1、漢調二簧(湖北省),編號:Ⅳ-31
(1)批次/類型(xing):2008年(第(di)二(er)批),擴展(zhan)項目
(2)申報地(di)區或單位:湖北省竹溪縣
(3)保護單位(wei):竹(zhu)溪縣山二黃劇種保護傳承展演中心
2、漢調二簧(陜西省),編號:Ⅳ-31
(1)批次/類型(xing):2006年(第一批),新增項目
(2)申(shen)報地(di)區或單位:陜西(xi)省安康市
(3)保護單位(wei):安康(kang)市群眾(zhong)藝術館
漢(han)(han)調(diao)二(er)(er)簧(huang)(huang)(huang)(huang)(huang)系(xi)板腔(qiang)體,以二(er)(er)簧(huang)(huang)(huang)(huang)(huang)、西(xi)(xi)(xi)(xi)皮(pi)為(wei)主要聲(sheng)腔(qiang),屬(shu)“皮(pi)簧(huang)(huang)(huang)(huang)(huang)腔(qiang)系(xi)”劇種。二(er)(er)簧(huang)(huang)(huang)(huang)(huang)、西(xi)(xi)(xi)(xi)皮(pi)為(wei)兩種不同(tong)的腔(qiang)調(diao)。其腔(qiang)調(diao)考原至今亦(yi)為(wei)諸說并存。一(yi)(yi)般認為(wei),西(xi)(xi)(xi)(xi)皮(pi)調(diao)源于(yu)陜(shan)、甘(gan)一(yi)(yi)帶(dai)、即“西(xi)(xi)(xi)(xi)皮(pi)本甘(gan)肅腔(qiang)、所用以托腔(qiang)者為(wei)胡(hu)琴、為(wei)月琴、故日琴腔(qiang)、西(xi)(xi)(xi)(xi)秦(qin)(qin)腔(qiang)”“明(ming)末(mo)已流(liu)行內地(di)’’之說。二(er)(er)簧(huang)(huang)(huang)(huang)(huang)調(diao)之源,一(yi)(yi)說陜(shan)西(xi)(xi)(xi)(xi)土生(sheng)土長,屬(shu)秦(qin)(qin)聲(sheng)古調(diao)之一(yi)(yi)種,在漢(han)(han)水(shui)(shui)流(liu)域發展成(cheng)長,是為(wei)“漢(han)(han)調(diao)”、“漢(han)(han)二(er)(er)簧(huang)(huang)(huang)(huang)(huang)”、“西(xi)(xi)(xi)(xi)曲(qu)二(er)(er)簧(huang)(huang)(huang)(huang)(huang)”;一(yi)(yi)說漢(han)(han)劉邦(bang)屯兵漢(han)(han)中(zhong)(zhong)時,將(jiang)漢(han)(han)水(shui)(shui)中(zhong)(zhong)上游民歌作軍謠(yao),后帶(dai)入關中(zhong)(zhong)制(zhi)于(yu)樂(le)(le)府,集秦(qin)(qin)楚樂(le)(le)工(gong)傳(chuan)唱,因別于(yu)楚、秦(qin)(qin)樂(le)(le)及西(xi)(xi)(xi)(xi)域龜茲樂(le)(le)而稱漢(han)(han)調(diao)、秦(qin)(qin)聲(sheng);一(yi)(yi)說源自(zi)唐代簧(huang)(huang)(huang)(huang)(huang)幡(fan)綽所創(chuang)“簧(huang)(huang)(huang)(huang)(huang)冠體”而得名(ming)二(er)(er)簧(huang)(huang)(huang)(huang)(huang),即“梨園法曲(qu)說”;一(yi)(yi)說由“徽調(diao)”、“四平調(diao)”衍變;一(yi)(yi)說“起于(yu)江右”,系(xi)“弋陽腔(qiang)”派生(sheng),或“西(xi)(xi)(xi)(xi)秦(qin)(qin)腔(qiang)”傳(chuan)入江西(xi)(xi)(xi)(xi),改(gai)竹(zhu)笛、嗩(suo)吶為(wei)胡(hu)琴伴奏變成(cheng)二(er)(er)簧(huang)(huang)(huang)(huang)(huang)等。西(xi)(xi)(xi)(xi)皮(pi)、二(er)(er)簧(huang)(huang)(huang)(huang)(huang)西(xi)(xi)(xi)(xi)調(diao)合流(liu)演變的眾說中(zhong)(zhong),多(duo)認為(wei)明(ming)末(mo)清初,在漢(han)(han)水(shui)(shui)流(liu)域合成(cheng),先自(zi)漢(han)(han)水(shui)(shui)中(zhong)(zhong)上游順流(liu)東下荊、襄、武漢(han)(han)得以發展,又(you)溯水(shui)(shui)洄(hui)流(liu)漢(han)(han)水(shui)(shui)中(zhong)(zhong)上游一(yi)(yi)帶(dai)。
漢(han)調二簧(huang)在發展中(zhong)(zhong)曾形成安康、漢(han)中(zhong)(zhong)、商(shang)雒、關中(zhong)(zhong)等流派,名角層(ceng)出不窮(qiong)。其腳色共分末、凈、生、旦(dan)、丑、外、小、貼、老、雜十個(ge)行(xing)當,表演講(jiang)究細(xi)膩(ni)精到(dao),唱(chang)腔真(zhen)假嗓并用(yong),悠揚(yang)婉轉(zhuan)。生、老旦(dan)一般用(yong)真(zhen)聲(sheng)(sheng)演唱(chang),旦(dan)用(yong)假聲(sheng)(sheng)演唱(chang),凈則使用(yong)虎音。其唱(chang)腔以西皮、二簧(huang)為主,西皮用(yong)于表現愉快、爽朗的情緒和(he)場面,二簧(huang)用(yong)于表現悲哀、肅(su)穆的情緒和(he)場面,演唱(chang)中(zhong)(zhong)根據劇情需要交(jiao)替使用(yong),形成甜音、苦(ku)音之分。
