芒果视频

簡介

山(shan)西省重(zhong)點文物保(bao)(bao)護(hu)單位。在潞城縣東(dong)(dong)南(nan)(nan)5千(qian)米處的東(dong)(dong)邑(yi)鄉東(dong)(dong)邑(yi)村中(zhong)，東(dong)(dong)北(bei)緊依盧醫山(shan)，西南(nan)(nan)與農(nong)舍毗鄰居，松柏蒼翠，綠樹(shu)成蔭(yin)，景色十分優(you)雅。該(gai)廟創建(jian)年代(dai)不(bu)詳，金代(dai)以后多次重(zhong)修。 始建(jian)年代(dai)不(bu)詳。廟坐北(bei)朝南(nan)(nan)，兩(liang)進院落，存(cun)有山(shan)門(men)、戲臺、正殿(dian)，及耳殿(dian)、廂房等。正殿(dian)面闊三(san)間，進深六椽，單檐懸山(shan)頂；因為(wei)后時屢有修繕，所(suo)以風格雜(za)糅，但是殿(dian)內梁架(jia)保(bao)(bao)留(liu)了(le)大叉手(shou)、平梁，基本保(bao)(bao)留(liu)了(le)金代(dai)原建(jian)時的特(te)點。

綜述

東(dong)(dong)(dong)邑村距縣城(cheng)東(dong)(dong)(dong)南約5公里(li),古稱黃邑,舊屬葛(ge)(ge)(ge)井(jing)(jing)鄉(xiang)(xiang)(xiang)。平(ping)順九天圣(sheng)母(mu)廟(miao)碑《重修九天圣(sheng)母(mu)廟(miao)記(ji)》中記(ji)載：“古潞子(zi)嬰兒(er)之國東(dong)(dong)(dong)南數十里(li)有葛(ge)(ge)(ge)井(jing)(jing)鄉(xiang)(xiang)(xiang)，鄉(xiang)(xiang)(xiang)之東(dong)(dong)(dong)社曰圣(sheng)母(mu)谷(gu)，谷(gu)之四面，山明水秀，石怪(guai)木老，乃(nai)太(tai)行左也。”因“相傳(chuan)葛(ge)(ge)(ge)洪師事鮑元，學道于此”，故又(you)名葛(ge)(ge)(ge)井(jing)(jing)山。東(dong)(dong)(dong)峪南山有“神(shen)泉”，“俗傳(chuan)里(li)人(ren)見一白虎(hu)入南山下，覓至山不見，止存一木箭，拔箭得水，故名。”這里(li)寺廟(miao)林立，古有葛(ge)(ge)(ge)洪祠(ci)，即《潞州潞城(cheng)縣三池東(dong)(dong)(dong)圣(sheng)母(mu)仙鄉(xiang)(xiang)(xiang)之碑》所謂的“蓋井(jing)(jing)葛(ge)(ge)(ge)仙公煉藥之宮”，還有圓(yuan)寂寺，“在潞城(cheng)縣東(dong)(dong)(dong)南十里(li)葛(ge)(ge)(ge)井(jing)(jing)山下，唐天祐年建，今廢。”今存圣(sheng)母(mu)廟(miao)、龍(long)王廟(miao)，可以想(xiang)象到當年香火繚繞，云蒸(zheng)霞(xia)蔚的景(jing)象。

龍王廟位(wei)于村東北，東臨(lin)五道(dao)溝，坐北面(mian)南(nan)，俯臨(lin)村莊(zhuang)，兩(liang)進(jin)(jin)院(yuan)落。山(shan)門(men)(men)三(san)(san)間(jian)，兩(liang)側連接八字影(ying)壁墻，與兩(liang)側圍墻貫通(tong)。入山(shan)門(men)(men)靠(kao)西(xi)(xi)處有一眼水井(jing)，和祈(qi)雨有關。山(shan)門(men)(men)內兩(liang)側各(ge)(ge)為(wei)三(san)(san)間(jian)廂房，中(zhong)(zhong)間(jian)甬道(dao)直通(tong)戲(xi)臺(tai)(tai)，構成(cheng)第一院(yuan)落，南(nan)北進(jin)(jin)深12.3米(mi)(mi)，東西(xi)(xi)寬16.7米(mi)(mi);戲(xi)臺(tai)(tai)下(xia)為(wei)通(tong)道(dao)，上為(wei)三(san)(san)間(jian)倒座戲(xi)臺(tai)(tai)，正殿(dian)與戲(xi)臺(tai)(tai)相對，以(yi)甬道(dao)相連，兩(liang)側為(wei)東西(xi)(xi)配殿(dian)各(ge)(ge)五間(jian)及廂房各(ge)(ge)三(san)(san)間(jian)，正北為(wei)大殿(dian)三(san)(san)間(jian)，東西(xi)(xi)耳殿(dian)各(ge)(ge)三(san)(san)間(jian)，構成(cheng)第二進(jin)(jin)院(yuan)落。南(nan)北進(jin)(jin)深26.9米(mi)(mi)，東西(xi)(xi)寬16.7米(mi)(mi)。龍王廟布(bu)局規整有序(xu)，符合中(zhong)(zhong)國(guo)傳統建(jian)筑以(yi)中(zhong)(zhong)軸線為(wei)主，左(zuo)右對稱的布(bu)局格(ge)式。

山門三(san)間，單檐硬(ying)山頂(ding)(ding)，面闊8.31米, 進(jin)深6.3米，明間中部(bu)設板門兩扇，前(qian)檐柱頭斗(dou)栱(gong)四鋪作，單下昂(琴面)卷云耍頭，補間斗(dou)栱(gong)雙下昂，上(shang)昂后尾挑入垂(chui)蓮柱，上(shang)承托在中金(jin)檁(lin)下皮，后檐為(wei)一(yi)斗(dou)三(san)升。梁(liang)架(jia)由(you)四栿(fa)、平(ping)梁(liang)、插(cha)手構(gou)成，灰布瓦頂(ding)(ding)，磚木(mu)結構(gou)，從建(jian)筑形制和藝術構(gou)件的特征看，應是清(qing)代(dai)遺物。東側廂房用(yong)作伙房，西(xi)側廂房用(yong)作宿舍，宿舍門窗開向廟外(wai)，均(jun)拆改為(wei)現代(dai)建(jian)筑。

戲(xi)(xi)臺(tai)三間(jian)(jian)，倒座式，即坐南(nan)朝北，面(mian)(mian)向(xiang)正(zheng)殿，面(mian)(mian)闊9.9、進深6.56米(mi)，單檐硬山頂，灰布(bu)瓦頂。上下(xia)兩層(ceng)(ceng)，下(xia)層(ceng)(ceng)為(wei)通(tong)道(dao)(dao)，通(tong)道(dao)(dao)頂部(bu)鋪木板，正(zheng)面(mian)(mian)(面(mian)(mian)向(xiang)山門(men))墻體直達(da)檐口(kou)(kou)。中間(jian)(jian)開方形門(men)，上部(bu)做拱形門(men)頭(tou)，沙石材質，雕刻蓮花、龍、蓮瓣(ban)圖案，上方鑲“民生潤澤”石匾(0.75米(mi)×2.46米(mi))一塊。背面(mian)(mian)(戲(xi)(xi)臺(tai)正(zheng)面(mian)(mian))，明(ming)間(jian)(jian)下(xia)部(bu)為(wei)長方形門(men)洞，東(dong)側石砌臺(tai)階，可達(da)上層(ceng)(ceng)。戲(xi)(xi)臺(tai)前檐斗栱(gong)(gong)四鋪作單下(xia)昂(ang)，卷(juan)云(yun)式昂(ang)頭(tou)。柱(zhu)頭(tou)斗栱(gong)(gong)耍頭(tou)為(wei)象(xiang)頭(tou)，補間(jian)(jian)為(wei)龍頭(tou)。明(ming)間(jian)(jian)雀(que)替(ti)為(wei)龍頭(tou)，兩次間(jian)(jian)為(wei)象(xiang)頭(tou)。梁(liang)架由四椽栿、平梁(liang)構成(cheng)。梁(liang)架殘(can)存部(bu)分有彩畫(hua)，無壁畫(hua)。臺(tai)口(kou)(kou)被門(men)窗壘砌封閉，兩側東(dong)西耳房已被拆除，但(dan)建筑和(he)架檁(lin)的(de)痕跡清晰(xi)可辨(bian)，應(ying)為(wei)唱戲(xi)(xi)時化(hua)裝、休息的(de)場所(suo)。

