1、童謠(北京童謠),編號:Ⅰ-78
(1)批次/類型:2008年(第二批),新增項目
(2)申報地區或單位:北京市宣武區
(3)保護單位:北京市宣武師范學校附屬第一小學
2、童謠(紹興童謠),編號:Ⅰ-78
(1)批次/類型:2014年(第四批),擴展項目
(2)申報地區或單位:浙江省紹興市
(3)保護單位:紹興市文化館、紹興市非物質文化遺產保護中心
3、童謠(閩南童謠),編號:Ⅰ-78
(1)批次/類型:2008年(第二批),新增項目
(2)申報地區或單位:福建省廈門市
(3)保護單位:廈門市集美區灌口小學(福建省廈門實驗小學集美分校)
4、童謠(納西族童謠),編號:Ⅰ-78
(1)批次/類型:2021年(第五批),擴展項目
(2)申報地區(qu)或單位(wei):云南(nan)省麗江市古城區(qu)
童謠(yao)(yao)(yao)(yao)指傳唱(chang)于(yu)兒童之(zhi)口的沒有(you)(you)樂譜(pu)的歌(ge)謠(yao)(yao)(yao)(yao),是(shi)流(liu)傳于(yu)全國各地(di)的一種由特殊群體念唱(chang)、傳播,具(ju)有(you)(you)特殊意(yi)義的民謠(yao)(yao)(yao)(yao)種類。童謠(yao)(yao)(yao)(yao)在我(wo)國已有(you)(you)千年的歷史,歷朝(chao)官修正(zheng)史及(ji)雜傳、筆記(ji)、小(xiao)說中不(bu)乏童謠(yao)(yao)(yao)(yao)的記(ji)錄。童謠(yao)(yao)(yao)(yao)主要(yao)有(you)(you)書面、口頭兩種傳承方式,其語言淺顯易懂,內容樸實自然,是(shi)民間文學(xue)藝術的優秀代表。童謠(yao)(yao)(yao)(yao)中積淀了(le)優秀的民族文化,蘊涵著豐富(fu)的教育內容。
北京童謠表現了各時期北京的城市性格和北京人的思想感情,承載著我國幾千年的歷史,感染滲透力強,是可挖掘、可借鑒的寶貴教育資源。北京(jing)童(tong)(tong)謠(yao)(yao)按內容可分(fen)為(wei)三類(lei):第(di)一類(lei)是長輩、父母為(wei)教(jiao)育兒(er)童(tong)(tong)而編唱的童(tong)(tong)謠(yao)(yao);第(di)二類(lei)是描(miao)述成(cheng)人生活(huo)、情感(gan)、觀念、見解(jie)的童(tong)(tong)謠(yao)(yao);第(di)三類(lei)是根據古代儀式中的慣用語(yu)或歷史題材(cai)加工而成(cheng)的童(tong)(tong)謠(yao)(yao)。童(tong)(tong)謠(yao)(yao)有多種(zhong)表現形(xing)式,包(bao)括頂針格(ge)、串(chuan)話(hua)、繞口令、謠(yao)(yao)諺格(ge)、搖(yao)籃曲、謎語(yu)格(ge)、連(lian)鎖調、數數歌、問答歌、排比格(ge)等。在創作過程中要合轍押(ya)韻,包(bao)括雙句(ju)(ju)押(ya)韻、句(ju)(ju)句(ju)(ju)押(ya)韻、每(mei)兩句(ju)(ju)一押(ya)韻等押(ya)韻方式。如《東直門掛著匾》、《大(da)頭(tou)兒(er)大(da)》、《一園青(qing)菜成(cheng)了精》、《過水面》、《風婆(po)婆(po)》、《金箍(gu)嚕棒(bang)》等。
如今,北(bei)京童謠(yao)這種反映孩(hai)子(zi)們(men)童真(zhen)童趣、對無數人的(de)(de)成長產生過(guo)重要影響(xiang)的(de)(de)文學樣式(shi)正逐漸淡出孩(hai)子(zi)們(men)的(de)(de)生活,千百年來一(yi)直為人們(men)傳唱的(de)(de)耳熟能詳的(de)(de)童謠(yao)已開始(shi)為今天的(de)(de)孩(hai)子(zi)們(men)所遺忘(wang)。必須立即著手保護(hu)、傳承、發展北(bei)京童謠(yao)這一(yi)民族瑰寶,使之更好地為少(shao)年兒童的(de)(de)成長服(fu)務。
閩(min)(min)南(nan)童(tong)謠是以(yi)閩(min)(min)南(nan)方言創作(zuo)(zuo)和傳唱的(de)(de)兒童(tong)歌謠,流行于閩(min)(min)南(nan)、臺(tai)灣(wan)地區和東南(nan)亞華僑華裔居住地,是歷代閩(min)(min)南(nan)百姓根據兒童(tong)的(de)(de)理解能力(li)、心理特(te)點,用閩(min)(min)南(nan)方言復雜而富(fu)有音樂(le)美(mei)的(de)(de)韻語和平仄節(jie)奏(zou)創作(zuo)(zuo),并在(zai)傳唱過程中不(bu)斷修改、補充而形(xing)成的(de)(de)民間文學形(xing)式(shi)。