漢調(diao)(diao)(diao)(diao)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)唱(chang)腔(qiang)分(fen)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)調(diao)(diao)(diao)(diao)和西(xi)(xi)皮(pi)調(diao)(diao)(diao)(diao)兩種,俗稱(cheng)(cheng)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)為(wei)“上(shang)把(ba)”,曲(qu)(qu)調(diao)(diao)(diao)(diao)唱(chang)法(fa)上(shang)講究板(ban)(ban)起(qi)板(ban)(ban)落(luo)(luo),用(yong)“頂牙子(zi)(zi)”開口。板(ban)(ban)式有(you)【導板(ban)(ban)】、【慢三(san)(san)眼】等(deng)(deng)十二(er)(er)(er)(er)種。西(xi)(xi)皮(pi)調(diao)(diao)(diao)(diao)稱(cheng)(cheng)“下把(ba)”,唱(chang)法(fa)上(shang)眼起(qi)板(ban)(ban)落(luo)(luo),用(yong)“過(guo)牙子(zi)(zi)”開口。板(ban)(ban)式有(you)【導板(ban)(ban)】、【一(yi)(yi)(yi)字】等(deng)(deng)十種。二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)的(de)(de)(de)(de)反(fan)調(diao)(diao)(diao)(diao)稱(cheng)(cheng)反(fan)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)(陽板(ban)(ban)),西(xi)(xi)皮(pi)反(fan)調(diao)(diao)(diao)(diao)稱(cheng)(cheng)反(fan)西(xi)(xi)皮(pi)。另(ling)外(wai),還有(you)高(gao)撥子(zi)(zi)、四平調(diao)(diao)(diao)(diao)、徽(hui)調(diao)(diao)(diao)(diao)、昆腔(qiang)、板(ban)(ban)兒腔(qiang)、吹腔(qiang)、高(gao)腔(qiang)、看山腔(qiang)等(deng)(deng)雜(za)腔(qiang)雜(za)調(diao)(diao)(diao)(diao)。如《牧虎關》高(gao)旺(wang),《三(san)(san)搜(sou)府(fu)》施公皆(jie)用(yong)徽(hui)調(diao)(diao)(diao)(diao)演(yan)唱(chang);《大(da)(da)賜福》、《過(guo)二(er)(er)(er)(er)關》等(deng)(deng)全用(yong)昆曲(qu)(qu)演(yan)唱(chang);《下河東》用(yong)吹腔(qiang)(嗩吶調(diao)(diao)(diao)(diao))演(yan)唱(chang);《釘缸》用(yong)七句半(ban)演(yan)唱(chang);《小放牛(niu)》用(yong)小調(diao)(diao)(diao)(diao)演(yan)唱(chang)等(deng)(deng)。把(ba)西(xi)(xi)皮(pi)【一(yi)(yi)(yi)字】和【二(er)(er)(er)(er)六】唱(chang)調(diao)(diao)(diao)(diao)的(de)(de)(de)(de)過(guo)門重復一(yi)(yi)(yi)遍叫做(zuo)“雙環(huan)環(huan)”,是洛鎮二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)的(de)(de)(de)(de)一(yi)(yi)(yi)大(da)(da)特(te)(te)色。整個曲(qu)(qu)調(diao)(diao)(diao)(diao)委婉不足,質(zhi)樸有(you)余(yu),故有(you)“硬腔(qiang)”之(zhi)說。二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)戲中(zhong),有(you)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)或西(xi)(xi)皮(pi)一(yi)(yi)(yi)調(diao)(diao)(diao)(diao)到(dao)底的(de)(de)(de)(de),也有(you)兩種曲(qu)(qu)調(diao)(diao)(diao)(diao)交替使(shi)用(yong)的(de)(de)(de)(de)。有(you)的(de)(de)(de)(de)上(shang)句唱(chang)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang),下句接(jie)西(xi)(xi)皮(pi);或前(qian)半(ban)句唱(chang)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang),后半(ban)句唱(chang)西(xi)(xi)皮(pi)。如《二(er)(er)(er)(er)進宮》“跪臣”一(yi)(yi)(yi)節,徐彥昭前(qian)半(ban)句用(yong)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)【原板(ban)(ban)】唱(chang)“嚇壞(huai)了定國王”,楊博接(jie)“兵部(bu)侍郎”,就(jiu)變(bian)成了西(xi)(xi)皮(pi)【流水(shui)板(ban)(ban)】。這種變(bian)調(diao)(diao)(diao)(diao)改板(ban)(ban)的(de)(de)(de)(de)“倒把(ba)”方式,是漢調(diao)(diao)(diao)(diao)二(er)(er)(er)(er)簧(huang)(huang)(huang)(huang)聲腔(qiang)的(de)(de)(de)(de)特(te)(te)點之(zhi)一(yi)(yi)(yi)。
伴奏樂隊(dui)的(de)文場使用胡琴、二胡、月琴、三弦、阮、嗩吶、笛子(zi)(zi)、喇叭等樂器,武場則使用牙板、梆子(zi)(zi)、暴(bao)鼓、尖鼓、鑼、鐃(nao)鈸等。漢調(diao)二簧(huang)的(de)臉譜樣式(shi)眾多(duo),比京劇和秦腔更(geng)為考究,收集到(dao)的(de)有(you)四百(bai)五十多(duo)個。
唱(chang)腔(qiang)音樂中有(you)西皮類九(jiu)種板(ban)(ban)(ban)(ban)式(shi),如【導板(ban)(ban)(ban)(ban)】【慢一(yi)字】【一(yi)字】【二(er)流(liu)】【三流(liu)】【浪里鉆】【撩子】【滾白】【灑頭】;二(er)簧類板(ban)(ban)(ban)(ban)式(shi)有(you)【導板(ban)(ban)(ban)(ban)】【回龍】【慢一(yi)字】【一(yi)字】【扣扣板(ban)(ban)(ban)(ban)】【平板(ban)(ban)(ban)(ban)】【浪里鉆】【撩子】八(ba)種。各(ge)種板(ban)(ban)(ban)(ban)式(shi)的起板(ban)(ban)(ban)(ban)、轉板(ban)(ban)(ban)(ban)、落板(ban)(ban)(ban)(ban)都有(you)一(yi)定規(gui)律;唱(chang)腔(qiang)也兼用(yong)一(yi)些昆曲,吹腔(qiang)和民間(jian)小調。