正殿是龍王(wang)廟主要的(de)建筑，位于中(zhong)軸(zhou)線北端，坐落(luo)在(zai)長14.76、寬13.5、高1米的(de)臺(tai)基(ji)之上，臺(tai)基(ji)東、西、南(nan)三面設臺(tai)階。正殿三間(jian)(jian)(jian)，面闊(kuo)13.24、進深11.97米，單(dan)檐懸山頂，灰(hui)瓦，大吻、垂(chui)(chui)獸、戧獸、套獸均為(wei)(wei)琉璃(li)雕(diao)花，正脊(ji)每(mei)面6條龍，垂(chui)(chui)脊(ji)雕(diao)鳳，均配飾牡丹，可惜(xi)垂(chui)(chui)脊(ji)只留(liu)一條脊(ji)剎，有“嘉慶(qing)元年(nian)五月立”題記(ji)。明間(jian)(jian)(jian)設板(ban)門(men)(已毀)，兩(liang)次間(jian)(jian)(jian)為(wei)(wei)坎墻直欞(ling)窗，明間(jian)(jian)(jian)覆盆柱(zhu)礎，青石(shi)淺雕(diao)云(yun)龍圖案，次間(jian)(jian)(jian)為(wei)(wei)方形(xing)石(shi)料基(ji)座。

砌上露明造，舉架平(ping)緩，減柱(zhu)(zhu)(zhu)造，方(fang)形(xing)(xing)抹(mo)棱金柱(zhu)(zhu)(zhu)、山(shan)(shan)柱(zhu)(zhu)(zhu)，檐柱(zhu)(zhu)(zhu)收殺、側腳，柱(zhu)(zhu)(zhu)頭卷剎顯著，設(she)欄額(e)普拍枋。用(yong)材自然粗放(fang)，面不規整(zheng)，圓木稍加砍制便使用(yong)，采用(yong)乳(ru)栿(fa)對四(si)椽(chuan)栿(fa)，栿(fa)上兩(liang)蜀(shu)柱(zhu)(zhu)(zhu)(有方(fang)形(xing)(xing)、圓形(xing)(xing))上有大(da)斗(dou)，平(ping)梁(liang)座于斗(dou)內，縱向(xiang)(xiang)出(chu)栱托替木、承(cheng)(cheng)金檁(lin)，蜀(shu)柱(zhu)(zhu)(zhu)間(jian)由縱向(xiang)(xiang)襻間(jian)枋連接(jie)(jie)。平(ping)梁(liang)上設(she)插(cha)手，脊瓜柱(zhu)(zhu)(zhu)下設(she)置合■，上承(cheng)(cheng)大(da)斗(dou)捧接(jie)(jie)令栱、替木承(cheng)(cheng)托脊檁(lin)。侏儒(ru)柱(zhu)(zhu)(zhu)下插(cha)合■，蜀(shu)柱(zhu)(zhu)(zhu)下用(yong)駝(tuo)(tuo)峰(feng)，合■、駝(tuo)(tuo)峰(feng)兼而用(yong)之的做法較為少見。各縫梁(liang)架結(jie)構處理一致，四(si)椽(chuan)栿(fa)插(cha)入(ru)后(hou)墻(qiang)(qiang)內設(she)后(hou)檐柱(zhu)(zhu)(zhu)承(cheng)(cheng)托，椽(chuan)頭卷剎明顯。墻(qiang)(qiang)體均為坎(kan)磨青灰磚砌筑，正面兩(liang)次間(jian)設(she)坎(kan)墻(qiang)(qiang)，兩(liang)山(shan)(shan)墻(qiang)(qiang)及后(hou)墻(qiang)(qiang)均砌至檐口。

柱頭(tou)(tou)斗栱：五鋪(pu)作，單抄單下昂(ang)，耍頭(tou)(tou)昂(ang)形，重(zhong)拱(gong)計心(xin)造(zao)。里轉四(si)鋪(pu)作，出華拱(gong)一挑，第二(er)跳(tiao)昂(ang)后尾作雀替(ti)狀承(cheng)托乳栿。正身耍頭(tou)(tou)為(wei)真(zhen)昂(ang)與(yu)令(ling)拱(gong)相交上承(cheng)隨檁枋、檁檐，后尾由(you)乳栿駝峰承(cheng)托，上座大斗，下承(cheng)金檁，在結構中(zhong)起著重(zhong)要的作用。

明(ming)間補(bu)間斗(dou)(dou)栱(gong)：五(wu)(wu)鋪作，單抄(chao)單下昂(ang)，重拱計心(xin)造(zao)。櫨斗(dou)(dou)作圓形，共(gong)12瓣(ban)，第一(yi)跳(tiao)(tiao)華(hua)栱(gong)兩(liang)(liang)側出(chu)(chu)45°斜栱(gong)，第二跳(tiao)(tiao)下昂(ang)兩(liang)(liang)側出(chu)(chu)45°斜栱(gong)兩(liang)(liang)縫(feng)，令栱(gong)加長，正身(shen)為昂(ang)，兩(liang)(liang)側45°出(chu)(chu)兩(liang)(liang)縫(feng)耍頭，上(shang)承(cheng)隨(sui)檁(lin)(lin)枋、檐檁(lin)(lin)里轉五(wu)(wu)鋪作，偷心(xin)造(zao)。華(hua)栱(gong)兩(liang)(liang)側45°斜出(chu)(chu)耍頭，上(shang)昂(ang)后尾插入垂連柱，上(shang)承(cheng)金檁(lin)(lin)。它(ta)和五(wu)(wu)臺山佛光寺文殊殿明(ming)間補(bu)間斗(dou)(dou)栱(gong)的(de)(de)(de)形制如出(chu)(chu)一(yi)轍。這種在45°角(jiao)線上(shang)出(chu)(chu)龐大的(de)(de)(de)斜栱(gong)兩(liang)(liang)縫(feng)，第二跳(tiao)(tiao)加至四縫(feng)，使斗(dou)(dou)栱(gong)的(de)(de)(de)形狀如同(tong)怒放的(de)(de)(de)花束，是遼(liao)金兩(liang)(liang)代(dai)(dai)斗(dou)(dou)栱(gong)獨有的(de)(de)(de)構造(zao)特(te)征(zheng)，金代(dai)(dai)尤為顯(xian)著。

次間補間斗栱(gong)：正身與(yu)明間結構基本一(yi)致，唯(wei)櫨斗作六瓣，二、三跳45°斜(xie)栱(gong)耍(shua)頭(tou)一(yi)縫，三令栱(gong)作鴛(yuan)鴦(yang)交首(shou)狀(zhuang)，出斜(xie)栱(gong)。

金柱(zhu)斗栱(gong)：四(si)鋪作，設欄額(e)，斗栱(gong)十字相交(jiao)，承托四(si)椽(chuan)栿與乳栿結點(dian)，縱向有襻間枋。正身(shen)栱(gong)做雀(que)替(ti)狀(zhuang)施于乳栿下。從結構(gou)上看，正殿主要構(gou)件是金代物。

東(dong)西(xi)耳殿(dian)各三間(jian)，通(tong)面(mian)闊(kuo)7.5米，前插廊，單檐硬(ying)山(shan)頂，縱向磚券窯洞。面(mian)為三間(jian)實為一間(jian)，明間(jian)后墻(qiang)砌拱形神龕，布(bu)筒板瓦，脊為雕龍圖案(an)。

東西配(pei)殿及廂(xiang)房分設于大殿、戲臺與山門兩側(ce)，均為硬山式(shi)建筑，自北而南配(pei)殿五間(jian)(jian)有(you)前廊，中間(jian)(jian)三(san)(san)間(jian)(jian)，南端三(san)(san)間(jian)(jian)，建筑已被修改得面目(mu)全非，唯東側(ce)中間(jian)(jian)三(san)(san)間(jian)(jian)可看出(chu)清(qing)代樣式(shi)。

正殿(dian)前臺(tai)基上，東(dong)西各蹲一(yi)石獅，被移至學(xue)校門(men)前。廟中碑刻在“文革”期間遺失，現今還沒有(you)找(zhao)到其(qi)創始(shi)年(nian)代的文字記(ji)載(zai)。

