi)(zhi)(zhi)碑(bei)狀石(shi)(shi)(shi)(shi)(shi)于(yu)碑(bei)陽面稍加琢磨(mo)而(er)成， 碑(bei)高3、20米(mi)，寬(kuan)(kuan)、5米(mi)，文(wen)19行，計880余字。其(qi)碑(bei)之(zhi)(zhi)(zhi)(zhi)書(shu)(shu)(shu)(shu)法，結字寬(kuan)(kuan)情(qing)，筆(bi)(bi)力雄健(jian)，具篆分(fen)遺意(yi)，清(qing)包(bao)世臣贊其(qi)“有(you)(you)(you)海鷗云(yun)鶴之(zhi)(zhi)(zhi)(zhi)致(zhi)”，并(bing)說(shuo)：“北(bei)(bei)(bei)碑(bei)體多榜出，〈〈鄭(zheng)(zheng)(zheng)(zheng)文(wen)公碑(bei)〉〉字獨(du)真正(zheng)，而(er)篆勢、分(fen)韻、草情(qing)畢具......真文(wen)苑奇珍也”葉昌熾(chi)則贊其(qi)“唐(tang)初歐、虞、褚、薛楮家皆在(zai)籠罩之(zhi)(zhi)(zhi)(zhi)內，不(bu)獨(du)北(bei)(bei)(bei)朝書(shu)(shu)(shu)(shu)第一(yi)(yi)，自有(you)(you)(you)真書(shu)(shu)(shu)(shu)以(yi)(yi)來一(yi)(yi)人(ren)而(er)已(yi)”。山(shan)(shan)之(zhi)(zhi)(zhi)(zhi)東(dong)北(bei)(bei)(bei)，有(you)(you)(you)一(yi)(yi)自然(ran)(ran)形(xing)成的(de)(de)高大(da)石(shi)(shi)(shi)(shi)(shi)孔，俗稱“石(shi)(shi)(shi)(shi)(shi)室”，北(bei)(bei)(bei)宋北(bei)(bei)(bei)壁亦(yi)鐫有(you)(you)(you)鄭(zheng)(zheng)(zheng)(zheng)道照所撰書(shu)(shu)(shu)(shu)之(zhi)(zhi)(zhi)(zhi)〈〈石(shi)(shi)(shi)(shi)(shi)室銘(ming)(ming)〉 〉，計150字，此(ci)銘(ming)(ming)既大(da)有(you)(you)(you)風(feng)采(cai)，又書(shu)(shu)(shu)(shu)寫得 婉麗飛動，饒有(you)(you)(you)天(tian)(tian)(tian)趣，寥(liao)寥(liao)數(shu)語，把天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)“石(shi)(shi)(shi)(shi)(shi)室”描繪得絢麗斑爛，令人(ren)神往。 由石(shi)(shi)(shi)(shi)(shi)室西(xi)行， 經(jing)鄭(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)(zhao)“此(ci)天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)之(zhi)(zhi)(zhi)(zhi)山(shan)(shan)”5個大(da)字的(de)(de)又一(yi)(yi)題刻(ke)(ke)處(chu)，爬(pa)上主峰，只見天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)、西(xi)云(yun)峰兩山(shan)(shan)東(dong)西(xi)對峙的(de)(de)峽(xia)口(kou)西(xi)壁，亦(yi)有(you)(you)(you)鄭(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)(zhao)之(zhi)(zhi)(zhi)(zhi)提刻(ke)(ke)，文(wen)為(wei)“滎(ying)陽鄭(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)(zhao)上游天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)下(xia)息(xi)云(yun)峰” ，字體較大(da)，石(shi)(shi)(shi)(shi)(shi)質又好，雖經(jing)1400余年(nian)(nian)(nian)的(de)(de)風(feng)雨剝蝕(shi)，依然(ran)(ran)如故(gu)；寥(liao)寥(liao)十余字，仍可見鄭(zheng)(zheng)(zheng)(zheng)書(shu)(shu)(shu)(shu)健(jian)之(zhi)(zhi)(zhi)(zhi)筆(bi)(bi)意(yi)。 《天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)石(shi)(shi)(shi)(shi)(shi)殘刻(ke)(ke)》以(yi)(yi)及座落在(zai)天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)西(xi)麓劈石(shi)(shi)(shi)(shi)(shi)門(men)處(chu)的(de)(de)《天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)銘(ming)(ming)》，均(jun)系(xi)隸(li)書(shu)(shu)(shu)(shu)，傳為(wei)鄭(zheng)(zheng)(zheng)(zheng)道昭(zhao)(zhao)(zhao)之(zhi)(zhi)(zhi)(zhi)子------北(bei)(bei)(bei)齊光州(zhou)刺史(shi)(shi)鄭(zheng)(zheng)(zheng)(zheng)述祖于(yu)天(tian)(tian)(tian)統元(yuan)(yuan)年(nian)(nian)(nian)（公元(yuan)(yuan)565年(nian)(nian)(nian)） 所書(shu)(shu)(shu)(shu)鐫《殘刻(ke)(ke)》書(shu)(shu)(shu)(shu)法工整精細，端(duan)正(zheng)而(er)不(bu)板滯；《天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)銘(ming)(ming)》字體厚重古樸(pu)，有(you)(you)(you)漢(han)(han)魏(wei)規范。 《天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)銘(ming)(ming)》之(zhi)(zhi)(zhi)(zhi)東(dong)，有(you)(you)(you)一(yi)(yi)東(dong)魏(wei)石(shi)(shi)(shi)(shi)(shi)窟。窟內壁除有(you)(you)(you)東(dong)魏(wei)《姚(yao)保(bao)顯造石(shi)(shi)(shi)(shi)(shi)塔記(ji)(ji)》外，還有(you)(you)(you)數(shu)十尊浮(fu)屠(tu)造像， 因年(nian)(nian)(nian)久(jiu)磨(mo)損， 浮(fu)屠(tu)還算清(qing)晰(xi)，《造石(shi)(shi)(shi)(shi)(shi)塔記(ji)(ji)》已(yi)多模糊難認，但“武定六年(nian)(nian)(nian)”（公元(yuan)(yuan)548年(nian)(nian)(nian)）等字，尚清(qing)晰(xi)可辯。 新近(jin)發現的(de)(de)東(dong)漢(han)(han)《中平(ping)(ping)(ping)(ping)三年(nian)(nian)(nian)刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)》，為(wei)漢(han)(han)隸(li)之(zhi)(zhi)(zhi)(zhi)精品，漢(han)(han)隸(li)摩(mo)崖(ya)者，為(wei)之(zhi)(zhi)(zhi)(zhi)少見，故(gu)愈加珍貴，為(wei)我國書(shu)(shu)(shu)(shu)法刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)藝術中的(de)(de)瑰寶，故(gu)天(tian)(tian)(tian)柱(zhu)(zhu)(zhu)山(shan)(shan)摩(mo)崖(ya)刻(ke)(ke)石(shi)(shi)(shi)(shi)(shi)被列(lie)為(wei)國家級重點文(wen)物保(bao)護(hu)單位(wei)單位(wei)。