漢調二簧(huang)傳(chuan)統劇(ju)目豐(feng)富,僅安康一地就有一千(qian)二百多種,已挖掘整理出(chu)本戲420個(ge),折子戲517個(ge)。這些劇(ju)目的題材多取自《東(dong)周列(lie)國志》《三國演(yan)義》《封神演(yan)義》及其他歷史(shi)故(gu)事和民間傳(chuan)說,其中(zhong)的代表性劇(ju)目有《文姬辨琴》《胡(hu)笳十八拍》《戰(zhan)蚩尤》《嘗(chang)百草(cao)》《簧(huang)天蕩(dang)》《清風(feng)亭(ting)》《二度梅》《打龍(long)棚》《梁紅玉》等(deng)。
嘉慶至道光年(nian)(nian)(nian)(nian)間(1796—1850),楊(yang)金年(nian)(nian)(nian)(nian)在漢(han)(han)中(zhong)(zhong)(zhong)西(xi)鄉(xiang)開(kai)辦(ban)(ban)(ban)科(ke)(ke)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)的(de)(de)(de)(de)出(chu)(chu)科(ke)(ke)藝(yi)術人(ren)(ren)(ren),分赴漢(han)(han)中(zhong)(zhong)(zhong)各(ge)地(di)搭班(ban)(ban)(ban)(ban)(ban)(ban)(ban)或(huo)自行組(zu)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)演(yan)出(chu)(chu),并開(kai)科(ke)(ke)授徒。使(shi)漢(han)(han)調(diao)二(er)簧(huang)(huang)(huang)在漢(han)(han)中(zhong)(zhong)(zhong)各(ge)地(di)扎下了(le)根子,出(chu)(chu)現(xian)了(le)職業(ye)戲(xi)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)仁(ren)豐(feng)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)、漢(han)(han)榮(rong)班(ban)(ban)(ban)(ban)(ban)(ban)(ban),于(yu)道光二(er)十年(nian)(nian)(nian)(nian)前后(hou),還去(qu)湖北(bei)、安(an)康等(deng)(deng)地(di)演(yan)出(chu)(chu)。楊(yang)金年(nian)(nian)(nian)(nian)、查來松及張清壽(shou)(人(ren)(ren)(ren)稱(cheng)(cheng)“活靈官”),又接(jie)(jie)辦(ban)(ban)(ban)了(le)永、青長(chang)三(san)(san)科(ke)(ke),培訓(xun)出(chu)(chu)的(de)(de)(de)(de)藝(yi)人(ren)(ren)(ren),又分別組(zu)建起(qi)長(chang)勝、青云、永太等(deng)(deng)班(ban)(ban)(ban)(ban)(ban)(ban)(ban),并跟(gen)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)又代培出(chu)(chu)太、周、萬字輩藝(yi)人(ren)(ren)(ren),壯大(da)了(le)二(er)簧(huang)(huang)(huang)力量,形(xing)成(cheng)(cheng)了(le)上(shang)河調(diao)(漢(han)(han)中(zhong)(zhong)(zhong)為(wei)(wei)漢(han)(han)水上(shang)流,當地(di)欲稱(cheng)(cheng)上(shang)河)二(er)簧(huang)(huang)(huang)。張清壽(shou)死后(hou)葬(zang)于(yu)鎮巴(ba)縣(xian)城東北(bei)角,其第子于(yu)墳側修建“靈官廟(miao)”一座,廟(miao)內存有張的(de)(de)(de)(de)塑(su)像,成(cheng)(cheng)為(wei)(wei)后(hou)世漢(han)(han)中(zhong)(zhong)(zhong)藝(yi)人(ren)(ren)(ren)祭祖之地(di)。光緒年(nian)(nian)(nian)(nian)間(1875—1908)漢(han)(han)中(zhong)(zhong)(zhong)、南(nan)鄭(zheng)(zheng)等(deng)(deng)地(di),又先后(hou)辦(ban)(ban)(ban)起(qi)了(le)大(da)同社、福慶班(ban)(ban)(ban)(ban)(ban)(ban)(ban)、雙慶班(ban)(ban)(ban)(ban)(ban)(ban)(ban)等(deng)(deng)漢(han)(han)調(diao)二(er)簧(huang)(huang)(huang)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)社。光緒三(san)(san)十三(san)(san)年(nian)(nian)(nian)(nian)(1907)楊(yang)偉堂、蘇(su)巒玉、趙某(mou)(山陽縣(xian)人(ren)(ren)(ren))、賀(he)保(bao)保(bao)(安(an)康人(ren)(ren)(ren)),合伙于(yu)南(nan)鄭(zheng)(zheng)縣(xian)秦家(jia)壩(ba)大(da)安(an)寺(si)開(kai)辦(ban)(ban)(ban)了(le)天(tian)(tian)(tian)泰科(ke)(ke)班(ban)(ban)(ban)(ban)(ban)(ban)(ban),共收學徒七十余人(ren)(ren)(ren),為(wei)(wei)當時漢(han)(han)中(zhong)(zhong)(zhong)最大(da)的(de)(de)(de)(de)科(ke)(ke)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)。三(san)(san)年(nian)(nian)(nian)(nian)后(hou),西(xi)鄉(xiang)縣(xian)的(de)(de)(de)(de)九榮(rong)兩科(ke)(ke)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)四(si)(si)十余人(ren)(ren)(ren)被接(jie)(jie)納入天(tian)(tian)(tian)泰科(ke)(ke)班(ban)(ban)(ban)(ban)(ban)(ban)(ban),人(ren)(ren)(ren)員多達百余人(ren)(ren)(ren)以上(shang),曾開(kai)往四(si)(si)川(chuan)演(yan)出(chu)(chu)。