龍(long)王廟布局規整對稱(cheng)，保存完整，“神(shen)(shen)殿與戲(xi)(xi)臺(tai)結合(he)構成(cheng)神(shen)(shen)廟，是北宋以后中(zhong)國本土(tu)宗教場所的(de)(de)顯著特(te)征。”他們結合(he)的(de)(de)思想基礎(chu)是孔子的(de)(de)“興于禮(li)(li)(li)(li)，成(cheng)于樂(le)”的(de)(de)禮(li)(li)(li)(li)樂(le)觀(guan)，神(shen)(shen)殿象(xiang)征著禮(li)(li)(li)(li)，戲(xi)(xi)臺(tai)象(xiang)征著樂(le)，禮(li)(li)(li)(li)樂(le)是祭(ji)祀的(de)(de)兩面。“無(wu)(wu)戲(xi)(xi)樓(lou)則(ze)(ze)廟貌不稱(cheng)，無(wu)(wu)戲(xi)(xi)樓(lou)則(ze)(ze)觀(guan)瞻不雅(ya)”，沒有戲(xi)(xi)臺(tai)，“不惟戲(xi)(xi)無(wu)(wu)以演，神(shen)(shen)無(wu)(wu)以奉，抑且為一村之(zhi)羞也，這種思想體(ti)現(xian)了“禮(li)(li)(li)(li)以節人，樂(le)以和人”的(de)(de)禮(li)(li)(li)(li)樂(le)制度對中(zhong)國社會的(de)(de)影響。晉(jin)東南地區多神(shen)(shen)廟，每年(nian)的(de)(de)雩祭(ji)儀式和春祈秋報相結合(he)，造就了當(dang)地以取水求(qiu)雨為主旨(zhi)的(de)(de)獨(du)特(te)的(de)(de)賽社活動(dong)。

農(nong)業社(she)會，人們(men)(men)大(da)的(de)企盼(pan)就是風調雨(yu)(yu)順(shun)，來年能(neng)有(you)(you)好收成。龍(long)(long)(long)(long)王(wang)(wang)作為(wei)司(si)雨(yu)(yu)水(shui)之(zhi)(zhi)(zhi)神(shen)(shen)，便格外(wai)受到(dao)人們(men)(men)的(de)尊崇。早在秦始皇(huang)時，就有(you)(you)“黃帝(di)得土德(de)，黃龍(long)(long)(long)(long)地寅(yin)見。夏得木(mu)德(de)，青龍(long)(long)(long)(long)止于郊……今秦變周,水(shui)德(de)之(zhi)(zhi)(zhi)時。昔秦文(wen)公出(chu)獵，獲(huo)黑(hei)龍(long)(long)(long)(long)，此(ci)其水(shui)德(de)之(zhi)(zhi)(zhi)瑞”的(de)記(ji)載(zai)。到(dao)漢代，民間出(chu)現了以(yi)五(wu)(wu)(wu)色(se)龍(long)(long)(long)(long)祈雨(yu)(yu)的(de)習(xi)俗(su)。《唐志》：“上黨有(you)(you)五(wu)(wu)(wu)龍(long)(long)(long)(long)山。”《十(shi)六國(guo)春秋》：“西(xi)燕慕容(rong)永(yong)時有(you)(you)五(wu)(wu)(wu)色(se)云見于此(ci)，遇(yu)旱禱(dao)雨(yu)(yu)輒應(ying)(ying)，因(yin)(yin)置祠以(yi)祀五(wu)(wu)(wu)方(fang)之(zhi)(zhi)(zhi)神(shen)(shen)。”據《宋會要輯稿》記(ji)載(zai)：“國(guo)朝緣唐祭(ji)五(wu)(wu)(wu)龍(long)(long)(long)(long)之(zhi)(zhi)(zhi)制,春秋常行其祀。先是熙寧十(shi)年八(ba)月信州有(you)(you)五(wu)(wu)(wu)龍(long)(long)(long)(long)廟(miao)(miao)(miao),禱(dao)雨(yu)(yu)有(you)(you)應(ying)(ying),賜額(e)(e)曰：‘會應(ying)(ying)’。自是五(wu)(wu)(wu)龍(long)(long)(long)(long)廟(miao)(miao)(miao)皆以(yi)此(ci)名額(e)(e)云。徽宗大(da)觀(guan)二年十(shi)月,詔(zhao)天下五(wu)(wu)(wu)龍(long)(long)(long)(long)廟(miao)(miao)(miao)皆封王(wang)(wang)爵。青龍(long)(long)(long)(long)神(shen)(shen)封廣仁王(wang)(wang),赤龍(long)(long)(long)(long)神(shen)(shen)封嘉澤王(wang)(wang),黃龍(long)(long)(long)(long)神(shen)(shen)封孚應(ying)(ying)王(wang)(wang),白(bai)龍(long)(long)(long)(long)神(shen)(shen)封義濟王(wang)(wang),黑(hei)龍(long)(long)(long)(long)神(shen)(shen)封靈澤王(wang)(wang)。”龍(long)(long)(long)(long)王(wang)(wang)由民俗(su)之(zhi)(zhi)(zhi)神(shen)(shen)上升為(wei)祀典之(zhi)(zhi)(zhi)神(shen)(shen)，為(wei)龍(long)(long)(long)(long)王(wang)(wang)修(xiu)建廟(miao)(miao)(miao)宇(yu)成為(wei)理所當(dang)然的(de)事(shi)情，龍(long)(long)(long)(long)王(wang)(wang)廟(miao)(miao)(miao)往往建在有(you)(you)泉、池(chi)、井(jing)的(de)地方(fang)，因(yin)(yin)為(wei)這(zhe)里(li)能(neng)“禱(dao)雨(yu)(yu)而(er)應(ying)(ying)”。晉(jin)東南的(de)府州縣(xian)志及現存石刻，到(dao)處都有(you)(you)禱(dao)取“神(shen)(shen)水(shui)”而(er)“靈應(ying)(ying)”降雨(yu)(yu)的(de)記(ji)錄。潞城東邑龍(long)(long)(long)(long)王(wang)(wang)廟(miao)(miao)(miao)山門西(xi)側有(you)(you)井(jing)，應(ying)(ying)為(wei)禱(dao)雨(yu)(yu)取水(shui)之(zhi)(zhi)(zhi)池(chi)。

雩祭作為(wei)(wei)一(yi)種祈雨(yu)的(de)儀式，分為(wei)(wei)官辦(ban)和民辦(ban)兩(liang)類(lei)。

從商周開始，祭祀(si)(si)便(bian)和禮(li)樂相(xiang)伴，是國(guo)家的(de)(de)(de)(de)重要行(xing)為(wei)。官方主(zhu)持的(de)(de)(de)(de)祭祀(si)(si)活動正式(shi)莊重、規范高雅。而這種帶有宗教色彩的(de)(de)(de)(de)禮(li)樂祭祀(si)(si)在(zai)(zai)轉(zhuan)變為(wei)民間集體行(xing)為(wei)時，往(wang)往(wang)帶有了娛樂游戲的(de)(de)(de)(de)成分。“祭禮(li)”漸漸演(yan)(yan)變成“戲禮(li)”(蘇(su)東坡語)。學者(zhe)王國(guo)維在(zai)(zai)論(lun)及上古戲劇時說：“巫(wu)之(zhi)(zhi)事(shi)神，必(bi)用歌舞”，“歌舞之(zhi)(zhi)興，其始于古之(zhi)(zhi)巫(wu)乎(hu)?”在(zai)(zai)雩(yu)祭儀式(shi)中(zhong)，女巫(wu)擔任主(zhu)角。廖奔先(xian)生(sheng)認(ren)為(wei)“雩(yu)祭的(de)(de)(de)(de)目的(de)(de)(de)(de)在(zai)(zai)于‘以(yi)舞降神’以(yi)祈雨，其中(zhong)歌舞媚神的(de)(de)(de)(de)成分比較大，它出現在(zai)(zai)農業文明興起之(zhi)(zhi)后。”歷史(shi)的(de)(de)(de)(de)積淀和文化的(de)(de)(de)(de)過濾，“歌舞媚神”已演(yan)(yan)變為(wei)歌舞娛人(ren)，民間的(de)(de)(de)(de)迎神賽社卻(que)呈(cheng)現出公(gong)眾(zhong)性的(de)(de)(de)(de)狂(kuang)歡。人(ren)們在(zai)(zai)這種周期性的(de)(de)(de)(de)儀式(shi)中(zhong)舒(shu)展著(zhu)疲憊的(de)(de)(de)(de)身心，釋(shi)放(fang)著(zhu)壓抑的(de)(de)(de)(de)情感。和官辦(ban)雩(yu)祭枯燥乏味相(xiang)比，民間的(de)(de)(de)(de)雩(yu)祭儀式(shi)要熱鬧得多。