閩(min)(min)(min)南童(tong)(tong)(tong)(tong)謠(yao)的(de)起源、沿(yan)革沒有詳細的(de)文字(zi)記載,但(dan)從福(fu)建地方典籍中(zhong)看,唐(tang)代閩(min)(min)(min)地的(de)民(min)間童(tong)(tong)(tong)(tong)謠(yao)《月(yue)光光》與今天閩(min)(min)(min)南各(ge)地流傳的(de)同名童(tong)(tong)(tong)(tong)謠(yao)雖然文字(zi)上存在差(cha)異(yi),但(dan)主題(ti)和(he)結(jie)構(gou)十分相似,因(yin)此閩(min)(min)(min)南童(tong)(tong)(tong)(tong)謠(yao)在唐(tang)代已經(jing)出現。明朝中(zhong)葉以后,隨著閩(min)(min)(min)南人大批(pi)過(guo)臺(tai)灣(wan)、下南洋,閩(min)(min)(min)南童(tong)(tong)(tong)(tong)謠(yao)也隨之傳播到臺(tai)灣(wan)、南洋。
閩南童(tong)謠(yao)按其內容可分(fen)為(wei)時政(如(ru)(ru)《拍日本(ben)》)、育兒(如(ru)(ru)《搖(yao)啊(a)搖(yao)》)、游(you)戲(xi)(如(ru)(ru)《拍手歌(ge)》)、動物(如(ru)(ru)《小蜜蜂》)、植(zhi)物(如(ru)(ru)《果(guo)子歌(ge)》)、知識(如(ru)(ru)《一(yi)二三(san)》)、民俗(如(ru)(ru)《圍爐過年》)、趣(qu)味(如(ru)(ru)《阿不倒》)等類(lei)(lei)。按其形(xing)式(shi)(shi)則可分(fen)為(wei)搖(yao)籃(lan)曲(如(ru)(ru)《唔唔嚶》)、敘述(shu)式(shi)(shi)(如(ru)(ru)《和順(shun)歌(ge)》)、問答歌(ge)(如(ru)(ru)《草蜢(meng)公》)、連鎖調(如(ru)(ru)《白鷺鷥》)、謎語(如(ru)(ru)《一(yi)點一(yi)畫長(chang)》)、繞口(kou)令(ling)(如(ru)(ru)《銅釘釘銅板》)等類(lei)(lei)。按表演形(xing)式(shi)(shi)又可分(fen)為(wei)念(nian)謠(yao)(即口(kou)頭朗(lang)讀或吟(yin)誦)、唱謠(yao)(將童(tong)謠(yao)配曲來(lai)唱)、戲(xi)謠(yao)(在(zai)做游(you)戲(xi)時念(nian)童(tong)謠(yao))、舞謠(yao)(邊念(nian)童(tong)謠(yao)邊舞蹈)等種類(lei)(lei)。
閩(min)(min)南童(tong)謠(yao)是(shi)一(yi)座豐富(fu)的(de)知(zhi)識(shi)寶庫,是(shi)幫助兒童(tong)學(xue)習語言、認識(shi)社會、認識(shi)生活的(de)重(zhong)要手段之一(yi)。由于現代(dai)文化(hua)的(de)沖擊(ji)和方言的(de)流(liu)失,閩(min)(min)南童(tong)謠(yao)正漸(jian)漸(jian)遠離(li)少年兒童(tong),必須(xu)采取各種有力措施,做好閩(min)(min)南童(tong)謠(yao)的(de)搶救和保護工(gong)作。
紹(shao)(shao)興(xing)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)是(shi)(shi)流(liu)傳(chuan)(chuan)于(yu)古越(yue)地中(zhong)(zhong)(zhong)心紹(shao)(shao)興(xing)及周邊一帶(dai),兒童(tong)(tong)(tong)(tong)(tong)(tong)(tong)為傳(chuan)(chuan)唱(chang)主體的(de)(de)歌(ge)(ge)謠(yao)(yao)(yao),是(shi)(shi)中(zhong)(zhong)(zhong)國民(min)間(jian)文(wen)(wen)學寶庫的(de)(de)重(zhong)要組成部(bu)分(fen)。目前(qian)廣(guang)泛流(liu)傳(chuan)(chuan)于(yu)紹(shao)(shao)興(xing)的(de)(de)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)約(yue)有(you)400首,題材包(bao)羅萬象(xiang),主要有(you)游戲童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)、教(jiao)誨(hui)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)、敘事體物童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)等(deng),以(yi)(yi)繞(rao)口令、謎語歌(ge)(ge)、數數歌(ge)(ge)、連鎖歌(ge)(ge)、字頭歌(ge)(ge)、顛倒歌(ge)(ge)、問答歌(ge)(ge)等(deng)多(duo)種形式(shi)(shi)表(biao)(biao)現(xian)。