宣統二(er)年(nian)(nian)(nian)(nian)(1910)于(yu)成(cheng)(cheng)都首場演(yan)出(chu)(chu)《滿床笏(hu)》,轟動一時。至辛亥革命后(hou),李偉堂才(cai)率班(ban)(ban)(ban)(ban)(ban)(ban)(ban)返回(hui)漢(han)(han)中(zhong)(zhong)(zhong)。不久,戲(xi)箱交由(you)鄭(zheng)(zheng)天(tian)(tian)(tian)滿領管,改(gai)天(tian)(tian)(tian)泰科(ke)(ke)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)為(wei)(wei)興漢(han)(han)社,成(cheng)(cheng)為(wei)(wei)漢(han)(han)中(zhong)(zhong)(zhong)二(er)簧(huang)(huang)(huang)的(de)(de)(de)(de)主力。以后(hou)三(san)(san)十年(nian)(nian)(nian)(nian)間,馬天(tian)(tian)(tian)慶(領班(ban)(ban)(ban)(ban)(ban)(ban)(ban))與王吉元、王來壽(shou)等(deng)(deng),跟(gen)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)帶(dai)徒培訓(xun)出(chu)(chu)福、耀、玉、勝等(deng)(deng)輩學員,流布(bu)漢(han)(han)中(zhong)(zhong)(zhong)各(ge)縣(xian),并組(zu)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)演(yan)出(chu)(chu),遂(sui)出(chu)(chu)現(xian)了(le)寧強(qiang)縣(xian)的(de)(de)(de)(de)賀(he)斌(bin)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)、胡家(jia)壩(ba)的(de)(de)(de)(de)趙開(kai)志班(ban)(ban)(ban)(ban)(ban)(ban)(ban)、留壩(ba)縣(xian)的(de)(de)(de)(de)唐安(an)榮(rong)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)、德燕班(ban)(ban)(ban)(ban)(ban)(ban)(ban)等(deng)(deng)幾十個戲(xi)班(ban)(ban)(ban)(ban)(ban)(ban)(ban),使(shi)漢(han)(han)中(zhong)(zhong)(zhong)派二(er)簧(huang)(huang)(huang)開(kai)始出(chu)(chu)現(xian)了(le)盛(sheng)期。抗日(ri)戰爭后(hou)期,職業(ye)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)社僅留有蒲正華(hua)所領的(de)(de)(de)(de)興漢(han)(han)社,二(er)簧(huang)(huang)(huang)戲(xi)頓呈衰弱景況。中(zhong)(zhong)(zhong)華(hua)人(ren)(ren)(ren)民(min)共和(he)國成(cheng)(cheng)立(li)后(hou),由(you)興漢(han)(han)社和(he)幾個業(ye)余班(ban)(ban)(ban)(ban)(ban)(ban)(ban)人(ren)(ren)(ren)員組(zu)成(cheng)(cheng)漢(han)(han)中(zhong)(zhong)(zhong)市(shi)(shi)(shi)平(ping)民(min)劇社,后(hou)改(gai)為(wei)(wei)漢(han)(han)中(zhong)(zhong)(zhong)市(shi)(shi)(shi)漢(han)(han)劇團(tuan)(tuan)。1967年(nian)(nian)(nian)(nian)解散,1979年(nian)(nian)(nian)(nian)重新恢復。1981年(nian)(nian)(nian)(nian)與漢(han)(han)中(zhong)(zhong)(zhong)市(shi)(shi)(shi)文工團(tuan)(tuan)合并,取名漢(han)(han)中(zhong)(zhong)(zhong)市(shi)(shi)(shi)實驗劇團(tuan)(tuan)。漢(han)(han)中(zhong)(zhong)(zhong)漢(han)(han)調(diao)二(er)簧(huang)(huang)(huang)語音(yin)接(jie)(jie)近四(si)(si)川(chuan),唱(chang)腔(qiang)具有音(yin)調(diao)清新、柔婉的(de)(de)(de)(de)特點。主要盛(sheng)行于(yu)漢(han)(han)中(zhong)(zhong)(zhong)、南(nan)鄭(zheng)(zheng)、西(xi)鄉(xiang)、城固(gu)、鎮巴(ba)、勉縣(xian)等(deng)(deng)地(di)。
自乾隆(long)(1736—1795),蒿坪河(he)二簧乾勝班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、泰豐班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)出(chu)(chu)現(xian)后(hou)(hou),至道(dao)光年(nian)(nian)間(jian)(1821—1850),又(you)有(you)(you)漢(han)(han)(han)(han)(han)(han)(han)榮班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(漢(han)(han)(han)(han)(han)(han)(han)中派)、仁(ren)豐班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、宜太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)相繼(ji)演(yan)出(chu)(chu)。