潞城東邑村(cun)龍王廟的(de)迎神賽社定在每年農(nong)(nong)歷二(er)月初(chu)(chu)(chu)二(er)和六(liu)(liu)月初(chu)(chu)(chu)六(liu)(liu)，二(er)月二(er)是(shi)傳(chuan)統龍抬頭的(de)日子，因為二(er)月初(chu)(chu)(chu)處于驚蟄前后，蟄伏一冬的(de)各種(zhong)動物恢復活力，龍也要蘇醒過來履行它(ta)降(jiang)雨的(de)職責。從時節上(shang)來說，二(er)月進入仲春(chun)季節，這時陽(yang)氣上(shang)升，大地復蘇，春(chun)耕(geng)播種(zhong)非常需要土(tu)壤濕潤，保有水分(fen)，若是(shi)天公(gong)降(jiang)雨，無疑是(shi)農(nong)(nong)民的(de)一大福(fu)祉(zhi)。六(liu)(liu)月初(chu)(chu)(chu)六(liu)(liu)正值(zhi)谷(gu)物秀而(er)未實，或實而(er)未堅，農(nong)(nong)夫(fu)希望普(pu)降(jiang)甘霖，秋天才(cai)會(hui)獲得豐收。另外，如果禱(dao)雨而(er)應，祈得甘澤，也應演戲(xi)酬報，謝過龍王。

祈(qi)雨(yu)之(zhi)(zhi)前(qian)，會首要做許多準(zhun)備(bei)工(gong)作，安排(pai)好(hao)求雨(yu)、演戲(xi)、社火(huo)等(deng)各項事宜(yi)。主禮(li)通常由(you)陰陽先生擔(dan)任，廚師負責煮花祭、備(bei)供饌，祭樂樂戶承(cheng)應，執役村(cun)民分(fen)管(guan)，鄉人表演社火(huo)。可以說，不分(fen)貧富貴賤，不論階層行(xing)業，全民都參(can)與(yu)到(dao)(dao)祭祀與(yu)狂(kuang)歡之(zhi)(zhi)中，勞作的(de)辛苦得到(dao)(dao)釋放(fang)，情感得以宣泄。

廟會(hui)通常五天。第一天是隆重的(de)祈雨儀式和社火表演。第一項(xiang)是祭拜(bai)(bai)取水(shui)。會(hui)首帶領男村民，人人頭(tou)帶柳圈，手(shou)執柳條，依(yi)次(ci)進入龍(long)(long)(long)王(wang)廟正殿，專人端上(shang)花祭、供饌及長頸陶瓶，上(shang)香跪拜(bai)(bai)，三禮九叩，肅穆虔禱。龍(long)(long)(long)王(wang)坐像(xiang)近(jin)一米高，木架支成空心，泥塑(su)，涂以油彩，黑臉，雙目(mu)迥然。拜(bai)(bai)畢，會(hui)首手(shou)捧陶瓶，舉過頭(tou)頂(ding)，領村民走至(zhi)山門左側井(jing)口旁，用(yong)紅繩系瓶口，徐(xu)(xu)徐(xu)(xu)放如井(jing)中，俯首噤聲(sheng)，點燃香枝(zhi)，頻(pin)頻(pin)叩首。禮畢，將紅繩系到(dao)旁邊的(de)柳樹上(shang)，等待(dai)龍(long)(long)(long)王(wang)賜雨。曬(shai)龍(long)(long)(long)王(wang)儀式結束后，恭恭敬敬地取回神(shen)水(shui)，供奉在大殿的(de)供桌上(shang)。井(jing)水(shui)旱(han)不(bu)枯，澇不(bu)溢，在民間(jian)傳說中被認為(wei)是通向神(shen)秘(mi)世(shi)界東海龍(long)(long)(long)王(wang)居所的(de)海眼(yan)。

第二項是熱(re)鬧的(de)(de)曬龍王(wang)(wang)巡(xun)街(jie)活動。幾(ji)個年輕力(li)壯的(de)(de)小伙子將龍王(wang)(wang)爺抬(tai)到坐架上，扛(kang)著(zhu)出(chu)行，因(yin)為(wei)是為(wei)民求雨(yu)，大(da)家都很樂(le)于出(chu)力(li)。八音(yin)會(hui)細(xi)吹細(xi)打，在前面鳴(ming)鑼開(kai)道，龍王(wang)(wang)爺緊(jin)隨其后，會(hui)首帶領(ling)眾鄉親(qin)浩(hao)浩(hao)蕩蕩從龍王(wang)(wang)廟出(chu)發(fa)，順街(jie)出(chu)村，沿(yan)田間(jian)地(di)壟(long)到附(fu)近的(de)(de)三(san)(san)皇(huang)(huang)腦祭(ji)拜，然后返回，把龍王(wang)(wang)爺放回正殿。三(san)(san)皇(huang)(huang)腦已無遺跡可考，但當地(di)的(de)(de)百姓認為(wei)三(san)(san)皇(huang)(huang)主(zhu)(zhu)管一切神靈(ling)，所以龍王(wang)(wang)出(chu)動一次，有必要(yao)祭(ji)拜三(san)(san)皇(huang)(huang)。三(san)(san)皇(huang)(huang)有上三(san)(san)皇(huang)(huang)、中(zhong)(zhong)三(san)(san)皇(huang)(huang)、下(xia)三(san)(san)皇(huang)(huang)的(de)(de)說(shuo)法。上三(san)(san)皇(huang)(huang)指天皇(huang)(huang)、地(di)皇(huang)(huang)、人(ren)皇(huang)(huang)，他們是傳(chuan)說(shuo)中(zhong)(zhong)天、地(di)、人(ren)的(de)(de)祖先，其中(zhong)(zhong)天皇(huang)(huang)主(zhu)(zhu)氣，地(di)皇(huang)(huang)主(zhu)(zhu)德(de)，人(ren)皇(huang)(huang)主(zhu)(zhu)生(sheng)。中(zhong)(zhong)三(san)(san)皇(huang)(huang)為(wei)伏羲、女媧、神農(nong)。下(xia)三(san)(san)皇(huang)(huang)是黃帝、堯、舜。

曬(shai)龍(long)(long)(long)(long)王(wang)(wang)這種(zhong)儀式，大概源于(yu)幾種(zhong)想法(fa)：第(di)(di)一(yi)，龍(long)(long)(long)(long)是(shi)喜(xi)靜不(bu)喜(xi)動(dong)的(de)動(dong)物，平(ping)時潛居幽深(shen)的(de)龍(long)(long)(long)(long)洞、龍(long)(long)(long)(long)泉、龍(long)(long)(long)(long)井(jing)之(zhi)(zhi)(zhi)中(zhong)，現在(zai)敲鑼打(da)鼓這么一(yi)鬧(nao)騰，便(bian)會興風(feng)作浪，布雨降霖。第(di)(di)二，龍(long)(long)(long)(long)王(wang)(wang)作為(wei)司雨之(zhi)(zhi)(zhi)神，應該讓它及(ji)時了(le)解民間旱(han)情(qing)，不(bu)能(neng)褻(xie)守瀆職，不(bu)管老百姓疾苦(ku)。第(di)(di)三，龍(long)(long)(long)(long)王(wang)(wang)爺怕熱(re)，被(bei)放(fang)在(zai)太(tai)陽下暴(bao)(bao)曬(shai)，曬(shai)出汗了(le)，流(liu)(liu)到人間便(bian)是(shi)甘露。考究曬(shai)龍(long)(long)(long)(long)王(wang)(wang)這一(yi)習(xi)俗(su)的(de)由來，龔(gong)維英(ying)先生(sheng)認為(wei)讓龍(long)(long)(long)(long)王(wang)(wang)受苦(ku)源于(yu)讓巫覡受苦(ku)。他(ta)說：“本世50年代初期，農民抗(kang)旱(han)，尚‘烤龍(long)(long)(long)(long)王(wang)(wang)’求雨，即曝(pu)巫之(zhi)(zhi)(zhi)遺存(cun)。”但把龍(long)(long)(long)(long)當作巫覡，似乎有(you)點勉強。苑利先生(sheng)認為(wei)：“曬(shai)龍(long)(long)(long)(long)王(wang)(wang)實際(ji)上源于(yu)上古另一(yi)種(zhong)更古老的(de)習(xi)俗(su)——造土(tu)(tu)龍(long)(long)(long)(long)。”但為(wei)什(shen)么造土(tu)(tu)龍(long)(long)(long)(long)會致(zhi)雨，不(bu)得(de)而知。《淮南(nan)子·墜形訓》云(yun)：“土(tu)(tu)龍(long)(long)(long)(long)致(zhi)雨。”高誘注(zhu)曰：“湯遭旱(han)，作土(tu)(tu)龍(long)(long)(long)(long)以象龍(long)(long)(long)(long)，云(yun)從龍(long)(long)(long)(long)，故致(zhi)雨也。”《山海(hai)經·大荒東(dong)經》曰：“旱(han)而為(wei)應龍(long)(long)(long)(long)之(zhi)(zhi)(zhi)狀，乃得(de)大雨。”說得(de)就是(shi)造土(tu)(tu)龍(long)(long)(long)(long)求雨。宋真(zhen)宗咸平(ping)元年(998年)，“內出李祈雨法(fa)，以甲乙日(ri)擇東(dong)方地作壇，取土(tu)(tu)造青龍(long)(long)(long)(long)，詣龍(long)(long)(long)(long)所(suo)汲流(liu)(liu)水。”有(you)可能(neng)是(shi)因為(wei)土(tu)(tu)龍(long)(long)(long)(long)是(shi)用泥(ni)做的(de)，需要在(zai)太(tai)陽下暴(bao)(bao)曬(shai)才可定形，所(suo)以有(you)了(le)曬(shai)龍(long)(long)(long)(long)王(wang)(wang)這一(yi)風(feng)俗(su)。

