臨汾(fen)(fen)博(bo)物(wu)(wu)館(guan)是(shi)一(yi)座綜合(he)性博(bo)物(wu)(wu)館(guan),位(wei)于濱河西路(lu)九州廣場南(nan)端,建(jian)(jian)筑(zhu)(zhu)(zhu)總面積(ji)32429平方米,建(jian)(jian)筑(zhu)(zhu)(zhu)高度23.65米,設計造型為(wei)日月(yue)相抱,設計理念(nian)源自象征(zheng)“日月(yue)同(tong)輝”的陶寺古觀象臺,整(zheng)個建(jian)(jian)筑(zhu)(zhu)(zhu)把傳(chuan)統文化和(he)汾(fen)(fen)河生態公園巧妙地融為(wei)一(yi)體,構(gou)成臨汾(fen)(fen)博(bo)物(wu)(wu)館(guan)不(bu)同(tong)凡響的視覺效果,在(zai)博(bo)物(wu)(wu)館(guan)建(jian)(jian)筑(zhu)(zhu)(zhu)中(zhong)獨(du)具特色。
臨(lin)(lin)(lin)(lin)汾博(bo)(bo)物(wu)(wu)館(guan)(guan)(guan)是(shi)(shi)(shi)城市最(zui)具代表性的(de)(de)文(wen)化(hua)(hua)符號(hao),是(shi)(shi)(shi)城市歷史文(wen)化(hua)(hua)的(de)(de)凝聚點(dian),是(shi)(shi)(shi)臨(lin)(lin)(lin)(lin)汾市最(zui)主要的(de)(de)文(wen)化(hua)(hua)載體。博(bo)(bo)物(wu)(wu)館(guan)(guan)(guan)成(cheng)為(wei)臨(lin)(lin)(lin)(lin)汾市百(bai)里汾河生態長廊(lang)的(de)(de)標志(zhi)性建(jian)筑,是(shi)(shi)(shi)展(zhan)現華夏(xia)文(wen)明、促進文(wen)化(hua)(hua)交(jiao)流的(de)(de)主要平臺,更是(shi)(shi)(shi)精神文(wen)明建(jian)設的(de)(de)重(zhong)要窗口,愛國主義教育基地,在傳承歷史文(wen)化(hua)(hua)遺產、博(bo)(bo)物(wu)(wu)館(guan)(guan)(guan)事(shi)業(ye)健康發(fa)展(zhan)等方面將發(fa)揮重(zhong)大作用。同時博(bo)(bo)物(wu)(wu)館(guan)(guan)(guan)是(shi)(shi)(shi)臨(lin)(lin)(lin)(lin)汾市民眾休(xiu)閑的(de)(de)好(hao)去處(chu),提高城市文(wen)明,增強市民文(wen)化(hua)(hua)素(su)質,促進臨(lin)(lin)(lin)(lin)汾轉型(xing)跨越(yue),帶動(dong)百(bai)里汾河生態長廊(lang)經濟帶的(de)(de)發(fa)展(zhan)。
博(bo)物館(guan)主(zhu)體建筑地上三(san)層(ceng)為展(zhan)(zhan)(zhan)區,地下一(yi)層(ceng)為庫區,是全(quan)市(shi)的(de)(de)(de)文(wen)(wen)(wen)(wen)物中(zhong)(zhong)心庫,代(dai)表臨汾(fen)歷史(shi)(shi)(shi)文(wen)(wen)(wen)(wen)化(hua)的(de)(de)(de)珍貴文(wen)(wen)(wen)(wen)物在博(bo)物館(guan)保護(hu)(hu)、存(cun)放、展(zhan)(zhan)(zhan)示(shi)(shi),其中(zhong)(zhong)尤以青銅器(qi)(qi)、陶(tao)瓷(ci)器(qi)(qi)、水(shui)陸(lu)畫(hua)(hua)、木(mu)版年畫(hua)(hua)為特(te)(te)色(se)。陳(chen)(chen)列形式設計大(da)膽運(yun)用國(guo)內國(guo)外先進的(de)(de)(de)展(zhan)(zhan)(zhan)陳(chen)(chen)理念和(he)最(zui)(zui)前沿的(de)(de)(de)科技手段,打破博(bo)物館(guan)“千(qian)(qian)館(guan)一(yi)面”的(de)(de)(de)模式。把(ba)數字化(hua)新(xin)技術(shu)運(yun)用到博(bo)物館(guan)展(zhan)(zhan)(zhan)覽(lan)中(zhong)(zhong),實施“智(zhi)慧服務”、“智(zhi)慧管理”、“智(zhi)慧保護(hu)(hu)”、“智(zhi)慧運(yun)營”。陳(chen)(chen)展(zhan)(zhan)(zhan)以歷史(shi)(shi)(shi)傳承為脈絡,以專(zhuan)(zhuan)題(ti)(ti)(ti)文(wen)(wen)(wen)(wen)化(hua)為特(te)(te)色(se),內容(rong)分四個(ge)板塊:一(yi)是“遠古(gu)足跡”專(zhuan)(zhuan)題(ti)(ti)(ti),展(zhan)(zhan)(zhan)示(shi)(shi)“丁村文(wen)(wen)(wen)(wen)化(hua)”和(he)“柿子灘文(wen)(wen)(wen)(wen)化(hua)”,延續至“棗園文(wen)(wen)(wen)(wen)化(hua)”為代(dai)表的(de)(de)(de)臨汾(fen)新(xin)石器(qi)(qi)時代(dai)文(wen)(wen)(wen)(wen)化(hua)。二是“最(zui)(zui)早中(zhong)(zhong)國(guo)”專(zhuan)(zhuan)題(ti)(ti)(ti),展(zhan)(zhan)(zhan)示(shi)(shi)以“陶(tao)寺遺址”為主(zhu)的(de)(de)(de)堯都平(ping)(ping)(ping)(ping)陽最(zui)(zui)早中(zhong)(zhong)國(guo)的(de)(de)(de)史(shi)(shi)(shi)實。三(san)是“晉(jin)霸(ba)春秋”專(zhuan)(zhuan)題(ti)(ti)(ti),展(zhan)(zhan)(zhan)示(shi)(shi)晉(jin)與三(san)晉(jin)波瀾壯闊的(de)(de)(de)文(wen)(wen)(wen)(wen)化(hua)風貌。四是“千(qian)(qian)秋平(ping)(ping)(ping)(ping)陽”專(zhuan)(zhuan)題(ti)(ti)(ti),勾勒自秦漢至清代(dai)文(wen)(wen)(wen)(wen)明(ming)進程之大(da)線(xian)索,展(zhan)(zhan)(zhan)示(shi)(shi)平(ping)(ping)(ping)(ping)陽冶鐵(tie)的(de)(de)(de)濫觴、興(xing)盛、發展(zhan)(zhan)(zhan)的(de)(de)(de)輝煌,演繹平(ping)(ping)(ping)(ping)陽戲曲之鄉的(de)(de)(de)歷史(shi)(shi)(shi)傳承,彰顯平(ping)(ping)(ping)(ping)陽金元(yuan)木(mu)板雕刻中(zhong)(zhong)心的(de)(de)(de)重要地位和(he)明(ming)清平(ping)(ping)(ping)(ping)陽木(mu)板年畫(hua)(hua)的(de)(de)(de)特(te)(te)色(se)文(wen)(wen)(wen)(wen)化(hua),全(quan)面展(zhan)(zhan)(zhan)示(shi)(shi)佛教在平(ping)(ping)(ping)(ping)陽地區的(de)(de)(de)傳承和(he)興(xing)盛。