咸豐十(shi)(shi)年(nian)(nian)(1860)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)籍藝(yi)人范(fan)仁(ren)寶(渾(hun)名(ming)范(fan)驢子)從湖北房縣(xian)(xian)大(da)覺寺(si)率領瑞仁(ren)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)回安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang),于城(cheng)(cheng)內三義廟(miao)搭臺售票(piao)演(yan)出(chu)(chu),又(you)在金(jin)堂(tang)寺(si)、萬壽寺(si)開(kai)科(ke)授徒,培養(yang)出(chu)(chu)瑞、彩(cai)、方(fang)、盛四科(ke)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)藝(yi)人。該班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)陣容整(zheng)齊,行當(dang)齊全,其(qi)唱(chang)腔雜有(you)(you)湖北民(min)(min)(min)間(jian)曲(qu)(qu)調,人稱下河(he)調,具(ju)有(you)(you)唱(chang)腔清新(xin)悅耳,表(biao)(biao)演(yan)細膩神奇(qi)的(de)(de)風格(ge),習者眾(zhong)多,使(shi)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)漢(han)(han)(han)(han)(han)(han)(han)調二簧得到了(le)(le)(le)長(chang)足(zu)新(xin)悅耳,表(biao)(biao)演(yan)細膩神奇(qi)的(de)(de)風格(ge),習者眾(zhong)多,使(shi)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)漢(han)(han)(han)(han)(han)(han)(han)調二簧得到了(le)(le)(le)長(chang)足(zu)發展。同(tong)(tong)治年(nian)(nian)間(jian)(1862—1874)出(chu)(chu)科(ke)的(de)(de)方(fang)、盛兩科(ke)藝(yi)術人,先后(hou)(hou)入(ru)關中、四川演(yan)出(chu)(chu);瑞、彩(cai)科(ke)藝(yi)人長(chang)期駐(zhu)足(zu)于安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)地(di)區,使(shi)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)漢(han)(han)(han)(han)(han)(han)(han)調二簧在唱(chang)腔、表(biao)(biao)演(yan)等(deng)方(fang)面發生(sheng)了(le)(le)(le)較大(da)變(bian)化。清末民(min)(min)(min)案(an)初(chu),安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)各(ge)(ge)地(di)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)社日益增多,最有(you)(you)影響的(de)(de)為(wei)十(shi)(shi)三太(tai)(tai)(tai)字(zi)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)。即金(jin)太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、福太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、鼎太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、廣(guang)太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、隆(long)太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、貴太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、仁(ren)太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、榮太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、盛太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、喜(xi)太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、治太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)、裕太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)和(he)德太(tai)(tai)(tai)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)。后(hou)(hou)因連年(nian)(nian)災荒(huang),兵匪(fei)橫(heng)行,班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)社紛紛解體(ti)。民(min)(min)(min)國八年(nian)(nian)(1919)年(nian)(nian)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)藝(yi)人凌成(cheng)(cheng)佑,在城(cheng)(cheng)防駐(zhu)軍北洋第(di)七師的(de)(de)支持下,成(cheng)(cheng)立了(le)(le)(le)漢(han)(han)(han)(han)(han)(han)(han)劇(ju)(ju)(ju)同(tong)(tong)心(xin)社,以安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)城(cheng)(cheng)為(wei)大(da)本營,于陜(shan)南(nan)漢(han)(han)(han)(han)(han)(han)(han)水流(liu)(liu)域各(ge)(ge)縣(xian)(xian)廟(miao)會、商會、鄉鎮售票(piao)演(yan)出(chu)(chu),二簧再一次(ci)起興。