接下(xia)(xia)來(lai)是比較刺激(ji)的斬旱(han)魃儀(yi)式(shi)。旱(han)魃是中國神話(hua)中干(gan)旱(han)的制(zhi)造(zao)者(zhe)，《詩(shi)經(jing)·云漢》有語“旱(han)魃為虐，如焱如焚(fen)”。旱(han)魃的制(zhi)作(zuo)方法(fa)很(hen)簡單，用樹枝做個(ge)身(shen)子骨(gu)架，外面(mian)用彩紙(zhi)糊裱，菜瓜做頭(tou)，掏(tao)空瓜瓤(rang)，注(zhu)進紅水(shui)，封(feng)嚴。把旱(han)魃放到平板車上，沿街(jie)游行，回到龍(long)王廟(miao)后(hou)，主(zhu)禮(li)歷數旱(han)魃的種種罪狀，然后(hou)一(yi)聲喝令(ling)，旁邊(bian)手執利刃的小伙(huo)子一(yi)刀砍(kan)下(xia)(xia)旱(han)魃的頭(tou)，“鮮血”淋漓。不過(guo)現(xian)在旱(han)魃的制(zhi)作(zuo)多了(le)幾分游戲的心態，紙(zhi)糊的旱(han)魃身(shen)子里填滿(man)鞭炮(pao)，頭(tou)應(ying)聲倒地之后(hou)，身(shen)子也噼里啪啦燃燒起(qi)來(lai)，頗(po)為刺激(ji)。百姓認為除掉旱(han)魃，才會風調雨順，五谷(gu)豐(feng)登。

最后進行的是紅(hong)火(huo)熱(re)鬧的社火(huo)表(biao)演，“扛裝”、“晃杠”、“踩蹺”是傳統的表(biao)演項目，下面逐(zhu)一介(jie)紹。

扛裝：一成年男(nan)子(zi)(zi)肩負鐵(tie)架(jia)，架(jia)上安一根1米多長的(de)(de)(de)鐵(tie)棍，棍端(duan)(duan)橫懸(xuan)一圓形支架(jia)，支架(jia)的(de)(de)(de)下(xia)端(duan)(duan)是用(yong)布做成的(de)(de)(de)卡通(tong)動(dong)物，一位五六歲(sui)的(de)(de)(de)兒童輕坐(zuo)于上，臉(lian)部化裝成戲劇角(jiao)色，頭戴花冠(guan)，花冠(guan)左右插(cha)兩翎，身披(pi)斗篷(peng)，腰系裙子(zi)(zi)，腳穿(chuan)繡(xiu)花鞋，手拿(na)扇子(zi)(zi)、花束(shu)，隨著(zhu)八音會的(de)(de)(de)伴奏，男(nan)子(zi)(zi)和兒童有韻律地擺動(dong)。

晃(huang)杠(gang)：最(zui)下端(duan)(duan)是一(yi)木(mu)(mu)箱(xiang)(xiang)，內裝(zhuang)石塊或鐵(tie)等沉重物，外飾(shi)彩繪。木(mu)(mu)箱(xiang)(xiang)正中豎(shu)插木(mu)(mu)桿，木(mu)(mu)桿上豎(shu)著(zhu)(zhu)固定三面(mian)大(da)鏡(jing)(jing)子(zi)，每面(mian)大(da)鏡(jing)(jing)子(zi)的左右(you)橫(heng)著(zhu)(zhu)固定兩(liang)面(mian)小鏡(jing)(jing)子(zi)，鏡(jing)(jing)子(zi)周圍用彩綢花束裝(zhuang)飾(shi)，鏡(jing)(jing)子(zi)之(zhi)間書寫(xie)“國(guo)泰(tai)民安”、“風調雨順(shun)”、“祈福報功”等字樣，最(zui)上端(duan)(duan)插雞(ji)毛撣(dan)子(zi)。木(mu)(mu)箱(xiang)(xiang)前后橫(heng)插一(yi)杠(gang)，由兩(liang)青(qing)年面(mian)對面(mian)抬著(zhu)(zhu)，前后左右(you)四人拽著(zhu)(zhu)木(mu)(mu)桿上端(duan)(duan)垂下來的繩(sheng)子(zi)保持平衡。

踩(cai)蹺(qiao)(qiao)：潞(lu)城境內廣(guang)泛流行，演(yan)員腳(jiao)踩(cai)蹺(qiao)(qiao)棍(gun)，裝扮成(cheng)戲曲人物，在(zai)八音會(hui)伴奏下邊(bian)唱邊(bian)舞。踩(cai)的(de)(de)木棍(gun)在(zai)三尺以下的(de)(de)叫小蹺(qiao)(qiao)，三尺以上的(de)(de)叫高蹺(qiao)(qiao)，有的(de)(de)高蹺(qiao)(qiao)演(yan)員能在(zai)空中表演(yan)各種動作。

雩(yu)祭(ji)儀式肅穆隆(long)重(zhong)，百戲(xi)社火熱(re)烈歡騰，廟外(wai)廣場和街道(dao)人(ren)山人(ren)海(hai)。