紹(shao)(shao)興(xing)市位(wei)于(yu)浙江(jiang)省中(zhong)(zhong)(zhong)北(bei)部(bu),以(yi)(yi)獨特(te)的(de)(de)地理環境、悠久(jiu)的(de)(de)發展歷史(shi)、深厚(hou)的(de)(de)文(wen)(wen)化(hua)底蘊、豐富(fu)的(de)(de)文(wen)(wen)化(hua)表(biao)(biao)現(xian)形式(shi)(shi)聞(wen)名海內(nei)外,為童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)的(de)(de)滋(zi)生(sheng)和發展提(ti)供了充足的(de)(de)養分(fen)。紹(shao)(shao)興(xing)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)歷史(shi)悠久(jiu)。南(nan)朝范(fan)曄《后(hou)漢書·張(zhang)霸傳(chuan)(chuan)》載有(you)《會(hui)稽(ji)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)》:“棄我戟,捐我矛,盜賊盡,吏皆休。”西晉陳(chen)壽《益都耆舊傳(chuan)(chuan)》又(you)載有(you)《會(hui)稽(ji)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)歌(ge)(ge)》,為《會(hui)稽(ji)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)》的(de)(de)同題異文(wen)(wen)歌(ge)(ge)。清(qing)悟(wu)癡生(sheng)(會(hui)稽(ji)人(ren))編(bian)《廣(guang)天籟集(ji)(ji)》,收(shou)錄浙江(jiang)兒歌(ge)(ge)23首;清(qing)范(fan)寅編(bian)《越(yue)諺(yan)》,收(shou)錄紹(shao)(shao)興(xing)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)55首。1922年(nian)(nian)至(zhi)1923年(nian)(nian),共有(you)69首紹(shao)(shao)興(xing)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)分(fen)別被錄入《繪圖童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)大觀(guan)》、《各省童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)集(ji)(ji)》;1928年(nian)(nian)至(zhi)1934年(nian)(nian),婁子匡出版的(de)(de)《紹(shao)(shao)興(xing)歌(ge)(ge)謠(yao)(yao)(yao)》、《越(yue)歌(ge)(ge)百曲》及陶(tao)茂(mao)康創辦的(de)(de)《民(min)間(jian)》叢刊(kan),記錄了大量(liang)的(de)(de)紹(shao)(shao)興(xing)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao);民(min)國初年(nian)(nian),周作人(ren)在(zai)紹(shao)(shao)興(xing)征集(ji)(ji)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao),后(hou)加入北(bei)大歌(ge)(ge)謠(yao)(yao)(yao)研(yan)(yan)究(jiu)會(hui),發表(biao)(biao)《(紹(shao)(shao)興(xing)兒歌(ge)(ge)述略)序》等(deng)多(duo)篇文(wen)(wen)章,又(you)收(shou)集(ji)(ji)紹(shao)(shao)興(xing)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)223首收(shou)錄在(zai)《童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)研(yan)(yan)究(jiu)手(shou)稿(gao)》中(zhong)(zhong)(zhong)。以(yi)(yi)上活動(dong),奠定了紹(shao)(shao)興(xing)童(tong)(tong)(tong)(tong)(tong)(tong)(tong)謠(yao)(yao)(yao)在(zai)民(min)間(jian)文(wen)(wen)學界的(de)(de)重(zhong)要地位(wei)。