出(chu)(chu)現(xian)的(de)(de)藝(yi)人有(you)(you)青衣泰斗(dou)陳長(chang)庚,凈角陳天(tian)靜(jing)、知(zhi)長(chang)福,花(hua)旦閻保林,丑角范(fan)大(da)德、梁金(jin)玉(yu)(yu)(yu),生(sheng)角徐茂才、黃大(da)架,小生(sheng)孫玉(yu)(yu)(yu)寶、李(li)玉(yu)(yu)(yu)喜(xi)及(ji)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)二簧第(di)一代女藝(yi)人鐘玉(yu)(yu)(yu)鳳、郭玉(yu)(yu)(yu)蓮等(deng)。抗日戰爭爆發后(hou)(hou),京、滬各(ge)(ge)地(di)藝(yi)人逃至陜(shan)南(nan),京劇(ju)(ju)(ju)、越劇(ju)(ju)(ju)、曲(qu)(qu)劇(ju)(ju)(ju)、話劇(ju)(ju)(ju)及(ji)秦腔傳入(ru)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang),安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)二簧又(you)走向了(le)(le)(le)低谷(gu)。凌成(cheng)(cheng)佑不(bu)甘現(xian)狀(zhuang),在同(tong)(tong)心(xin)社開(kai)辦科(ke)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban),培養(yang)了(le)(le)(le)一批(pi)二簧藝(yi)人,使(shi)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)二簧再度出(chu)(chu)現(xian)了(le)(le)(le)回升之勢。中華人民(min)(min)(min)共(gong)和(he)國成(cheng)(cheng)立后(hou)(hou),安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)地(di)方(fang)政(zheng)府將同(tong)(tong)心(xin)社與西關自樂(le)社合并成(cheng)(cheng)立安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)人民(min)(min)(min)劇(ju)(ju)(ju)院,先后(hou)(hou)排演(yan)了(le)(le)(le)《小二黑結婚》、《窮人恨》、《九(jiu)件衣》、《北京四十(shi)(shi)天(tian)》等(deng)劇(ju)(ju)(ju)目,受到觀眾(zhong)歡迎。1956年(nian)(nian)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)人民(min)(min)(min)劇(ju)(ju)(ju)院改為(wei)安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)縣(xian)(xian)漢(han)(han)(han)(han)(han)(han)(han)劇(ju)(ju)(ju)團(tuan)。專區各(ge)(ge)縣(xian)(xian)也先后(hou)(hou)成(cheng)(cheng)立起縣(xian)(xian)屬專業漢(han)(han)(han)(han)(han)(han)(han)劇(ju)(ju)(ju)團(tuan),從業人員達三百余人。1959年(nian)(nian)陜(shan)西省戲曲(qu)(qu)學(xue)校設(she)立漢(han)(han)(han)(han)(han)(han)(han)劇(ju)(ju)(ju)班(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban)(ban),為(wei)漢(han)(han)(han)(han)(han)(han)(han)劇(ju)(ju)(ju)培養(yang)學(xue)員七十(shi)(shi)五名(ming),充實(shi)了(le)(le)(le)漢(han)(han)(han)(han)(han)(han)(han)劇(ju)(ju)(ju)新(xin)生(sheng)力量。1981年(nian)(nian)陜(shan)西省文化局于安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)舉行了(le)(le)(le)首屆漢(han)(han)(han)(han)(han)(han)(han)劇(ju)(ju)(ju)會演(yan),名(ming)流(liu)(liu)薈萃,各(ge)(ge)呈(cheng)異彩(cai),把二簧戲推到一個新(xin)的(de)(de)階段。安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)漢(han)(han)(han)(han)(han)(han)(han)調二簧擅演(yan)文戲,唱(chang)腔秀麗、委婉,主要流(liu)(liu)行安(an)(an)(an)(an)(an)(an)康(kang)(kang)(kang)(kang)(kang)(kang)(kang)、旬陽(yang)、紫陽(yang)、平利、白河(he)、漢(han)(han)(han)(han)(han)(han)(han)陰(yin)、石泉等(deng)地(di)。
流行于(yu)(yu)西(xi)安(an)、三原(yuan)(yuan)(yuan)、涇(jing)陽(yang)、鳳翔(xiang)、長(chang)安(an)、藍田(tian)、周至(zhi)、戶縣(xian)(xian)、咸陽(yang)、耀縣(xian)(xian)等地(di)(di)。注重唱(chang)工(gong),劇(ju)本水詞少,正、悲劇(ju)多,曲(qu)牌(pai)、打擊樂多帶秦腔風味。最(zui)得文人(ren)、商(shang)紳、旗、滿、回民和(he)軍(jun)政要人(ren)的(de)喜好。嘉慶末年(nian),漢中(zhong)來字輩出(chu)(chu)(chu)(chu)(chu)科學(xue)生(sheng)賀鴻(hong)生(sheng),領班(ban)(ban)往關(guan)中(zhong)寶雞、虢(guo)鎮(zhen)、周至(zhi)、戶縣(xian)(xian)、涇(jing)陽(yang)、三原(yuan)(yuan)(yuan)、富平及(ji)西(xi)安(an)南關(guan)等地(di)(di)演(yan)出(chu)(chu)(chu)(chu)(chu)。受其影響,涇(jing)陽(yang)、長(chang)安(an)、周至(zhi)等地(di)(di),亦先后組(zu)織起二(er)簧(huang)(huang)班(ban)(ban)社(she)(she)(she)。