第二天(tian)正式(shi)演(yan)(yan)(yan)(yan)(yan)戲(xi)(xi)(xi)(xi)(xi)，同時廟會進行，為期三天(tian)。馮俊杰先生考證(zheng)：“晉東南‘謝雨’演(yan)(yan)(yan)(yan)(yan)戲(xi)(xi)(xi)(xi)(xi)，也有自己的(de)(de)(de)(de)風(feng)俗(su)(su)習(xi)慣。首(shou)(shou)先是(shi)(shi)(shi)由值(zhi)年總社首(shou)(shou)‘寫(xie)戲(xi)(xi)(xi)(xi)(xi)’，即聘(pin)請(qing)戲(xi)(xi)(xi)(xi)(xi)班(ban)(ban)，點劃劇目(mu)，并(bing)與(yu)戲(xi)(xi)(xi)(xi)(xi)班(ban)(ban)科頭(tou)簽訂演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)合同;然后(hou)再對戲(xi)(xi)(xi)(xi)(xi)班(ban)(ban)提出(chu)(chu)許多(duo)戒條，張榜(bang)公布;戲(xi)(xi)(xi)(xi)(xi)班(ban)(ban)也要張貼告白榜(bang)文，以聲明自己的(de)(de)(de)(de)演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)符合祀典。”現在(zai)儀(yi)式(shi)有所簡化，但演(yan)(yan)(yan)(yan)(yan)戲(xi)(xi)(xi)(xi)(xi)的(de)(de)(de)(de)熱情(qing)卻(que)很高(gao)漲。在(zai)唱(chang)(chang)(chang)戲(xi)(xi)(xi)(xi)(xi)之前，有專(zhuan)人拿扎了紅綢的(de)(de)(de)(de)竹掃帚(zhou)到村(cun)的(de)(de)(de)(de)四角打(da)掃，掃除旱役和災難(nan)。然后(hou)樂班(ban)(ban)鳴(ming)鑼(luo)響鞭，正式(shi)開(kai)演(yan)(yan)(yan)(yan)(yan)，先演(yan)(yan)(yan)(yan)(yan)賽(sai)(sai)戲(xi)(xi)(xi)(xi)(xi)再演(yan)(yan)(yan)(yan)(yan)大(da)戲(xi)(xi)(xi)(xi)(xi)。賽(sai)(sai)戲(xi)(xi)(xi)(xi)(xi)演(yan)(yan)(yan)(yan)(yan)給龍王(wang)，大(da)戲(xi)(xi)(xi)(xi)(xi)唱(chang)(chang)(chang)給百姓(xing)。賽(sai)(sai)戲(xi)(xi)(xi)(xi)(xi)是(shi)(shi)(shi)一(yi)種頭(tou)戴(dai)假面(mian)，綜(zong)合儺(nuo)儀(yi)和春社祭祀的(de)(de)(de)(de)戲(xi)(xi)(xi)(xi)(xi)劇演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)。大(da)戲(xi)(xi)(xi)(xi)(xi)指的(de)(de)(de)(de)是(shi)(shi)(shi)當(dang)地(di)(di)流行的(de)(de)(de)(de)上黨(dang)梆(bang)子(zi)。賽(sai)(sai)戲(xi)(xi)(xi)(xi)(xi)唱(chang)(chang)(chang)腔很簡單，只是(shi)(shi)(shi)念白朗(lang)誦向歌唱(chang)(chang)(chang)過渡的(de)(de)(de)(de)原始形(xing)態，有固定的(de)(de)(de)(de)演(yan)(yan)(yan)(yan)(yan)出(chu)(chu)劇目(mu)《調(diao)鬼(gui)(gui)》和《斬旱魃(ba)》。《調(diao)鬼(gui)(gui)》是(shi)(shi)(shi)開(kai)臺(tai)(tai)戲(xi)(xi)(xi)(xi)(xi)，演(yan)(yan)(yan)(yan)(yan)員頭(tou)戴(dai)面(mian)具(ju)，扮七(qi)鬼(gui)(gui)，先在(zai)臺(tai)(tai)下后(hou)在(zai)臺(tai)(tai)上跳躍，聽(ting)候調(diao)鬼(gui)(gui)師(城隍(huang))訓誡。城隍(huang)奉玉(yu)帝旨意(yi)，下得天(tian)庭，調(diao)來諸鬼(gui)(gui)神，逐一(yi)囑咐，要他們各保一(yi)方，風(feng)調(diao)雨順。《斬旱魃(ba)》劇情(qing)簡單，演(yan)(yan)(yan)(yan)(yan)趙萬年忤逆不(bu)孝事，不(bu)久(jiu)變成旱魃(ba)，穿短褲，束紅腰帶，光膀子(zi)，頭(tou)戴(dai)鮮羊(yang)肚，手端一(yi)碗羊(yang)血，被(bei)四大(da)天(tian)神趕下臺(tai)(tai)來，直奔觀眾，觀眾立即吶喊(han)、圍追(zhui)(zhui)，并(bing)以土塊拋打(da)。旱魃(ba)以手灑羊(yang)血開(kai)道，并(bing)可任(ren)意(yi)抓(zhua)取、拋灑商販貨攤上的(de)(de)(de)(de)食物。最后(hou)，旱魃(ba)又被(bei)四大(da)天(tian)王(wang)追(zhui)(zhui)回舞(wu)臺(tai)(tai)斬首(shou)(shou)。其實這出(chu)(chu)戲(xi)(xi)(xi)(xi)(xi)是(shi)(shi)(shi)社火中(zhong)的(de)(de)(de)(de)斬旱魃(ba)的(de)(de)(de)(de)戲(xi)(xi)(xi)(xi)(xi)劇樣式(shi)，現在(zai)風(feng)調(diao)雨順，五谷豐(feng)登，有時也被(bei)其他傳(chuan)統劇目(mu)代替，如《華(hua)容道》、《單刀會》、《二仙傳(chuan)道》、《叢臺(tai)(tai)設(she)宴(yan)》等(deng)。接(jie)下來便是(shi)(shi)(shi)唱(chang)(chang)(chang)大(da)戲(xi)(xi)(xi)(xi)(xi)，當(dang)地(di)(di)百姓(xing)稱(cheng)上黨(dang)梆(bang)子(zi)為大(da)戲(xi)(xi)(xi)(xi)(xi)，上黨(dang)梆(bang)子(zi)形(xing)成于澤州，以演(yan)(yan)(yan)(yan)(yan)唱(chang)(chang)(chang)梆(bang)子(zi)腔為主，兼唱(chang)(chang)(chang)昆曲、皮黃、羅(luo)羅(luo)腔、卷戲(xi)(xi)(xi)(xi)(xi)，俗(su)(su)稱(cheng)昆梆(bang)羅(luo)卷黃。唱(chang)(chang)(chang)腔高(gao)亢明朗(lang)、粗獷樸實、直出(chu)(chu)直入、強烈激越。當(dang)地(di)(di)人愛聽(ting)的(de)(de)(de)(de)是(shi)(shi)(shi)楊(yang)家(jia)將、岳家(jia)將等(deng)武戲(xi)(xi)(xi)(xi)(xi)，如《三關(guan)排宴(yan)》、《天(tian)波樓》、《雁門關(guan)》、《闖幽州》等(deng)，趙樹理曾(ceng)說：“從家(jia)里到野地(di)(di)，到處唱(chang)(chang)(chang)起干(gan)梆(bang)戲(xi)(xi)(xi)(xi)(xi)。”可見梆(bang)子(zi)腔在(zai)當(dang)地(di)(di)很受(shou)歡迎。

潞城(cheng)東邑龍王廟(miao)廟(miao)會涵蓋了(le)晉(jin)東南地區(qu)迎(ying)神(shen)賽(sai)社(she)諸多儀式(shi)，如取(qu)水、曬龍王、斬旱魃、百戲社(she)火(huo)、迎(ying)神(shen)演(yan)(yan)劇等。農業社(she)會，人(ren)們把希望求助(zhu)于(yu)神(shen)靈，雩祭和(he)春祈(qi)秋(qiu)報無論(lun)對國(guo)家還是百姓都(dou)是重要的(de)事宜，在這(zhe)種(zhong)祭祀儀式(shi)中(zhong)，祭祀禮(li)儀、百戲雜陳、戲劇演(yan)(yan)出都(dou)是奉(feng)獻給神(shen)靈的(de)藝術供品。民(min)間把所有(you)這(zhe)些娛神(shen)又娛人(ren)的(de)活動統稱為“社(she)火(huo)”。宋代(dai)范(fan)成大(da)(da)《上元(yuan)紀吳中(zhong)節物俳諧體三十二韻》：“輕薄行歌(ge)過，癲狂(kuang)社(she)舞狂(kuang)。”自注：“民(min)間鼓樂謂之社(she)火(huo)，不可悉記，大(da)(da)抵以滑稽取(qu)笑。”上黨地區(qu)的(de)迎(ying)神(shen)賽(sai)社(she)能夠生(sheng)生(sheng)不息，繁衍千年(nian)而不衰，是因為人(ren)們在宗教祭祀和(he)官方禮(li)儀中(zhong)找到了(le)緩解疲勞舒展身心的(de)通(tong)道(dao)，他(ta)們等待(dai)著這(zhe)種(zhong)周期性的(de)、年(nian)復一年(nian)的(de)盛宴到來，呈現著真實的(de)民(min)眾狂(kuang)歡和(he)世(shi)俗娛樂。

建筑

現(xian)存(cun)主(zhu)要殿(dian)(dian)(dian)(dian)宇屬于(yu)(yu)明(ming)(ming)(ming)(ming)(ming)清時期(qi)的建(jian)(jian)筑(zhu)(zhu)風(feng)格(ge)。廟坐北(bei)(bei)向南(nan)，共(gong)為兩(liang)(liang)進(jin)院(yuan)落(luo)，中軸(zhou)線上(shang)有(you)(you)山(shan)(shan)(shan)門(men)(men)，戲樓(lou)(lou)、正(zheng)(zheng)殿(dian)(dian)(dian)(dian)，兩(liang)(liang)側(ce)(ce)有(you)(you)耳殿(dian)(dian)(dian)(dian)、廂(xiang)房等，共(gong)有(you)(you)殿(dian)(dian)(dian)(dian)宇33間(jian)(jian)(jian)(jian)。山(shan)(shan)(shan)門(men)(men)位(wei)居(ju)廟前(qian)(qian)(qian)、面(mian)(mian)(mian)(mian)闊(kuo)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進(jin)深三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，單(dan)(dan)檐(yan)懸(xuan)山(shan)(shan)(shan)頂(ding)(ding)(ding)(ding)。琉(liu)(liu)璃(li)脊獸，筒(tong)(tong)板(ban)(ban)瓦(wa)(wa)作(zuo)。琉(liu)(liu)璃(li)以(yi)(yi)(yi)黃(huang)(huang)綠紅三(san)(san)(san)(san)色(se)為主(zhu)，色(se)彩艷(yan)麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)科(ke)(ke)(ke)三(san)(san)(san)(san)踩斗(dou)(dou)(dou)拱(gong)單(dan)(dan)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈琴(qin)(qin)面(mian)(mian)(mian)(mian)式(shi)，耍(shua)頭(tou)(tou)(tou)同昂(ang)(ang)(ang)(ang)型。明(ming)(ming)(ming)(ming)(ming)次(ci)(ci)(ci)間(jian)(jian)(jian)(jian)各(ge)施補(bu)間(jian)(jian)(jian)(jian)科(ke)(ke)(ke)，斗(dou)(dou)(dou)拱(gong)同柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)科(ke)(ke)(ke)。明(ming)(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)辟(pi)門(men)(men)， 以(yi)(yi)(yi)作(zuo)通道(dao)(dao)。倒(dao)座(zuo)戲樓(lou)(lou)位(wei)居(ju)山(shan)(shan)(shan)門(men)(men)之(zhi)后(hou)(hou)，面(mian)(mian)(mian)(mian)闊(kuo)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進(jin)深三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，上(shang)下(xia)(xia)(xia)兩(liang)(liang)層(ceng)，下(xia)(xia)(xia)面(mian)(mian)(mian)(mian)明(ming)(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)辟(pi)通道(dao)(dao)，上(shang)建(jian)(jian)戲樓(lou)(lou)，硬山(shan)(shan)(shan)頂(ding)(ding)(ding)(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)科(ke)(ke)(ke)五(wu)(wu)踩斗(dou)(dou)(dou)拱(gong)雙下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈琴(qin)(qin)面(mian)(mian)(mian)(mian)式(shi)，明(ming)(ming)(ming)(ming)(ming)次(ci)(ci)(ci)間(jian)(jian)(jian)(jian)各(ge)施補(bu)間(jian)(jian)(jian)(jian)科(ke)(ke)(ke)兩(liang)(liang)朵，斗(dou)(dou)(dou)拱(gong)形制(zhi)同柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)科(ke)(ke)(ke)。前(qian)(qian)(qian)后(hou)(hou)檐(yan)圓柱(zhu)(zhu)(zhu)(zhu)方(fang)額(e)，結構精(jing)(jing)巧。屋(wu)(wu)頂(ding)(ding)(ding)(ding)琉(liu)(liu)璃(li)脊獸，筒(tong)(tong)板(ban)(ban)布(bu)(bu)瓦(wa)(wa)裝(zhuang)修(xiu)，古(gu)(gu)樸(pu)雅致。正(zheng)(zheng)殿(dian)(dian)(dian)(dian)系(xi)廟內的一(yi)(yi)個主(zhu)體建(jian)(jian)筑(zhu)(zhu)，建(jian)(jian)于(yu)(yu)高(gao)臺(tai)(tai)之(zhi)上(shang)，廣(guang)深三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，六架椽屋(wu)(wu)，四(si)(si)(si)(si)椽栿(fa)對前(qian)(qian)(qian)乳(ru)栿(fa)，通檐(yan)用(yong)三(san)(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)(dan)檐(yan)懸(xuan)山(shan)(shan)(shan)頂(ding)(ding)(ding)(ding)。斗(dou)(dou)(dou)拱(gong)為柱(zhu)(zhu)(zhu)(zhu)高(gao)四(si)(si)(si)(si)分(fen)之(zhi)一(yi)(yi)，柱(zhu)(zhu)(zhu)(zhu)升(sheng)起(qi)與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)(ce)角明(ming)(ming)(ming)(ming)(ming)顯。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)斗(dou)(dou)(dou)拱(gong)五(wu)(wu)鋪(pu)作(zuo)單(dan)(dan)抄單(dan)(dan)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)為琴(qin)(qin)面(mian)(mian)(mian)(mian)式(shi)，耍(shua)頭(tou)(tou)(tou)同昂(ang)(ang)(ang)(ang)型。明(ming)(ming)(ming)(ming)(ming)次(ci)(ci)(ci)間(jian)(jian)(jian)(jian)各(ge)施補(bu)間(jian)(jian)(jian)(jian)鋪(pu)作(zuo)一(yi)(yi)朵，出(chu)(chu)四(si)(si)(si)(si)十五(wu)(wu)度斜拱(gong)。殿(dian)(dian)(dian)(dian)內四(si)(si)(si)(si)椽栿(fa)上(shang)置(zhi)平梁(liang)(liang)，用(yong)脊瓜柱(zhu)(zhu)(zhu)(zhu)，大叉(cha)手，梁(liang)(liang)架規(gui)整(zheng)(zheng)，結構簡練(lian)，雖經后(hou)(hou)人(ren)(ren)多(duo)次(ci)(ci)(ci)重(zhong)修(xiu)，仍保(bao)留(liu)金代建(jian)(jian)筑(zhu)(zhu)風(feng)格(ge)。殿(dian)(dian)(dian)(dian)頂(ding)(ding)(ding)(ding)琉(liu)(liu)璃(li)脊獸，筒(tong)(tong)板(ban)(ban)布(bu)(bu)瓦(wa)(wa)裝(zhuang)修(xiu)，舉折(zhe)(zhe)平緩(huan)，出(chu)(chu)檐(yan)深遠(yuan)。前(qian)(qian)(qian)檐(yan)破(po)子欞窗(chuang)，隔扇門(men)(men)裝(zhuang)修(xiu)。殿(dian)(dian)(dian)(dian)內三(san)(san)(san)(san)壁(bi)殘存(cun)人(ren)(ren)物(wu)(wu)故事，壁(bi)畫依(yi)稀可見。整(zheng)(zheng)個殿(dian)(dian)(dian)(dian)堂氣勢雄偉，古(gu)(gu)樸(pu)壯(zhuang)觀。 山(shan)(shan)(shan)西(xi)(xi)省重(zhong)點(dian)文物(wu)(wu)保(bao)護單(dan)(dan)位(wei)。在潞城縣東南(nan)5千米處(chu)的東邑(yi)鄉東邑(yi)村中，東北(bei)(bei)緊(jin)依(yi)盧醫山(shan)(shan)(shan)，西(xi)(xi)南(nan)與(yu)農(nong)舍毗(pi)鄰居(ju)，松柏蒼翠，綠樹成蔭(yin)，景色(se)十分(fen)優雅。該廟創建(jian)(jian)年代不詳，金代以(yi)(yi)(yi)后(hou)(hou)多(duo)次(ci)(ci)(ci)重(zhong)修(xiu)。現(xian)存(cun)主(zhu)要殿(dian)(dian)(dian)(dian)宇屬于(yu)(yu)明(ming)(ming)(ming)(ming)(ming)清時期(qi)的建(jian)(jian)筑(zhu)(zhu)風(feng)格(ge)。廟坐北(bei)(bei)向南(nan)，共(gong)為兩(liang)(liang)進(jin)院(yuan)落(luo)，中軸(zhou)線上(shang)有(you)(you)山(shan)(shan)(shan)門(men)(men)，戲樓(lou)(lou)、正(zheng)(zheng)殿(dian)(dian)(dian)(dian)，兩(liang)(liang)側(ce)(ce)有(you)(you)耳殿(dian)(dian)(dian)(dian)、廂(xiang)房等，共(gong)有(you)(you)殿(dian)(dian)(dian)(dian)宇33間(jian)(jian)(jian)(jian)。山(shan)(shan)(shan)門(men)(men)位(wei)居(ju)廟前(qian)(qian)(qian)、面(mian)(mian)(mian)(mian)闊(kuo)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進(jin)深三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，單(dan)(dan)檐(yan)懸(xuan)山(shan)(shan)(shan)頂(ding)(ding)(ding)(ding)。琉(liu)(liu)璃(li)脊獸，筒(tong)(tong)板(ban)(ban)瓦(wa)(wa)作(zuo)。琉(liu)(liu)璃(li)以(yi)(yi)(yi)黃(huang)(huang)綠紅三(san)(san)(san)(san)色(se)為主(zhu)，色(se)彩艷(yan)麗。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)科(ke)(ke)(ke)三(san)(san)(san)(san)踩斗(dou)(dou)(dou)拱(gong)單(dan)(dan)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈琴(qin)(qin)面(mian)(mian)(mian)(mian)式(shi)，耍(shua)頭(tou)(tou)(tou)同昂(ang)(ang)(ang)(ang)型。明(ming)(ming)(ming)(ming)(ming)次(ci)(ci)(ci)間(jian)(jian)(jian)(jian)各(ge)施補(bu)間(jian)(jian)(jian)(jian)科(ke)(ke)(ke)，斗(dou)(dou)(dou)拱(gong)同柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)科(ke)(ke)(ke)。明(ming)(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)辟(pi)門(men)(men)，以(yi)(yi)(yi)作(zuo)通道(dao)(dao)。倒(dao)座(zuo)戲樓(lou)(lou)位(wei)居(ju)山(shan)(shan)(shan)門(men)(men)之(zhi)后(hou)(hou)，面(mian)(mian)(mian)(mian)闊(kuo)三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，進(jin)深三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，上(shang)下(xia)(xia)(xia)兩(liang)(liang)層(ceng)，下(xia)(xia)(xia)面(mian)(mian)(mian)(mian)明(ming)(ming)(ming)(ming)(ming)間(jian)(jian)(jian)(jian)辟(pi)通道(dao)(dao)，上(shang)建(jian)(jian)戲樓(lou)(lou)，硬山(shan)(shan)(shan)頂(ding)(ding)(ding)(ding)。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)科(ke)(ke)(ke)五(wu)(wu)踩斗(dou)(dou)(dou)拱(gong)雙下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)呈琴(qin)(qin)面(mian)(mian)(mian)(mian)式(shi)，明(ming)(ming)(ming)(ming)(ming)次(ci)(ci)(ci)間(jian)(jian)(jian)(jian)各(ge)施補(bu)間(jian)(jian)(jian)(jian)科(ke)(ke)(ke)兩(liang)(liang)朵，斗(dou)(dou)(dou)拱(gong)形制(zhi)同柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)科(ke)(ke)(ke)。前(qian)(qian)(qian)后(hou)(hou)檐(yan)圓柱(zhu)(zhu)(zhu)(zhu)方(fang)額(e)，結構精(jing)(jing)巧。屋(wu)(wu)頂(ding)(ding)(ding)(ding)琉(liu)(liu)璃(li)脊獸，筒(tong)(tong)板(ban)(ban)布(bu)(bu)瓦(wa)(wa)裝(zhuang)修(xiu)，古(gu)(gu)樸(pu)雅致。正(zheng)(zheng)殿(dian)(dian)(dian)(dian)系(xi)廟內的一(yi)(yi)個主(zhu)體建(jian)(jian)筑(zhu)(zhu)，建(jian)(jian)于(yu)(yu)高(gao)臺(tai)(tai)之(zhi)上(shang)，廣(guang)深三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)，六架椽屋(wu)(wu)，四(si)(si)(si)(si)椽栿(fa)對前(qian)(qian)(qian)乳(ru)栿(fa)，通檐(yan)用(yong)三(san)(san)(san)(san)柱(zhu)(zhu)(zhu)(zhu)，單(dan)(dan)檐(yan)懸(xuan)山(shan)(shan)(shan)頂(ding)(ding)(ding)(ding)。斗(dou)(dou)(dou)拱(gong)為柱(zhu)(zhu)(zhu)(zhu)高(gao)四(si)(si)(si)(si)分(fen)之(zhi)一(yi)(yi)，柱(zhu)(zhu)(zhu)(zhu)升(sheng)起(qi)與(yu)柱(zhu)(zhu)(zhu)(zhu)側(ce)(ce)角明(ming)(ming)(ming)(ming)(ming)顯。柱(zhu)(zhu)(zhu)(zhu)頭(tou)(tou)(tou)斗(dou)(dou)(dou)拱(gong)五(wu)(wu)鋪(pu)作(zuo)單(dan)(dan)抄單(dan)(dan)下(xia)(xia)(xia)昂(ang)(ang)(ang)(ang)，昂(ang)(ang)(ang)(ang)為琴(qin)(qin)面(mian)(mian)(mian)(mian)式(shi)，耍(shua)頭(tou)(tou)(tou)同昂(ang)(ang)(ang)(ang)型。明(ming)(ming)(ming)(ming)(ming)次(ci)(ci)(ci)間(jian)(jian)(jian)(jian)各(ge)施補(bu)間(jian)(jian)(jian)(jian)鋪(pu)作(zuo)一(yi)(yi)朵，出(chu)(chu)四(si)(si)(si)(si)十五(wu)(wu)度斜拱(gong)。殿(dian)(dian)(dian)(dian)內四(si)(si)(si)(si)椽栿(fa)上(shang)置(zhi)平梁(liang)(liang)，用(yong)脊瓜柱(zhu)(zhu)(zhu)(zhu)，大叉(cha)手，梁(liang)(liang)架規(gui)整(zheng)(zheng)，結構簡練(lian)，雖經后(hou)(hou)人(ren)(ren)多(duo)次(ci)(ci)(ci)重(zhong)修(xiu)，仍保(bao)留(liu)金代建(jian)(jian)筑(zhu)(zhu)風(feng)格(ge)。殿(dian)(dian)(dian)(dian)頂(ding)(ding)(ding)(ding)琉(liu)(liu)璃(li)脊獸，筒(tong)(tong)板(ban)(ban)布(bu)(bu)瓦(wa)(wa)裝(zhuang)修(xiu)，舉折(zhe)(zhe)平緩(huan)，出(chu)(chu)檐(yan)深遠(yuan)。前(qian)(qian)(qian)檐(yan)破(po)子欞窗(chuang)，隔扇門(men)(men)裝(zhuang)修(xiu)。殿(dian)(dian)(dian)(dian)內三(san)(san)(san)(san)壁(bi)殘存(cun)人(ren)(ren)物(wu)(wu)故事，壁(bi)畫依(yi)稀可見。整(zheng)(zheng)個殿(dian)(dian)(dian)(dian)堂氣勢雄偉，古(gu)(gu)樸(pu)壯(zhuang)觀。東邑(yi)村距縣城東南(nan)約10里,古(gu)(gu)稱(cheng)黃(huang)(huang)邑(yi),舊屬葛井(jing)鄉。龍(long)王廟位(wei)于(yu)(yu)村東北(bei)(bei)，坐北(bei)(bei)面(mian)(mian)(mian)(mian)南(nan)，兩(liang)(liang)進(jin)院(yuan)落(luo)。入山(shan)(shan)(shan)門(men)(men)靠西(xi)(xi)處(chu)有(you)(you)一(yi)(yi)眼水(shui)井(jing)，兩(liang)(liang)側(ce)(ce)各(ge)為三(san)(san)(san)(san)間(jian)(jian)(jian)(jian)廂(xiang)房，中間(jian)(jian)(jian)(jian)甬道(dao)(dao)直通戲臺(tai)(tai)。