光(guang)緒年(nian)間(jian)(1875—1908),出(chu)(chu)(chu)(chu)(chu)現了三原(yuan)(yuan)(yuan)的(de)清義(yi)班(ban)(ban),涇(jing)陽(yang)吳寡婦班(ban)(ban),并開(kai)始有(you)坤伶清唱(chang)或掛(gua)衣登臺。吳寡婦班(ban)(ban)搜(sou)羅(luo)藝人(ren),延聘文人(ren)修改劇(ju)本,聲譽(yu)日(ri)增。慈禧太后逃至(zhi)西(xi)安(an)后,該班(ban)(ban)曾應詔承奉獻演(yan),得到慈禧贈匾嘉獎。辛亥革(ge)命后,陜西(xi)督都(dou)張(zhang)翔(xiang)初(chu),革(ge)命軍(jun)師長(chang)張(zhang)云山(shan),支持(chi)在西(xi)安(an)創(chuang)辦了二(er)簧(huang)(huang)鳴(ming)盛學(xue)社(she)(she)(she),先后培養(yang)學(xue)員二(er)百余人(ren),成為(wei)(wei)關(guan)中(zhong)地(di)(di)區二(er)簧(huang)(huang)的(de)最(zui)大科班(ban)(ban)。教師有(you)趙(zhao)安(an)子、吳李乾等。出(chu)(chu)(chu)(chu)(chu)科的(de)演(yan)員有(you)山(shan)鳴(ming)歧、劉鳴(ming)祥(xiang)、張(zhang)鳴(ming)峰、雷鳴(ming)震等,成為(wei)(wei)關(guan)中(zhong)二(er)簧(huang)(huang)的(de)中(zhong)堅力(li)量,曾受聘于(yu)(yu)四川(chuan)、甘肅、河南等地(di)(di)傳藝和(he)演(yan)出(chu)(chu)(chu)(chu)(chu)。關(guan)中(zhong)二(er)簧(huang)(huang)演(yan)出(chu)(chu)(chu)(chu)(chu)的(de)主要劇(ju)目有(you)《火輪牌(pai)》、《汜水關(guan)》、《破桃山(shan)》、《出(chu)(chu)(chu)(chu)(chu)五關(guan)》、《過巴州》、《鎖陽(yang)城(cheng)》、《四平山(shan)》等。1925年(nian)駐軍(jun)賈興運組(zu)織的(de)二(er)簧(huang)(huang)班(ban)(ban),演(yan)出(chu)(chu)(chu)(chu)(chu)一時而解體。1931年(nian),藝人(ren)王安(an)奎(kui)創(chuang)辦志義(yi)科班(ban)(ban),培養(yang)出(chu)(chu)(chu)(chu)(chu)演(yan)員劉志俊、劉志勝、馮(feng)志才(cai)、邵志福(fu)、董志杰等,同(tong)時還出(chu)(chu)(chu)(chu)(chu)現有(you)慶義(yi)社(she)(she)(she)和(he)中(zhong)興社(she)(she)(she),因難以(yi)立(li)足(zu)西(xi)安(an)而多巡回于(yu)(yu)外縣(xian)(xian)演(yan)出(chu)(chu)(chu)(chu)(chu)。1949年(nian)初(chu),原(yuan)(yuan)(yuan)“鳴(ming)盛學(xue)社(she)(she)(she)”、“慶義(yi)社(she)(she)(she)”等漢調二(er)簧(huang)(huang)班(ban)(ban)社(she)(she)(she)合并為(wei)(wei)“大眾(zhong)劇(ju)社(she)(she)(she)”,活(huo)動三年(nian)散班(ban)(ban)。自此,關(guan)中(zhong)地(di)(di)區再無專業二(er)簧(huang)(huang)劇(ju)團(tuan),僅(jin)西(xi)安(an)、藍田(tian)、戶縣(xian)(xian)尚(shang)有(you)二(er)簧(huang)(huang)研究會,經(jing)常(chang)組(zu)織一些業余演(yan)唱(chang)活(huo)動。
盛行于鎮(zhen)安(an)(an)、山(shan)陽(yang)、商(shang)(shang)縣(xian)(xian)(xian)、洛(luo)(luo)南等(deng)地(di)(di)。向(xiang)以(yi)(yi)武(wu)戲見長,演(yan)《八蠟廟》、《紅(hong)桃山(shan)》等(deng)劇(ju)(ju),使(shi)用真槍真刀(dao)。同治、光(guang)緒年(nian)(nian)(nian)間(1862—1908),出科(ke)于漢中(zhong)(zhong)西(xi)鄉(xiang)沙河(he)坎楊金(jin)(jin)年(nian)(nian)(nian)科(ke)班的(de)(de)名藝(yi)人賀鴻生(sheng)(sheng),曾從湖北、關中(zhong)(zhong)往返于商(shang)(shang)洛(luo)(luo)地(di)(di)區傳播二(er)(er)簧(huang),培(pei)養(yang)出趙(zhao)(zhao)安(an)(an)子、吳寶卿、演(yan)技超群,頗受(shou)(shou)觀眾歡迎(ying)。光(guang)緒二(er)(er)十(shi)四(si)年(nian)(nian)(nian)(1898),清廷(ting)還詔(zhao)趙(zhao)(zhao)、吳進(jin)宮演(yan)唱。姚政班先(xian)后(hou)舉辦(ban)科(ke)班,培(pei)養(yang)出“廣(guang)”、“慶(qing)”兩科(ke)藝(yi)人五十(shi)余(yu)名,壯大(da)了洛(luo)(luo)鎮(zhen)二(er)(er)簧(huang)的(de)(de)演(yan)出隊(dui)伍。二(er)(er)十(shi)世紀二(er)(er)、三十(shi)年(nian)(nian)(nian)代(dai),二(er)(er)簧(huang)戲繼續發展,出現的(de)(de)班社(she)有(you)柞水(shui)縣(xian)(xian)(xian)北河(he)代(dai)大(da)爺(ye)班,商(shang)(shang)縣(xian)(xian)(xian)城內孔海山(shan)的(de)(de)商(shang)(shang)山(shan)升平社(she),商(shang)(shang)縣(xian)(xian)(xian)北區的(de)(de)屈映南班,鎮(zhen)安(an)(an)縣(xian)(xian)(xian)城姚再勝(sheng)的(de)(de)五福(fu)班,云(yun)蓋寺(si)的(de)(de)安(an)(an)樂社(she)和柞水(shui)石(shi)鎮(zhen)、商(shang)(shang)縣(xian)(xian)(xian)黑龍口、韓(han)峪川、楊斜、東鄉(xiang)等(deng)地(di)(di)的(de)(de)二(er)(er)簧(huang)班,共十(shi)余(yu)個。藝(yi)人有(you)代(dai)大(da)爺(ye)班的(de)(de)劉五燕(紅(hong)生(sheng)(sheng)、武(wu)旦)、張志富(二(er)(er)凈)、朱(zhu)長福(fu)(外)、龔金(jin)(jin)娃(末)等(deng),五福(fu)班的(de)(de)尹榮山(shan)(凈)、董興平(旦)、金(jin)(jin)雙慶(qing)(生(sheng)(sheng))、雷鳴震(生(sheng)(sheng))等(deng),安(an)(an)樂社(she)的(de)(de)羅(luo)福(fu)娃、陳大(da)炮、劉子勝(sheng)(生(sheng)(sheng))、張長生(sheng)(sheng)(丑)、高志海(旦)等(deng),商(shang)(shang)縣(xian)(xian)(xian)、山(shan)陽(yang)、柞水(shui)縣(xian)(xian)(xian)各班的(de)(de)李保林(lin)、王廣(guang)翠、陳剛娃、黃(huang)亮(liang)子、呂(lv)慶(qing)華、張慶(qing)鴻等(deng)。演(yan)出的(de)(de)劇(ju)(ju)目主要有(you)《斬(zhan)黃(huang)袍》《天(tian)水(shui)關》《端午門》《受(shou)(shou)禪臺》《天(tian)才吃(chi)饃》《南北會(hui)》《洪羊(yang)洞(dong)》《白(bai)門樓(lou)》《清河(he)橋(qiao)》《大(da)開榜》《元(yuan)宵謎》《梵王宮》《漁舟(zhou)配》《鼓滾劉封》《雙投(tou)唐》《草橋(qiao)關》《月(yue)明樓(lou)》《望兒(er)樓(lou)》等(deng)。抗(kang)(kang)日戰爭期間,洛(luo)(luo)鎮(zhen)漢調二(er)(er)簧(huang)呈現蕭條之勢(shi),不少班社(she)解體。至(zhi)抗(kang)(kang)日戰爭末期,只有(you)柞水(shui)抗(kang)(kang)建(jian)劇(ju)(ju)團(tuan)、鎮(zhen)安(an)(an)三勝(sheng)班等(deng)還在演(yan)出。中(zhong)(zhong)華人民共和國成立后(hou),1955年(nian)(nian)(nian)5月(yue)以(yi)(yi)大(da)同社(she)和抗(kang)(kang)建(jian)劇(ju)(ju)團(tuan)為基(ji)礎建(jian)立了商(shang)(shang)洛(luo)(luo)新生(sheng)(sheng)劇(ju)(ju)團(tuan),1956年(nian)(nian)(nian)秋,鎮(zhen)安(an)(an)縣(xian)(xian)(xian)以(yi)(yi)三勝(sheng)班為基(ji)礎組建(jian)了群眾劇(ju)(ju)團(tuan)。1957年(nian)(nian)(nian)后(hou)又(you)相繼組建(jian)成立了山(shan)陽(yang)縣(xian)(xian)(xian)和鎮(zhen)安(an)(an)縣(xian)(xian)(xian)兩個縣(xian)(xian)(xian)級專業漢劇(ju)(ju)團(tuan),經(jing)常(chang)于本縣(xian)(xian)(xian)及商(shang)(shang)縣(xian)(xian)(xian)、洛(luo)(luo)南、丹(dan)鳳等(deng)地(di)(di)巡回(hui)演(yan)出。并招收學員(yuan),培(pei)養(yang)出武(wu)新艾等(deng)一批(pi)演(yan)員(yuan)。
經研究認(ren)定,漢調二(er)簧(huang)(huang)形成(cheng)較早,各地其他(ta)皮簧(huang)(huang)聲腔劇(ju)(ju)(ju)種(zhong)都與之存(cun)在淵(yuan)源關系(xi),它對川劇(ju)(ju)(ju)、徽(hui)劇(ju)(ju)(ju)、京劇(ju)(ju)(ju)等(deng)的形成(cheng)和發(fa)展有(you)著不可忽略的影響。
如(ru)今(jin),漢調二簧觀(guan)眾銳減,經濟(ji)上出現困難(nan),不斷走向(xiang)衰落,專業劇(ju)團(tuan)紛(fen)紛(fen)解散(san),僅剩(sheng)下安康(kang)漢濱區(qu)一(yi)(yi)個劇(ju)團(tuan)還在維(wei)持(chi)演出,而且這(zhe)(zhe)個惟(wei)一(yi)(yi)的(de)劇(ju)團(tuan)也正瀕臨解散(san)的(de)危機(ji)。在此情勢(shi)下,有必要大聲呼吁,應(ying)該盡快對這(zhe)(zhe)一(yi)(yi)古老(lao)劇(ju)種進(jin)行搶救和保護。
龔尚武,男(nan),漢(han)族,1937年生,陜(shan)西漢(han)陰(yin)人,第二批國家(jia)級非物質文化遺產項目漢(han)調二簧(huang)代表性傳承人。
王發蕓,女,漢族,1941年生,陜西安康人,國(guo)家二(er)級演員(yuan),第二(er)批(pi)國(guo)家級非物質(zhi)文化(hua)遺(yi)產項目(mu)漢調(diao)二(er)簧代表性(xing)傳(chuan)承(cheng)人。
1956年,陜(shan)西省文(wen)化局及陜(shan)西省劇(ju)目工作(zuo)室在(zai)安(an)康設(she)立(li)專(zhuan)區(qu)戲(xi)曲發掘組(zu),全面(mian)組(zu)織二(er)黃(huang)老藝人(ren)們口(kou)述傳代輩份、班(ban)社來往和源(yuan)流沿(yan)革(ge);以及迄今(jin)對古戲(xi)樓遺存至今(jin)的班(ban)社壁(bi)題留字。
2019年(nian)11月,《國家級非(fei)物質文化遺(yi)產代表性項(xiang)(xiang)目保護單(dan)位名單(dan)》公布,安(an)康市群眾藝術館、竹(zhu)溪縣山(shan)二(er)黃劇種(zhong)保護傳承展演中心獲(huo)得(de)“漢調二(er)簧”項(xiang)(xiang)目保護單(dan)位資格(ge)。
重要演出
1981年,陜(shan)西(xi)省文(wen)化廳(ting)在安康舉辦“陜(shan)西(xi)省首屆漢(han)劇會演”,陜(shan)南地區有十余個專業劇團參加演出,出現了空前(qian)繁榮的(de)局面。
2015年(nian)10月16日晚(wan),為喜(xi)迎“第十一屆中(zhong)國文化藝術節”倒計時一周年(nian),由寧(ning)陜縣(xian)文廣局主辦、廣貨街鎮沙溝漢劇(ju)自樂班社承辦的(de)漢調二黃專場(chang)演出(chu)在寧(ning)陜縣(xian)電影院(yuan)精彩上演。
榮譽表彰
2012年,平(ping)利縣選送的(de)漢(han)調(diao)二黃戲(xi)《八仙(xian)游(you)八仙(xian)》在首屆漢(han)調(diao)二黃自樂班(ban)社擂臺賽(sai)中榮獲一等獎。