戲臺(tai)三間(jian)，倒座(zuo)式，即坐南(nan)朝北，面向(xiang)正殿，單檐硬山頂，灰色瓦頂。上下(xia)兩(liang)層(ceng)，下(xia)層(ceng)為(wei)通道。戲臺(tai)前檐斗拱四(si)鋪作單下(xia)昂(ang)，卷(juan)云式昂(ang)頭。柱頭斗拱耍頭為(wei)象頭，補間(jian)為(wei)龍頭。明間(jian)雀替為(wei)龍頭，兩(liang)次間(jian)為(wei)象頭。梁架由四(si)椽、平梁構成。梁架殘(can)存部分有彩畫(hua)。

正殿(dian)位于(yu)中(zhong)軸線最北端，坐落在長14.76米(mi)、寬(kuan)13.5米(mi)、高1米(mi)的臺基之上。正殿(dian)三間，面闊13.24米(mi),進深11.97米(mi)，單檐懸山頂，灰瓦，大吻、垂(chui)(chui)獸、戧獸、套獸均為琉璃雕(diao)花，正脊每面6條(tiao)龍，垂(chui)(chui)脊雕(diao)鳳，均配(pei)飾牡丹，垂(chui)(chui)脊現剩一(yi)條(tiao)脊剎，有(you)“嘉(jia)慶元年五(wu)月立”題記。

龍王(wang)廟(miao)布(bu)局規整(zheng)對稱，保存完整(zheng)，“神殿與戲臺結(jie)合(he)構成神廟(miao)，是北宋以后中國(guo)本土宗(zong)教場所(suo)的(de)顯著(zhu)特(te)征”